2022
from 9th of September to 15th of October 2022
Installation
Il respiro dei sogni
Conception and video and music by Jacopo Baboni Schilingi
Interactive video software - Leo baqué
Curators - Valentina Gensini [MAD] and Renata Summo O'Connell [Artegiro]
Murate Art District - Florence - [Italy]
Dreamlike visions, personal projections and collective utopias, these are the three "macro-areas" into which Baboni Schilingi has divided the work, creating a pathway that, starting from the cells of the former Florentine prison, culminates in the Anna Banti room, inside which the visitor will find Argo - the device conceived by Baboni to measure and visualise his breathing 24 hours a day - trying at first hand to "dream" and at the same time to compose music with the simple movement of his hands. Jacopo Baboni Schilingi's project, curated by Valentina Gensini, MAD's artistic director, and Renata Summo O'Connell, Artegiro's president, is financed by ANCI, Presidenza del Consiglio dei Ministri - Dipartimento per le politiche giovanili e il servizio civile universale, within LUMEN- Progetto RIVA, conceived and produced by MAD, in collaboration with Artegiro Contemporary Art, Institut Francais, Accademia di Belle Arti di Firenze, Conservatorio Luigi Cherubini, EMI - Ensemble de Musique Interactive, with the support of Fondazione CR Firenze. "Citizens, Florentines and not, dream aloud: after sharing the most intimate dimension of their dreamy imagination, of their projection towards the future, but also of their own pulse and breath, measured by the Argo sensor, our Community will finally be able to inhabit sound spaces designed by the great composer Jacopo Baboni Schilingi at MAD Murate Art District and at the Terzo Giardino; - said Valentina Gensini, artistic director of MAD - . In two completely different versions, dreams will come alive aloud with the artist's sound design, and can be walked, traversed, experienced. With a work commissioned by the RIVA Project, Baboni Schilingi proposes this participatory installation after a long process of listening to the territory, training with the young artists of the Academy and Conservatory, and artistic dedication to the city". "The Breath of Dreams," commented Renata Summo O'Connell, "proposes images, sounds and multimedia installations that collect and narrate in an absolutely contemporary way the voices of dreamers, the ideals and desires of Florentine and non-Florentine citizens, narrated along the Arno River and returned in a choral and unexpected work of art. A long breath of dreams, as digital as it is organically natural, that joins us from the Arno to the heart of the city'. "The ability to dream unites us all: women, men, young, old," explained Jacopo Baboni Schilingi. "It is that unconscious ability thanks to which we are all a bit like artists capable of living profound, mysterious, frightening, imaginative experiences. Through the breath of dreams, I have decided to give voice to your unconscious'.
September 8th 2022
Installation
Il respiro dei sogni
Conception and music by Jacopo Baboni Schilingi
Curators - Valentina Gensini [MAD] and Renata Summo O'Connell [Artegiro]
Lungarno Serristori / fronte Torre San Niccolò
Terzo Giardino - Florence - [Italy]
The project is financed by Anci , Palazzo Chigi - Presidency of the Council of Ministers - Department for Youth Policy and Universal Civil Service, within LUMEN- Progetto RIVA, conceived and produced by MAD, in collaboration with Artegiro Contemporary ART, with the contribution of Fondazione CR Firenze.
July 17th 2022
CONCERT
Interludes by Jacopo Baboni Schilingi
Simon Ghraichy - piano
Raga Gorgani - dance
Baalbeck Acropolis - [Libanon]
June 18th 2022
Bóvedas Celestes 2022
Gau Zuria Festival
Generative installation by Miguel Chevalier
Conception Miguel Chevalier
Music by Jacopo Baboni Schilingi
Software: Cyrille Henry / Antoine Villeret
Technical production: Voxels Productions
Church of Encarnación - Bilbao - [Spain]
June 13th 2022
CONCERT
Scarlet K141 by Jacopo Baboni Schilingi
Luca Quintavalle - harpsichord
Palazzo Ricci – Europäische Akademie für Musik und Darstellende Kunst
Montepulciano - [Italy]
Scarlet K141 is a composition for harpsichord and live electronics.
It is a composition that belongs to the "highly" cycle, which means "as fast as possible".
It is a composition strongly inspired by Scarlatti's sonata K141. Actually, I was inspired by three sonatas: K18, K141 and K525. But the morphological link with K141 is much more explicit.
This composition seeks, in addition to a purely musical discourse, to enhance the performer. In the music of creation, also known as contemporary music, all too often composers submit passages that are extremely difficult to perform and whose sonic result seems disconnected from the difficulty of producing it.
Scarlet K141 is exactly the opposite. The instrumental gestures are in themselves all idiomatic to the instrument: obstinate repeated notes, trills, tremolos, clusters. It is their concatenation that makes them particularly spectacular.
In addition to the gestures just listed, I ask Luca Quintavalle, in a section before the finale, to strike the harpsichord as if it were a percussion instrument. It is no longer a question of playing on the keyboard, but in the different wooden parts of the sound box. All these sounds are recorded in real time by the computer and I process them so that a dialogue is created between the harpsichord and the electronics. This dialogue is defined both by the reworked sounds and by a series of sounds that I have composed specifically for this composition.
For more than 14 years now, I have been writing my scores not on paper, nor on the computer, but on human bodies. Then I take photographs of these scores so that I can copy them and send them to the musicians. For Scarlet K141 I wrote about Agathe Vidal [whose photo was used for the cover].
In this sense Scarlet K141 represents my aesthetics [or poetics if you prefer], which is articulated around four fundamental needs: to express myself through complex structures, the search for hedonism through my work, the use of machines and the redefinition of the notion of the body in art.
Scarlet K141 is dedicated to Luca Quintavalle, to whom I owe so much, and this composition bears witness to that.
June 11th 2022
CONCERT
Wolfy's - two cadenza for piano and live electronics, for Mozart's concerto K-466
Commissioned and performed by Simon Ghraichy
with the Orchestre de Picardie conducted by Maestro Arie van Beek
Auditorium du Nouveau Siècle- Lille [France]
from May 24th to 2§th 2022
Performance
Recording dreams
Terzo Giardino - Florence - [Italy]
The dream world has always played a capital role in understanding our inner selves, as can be seen in the quotation from Tabucchi's book. On this theme is based the project 'The Breath of Dreams', by artist Jacopo Baboni Schilingi with the team of MAD Murate Art District, which will be held from 24 to 26 May from 10 a.m. to 12 noon and from 5.30 p.m. to 7.30 p.m. Anyone can go on these dates to the Third Garden on Lungarno Serristori to donate to art, anonymously, what we have most privately: our dreams.
Mai 19th 2022
CONCERT
Electric Voice
Nicholas Isherwood - voice
Jacopo Baboni Schilingi - live electronics
MAD - Murate Art District
Piazza delle Murate - Florence - [Italy]
Mai 7th 2022
CONCERT
Electric Voice
Nicholas Isherwood - voice
Brechemin Auditorium
University of Washington - [USA]
April 9th 2022
CONCERT
Electric Voice
Nicholas Isherwood - voice
Jacopo Baboni Schilingi - live electronics
University Museum of Navarra
Campus Universitario - Pamplona - Navarra - [Spain]
March 25th 2022
PERFORMANCE
Rizhomatics
Music by Jacopo Baboni Schilingi
Performer - Agathe Vidal
With the paticipation by Benedetta Danti
A production by EMI - Ensemble de Musique Interactive.
MAD - Piazza delle Murate - Florence - [Italy]
Rhizomatics is not strictly speaking a performance, nor an installation. It is a new way of looking at creation and at the notion of the work of art itself. It is an invitation to displace our frames of reference and our habits, both to the artists (Agathe Vidal and me) and to the public, thus inaugurating a new space for encounters, debates and intimacy around this creation and anticipating the risks that, at any moment, threaten to disconnect us from one another.
Rhizomatics thus consists of a new artistic pact; it is a new paradigm, imagined in the continuity of the changes in the relationship between the work, the two artists and the public. This pact is based on a reinterpretation of the concept of the open work, of the metamorphosis of the work in contact with its audiences, whose principles Umberto Eco theorised, and whose functioning Thadeusz Kantor illustrated through his happenings, open classes and unprecedented theatrical creations.
March 24th 2022
PERFORMANCE
Rizhomatics
Music by Jacopo Baboni Schilingi
Performer - Agathe Vidal
With the paticipation by Elisa Pietracito
A production by EMI - Ensemble de Musique Interactive.
MAD - Piazza delle Murate - Florence - [Italy]
Rhizomatics is not strictly speaking a performance, nor an installation. It is a new way of looking at creation and at the notion of the work of art itself. It is an invitation to displace our frames of reference and our habits, both to the artists (Agathe Vidal and me) and to the public, thus inaugurating a new space for encounters, debates and intimacy around this creation and anticipating the risks that, at any moment, threaten to disconnect us from one another.
Rhizomatics thus consists of a new artistic pact; it is a new paradigm, imagined in the continuity of the changes in the relationship between the work, the two artists and the public. This pact is based on a reinterpretation of the concept of the open work, of the metamorphosis of the work in contact with its audiences, whose principles Umberto Eco theorised, and whose functioning Thadeusz Kantor illustrated through his happenings, open classes and unprecedented theatrical creations.
March 23rd 2022
PERFORMANCE
Rizhomatics
Music by Jacopo Baboni Schilingi
Performer - Agathe Vidal
With the paticipation by Michela Anna Pinto
A production by EMI - Ensemble de Musique Interactive.
MAD - Piazza delle Murate - Florence - [Italy]
Rhizomatics is not strictly speaking a performance, nor an installation. It is a new way of looking at creation and at the notion of the work of art itself. It is an invitation to displace our frames of reference and our habits, both to the artists (Agathe Vidal and me) and to the public, thus inaugurating a new space for encounters, debates and intimacy around this creation and anticipating the risks that, at any moment, threaten to disconnect us from one another.
Rhizomatics thus consists of a new artistic pact; it is a new paradigm, imagined in the continuity of the changes in the relationship between the work, the two artists and the public. This pact is based on a reinterpretation of the concept of the open work, of the metamorphosis of the work in contact with its audiences, whose principles Umberto Eco theorised, and whose functioning Thadeusz Kantor illustrated through his happenings, open classes and unprecedented theatrical creations.
March 8th 2022
CONCERT/PERFORMANCE/INSTALLATION
-
ALIAS - a tribute to women by Jacopo Baboni Schilingi
-
TERRA - music and dance
-
ANIMA - music and piano
-
CINERE - music and theatre
-
MATERIA - music and video
-
STILLA - music and voice
Music and artistic direction - Jacopo Baboni Schilingi
With : Adéle Bord (dance), Véronique Ngo Sach-Hien (piano), Elsa Revcolevschi (writer/actress), Sara Richard and Sara Grace Craves (voices), Maya Maximovitch (video), Pauline Coutouron (stage direction).
Guillaume Antonini (violin)
Light and scenography by Eric Cordier
Festival - Saison Numérique #6
La Scène Numérique - Montbéliard - [France]
Meant as a tribute to women’s status, a cartography of the sensory world, a complex but poetic definition of its various mindsets, ALIAS is a multifaceted original project I created, in five interactive musical compositions, all played on a stage using some original stage direction processes.
The sensory force, life and death impulses, the sensual body, the cyclical madness, are all components used by the artists to define their view of femininity. These sensitive figures, constantly shifting between expressive force and unpredictable extravagance, help create this tribute, which takes the form of an ode to women through a sensory voyage, drawing the audience to the world of interactive poetry, constantly evolving in time and unique to every performance. The originality of the project lies both in the complex stage presentation (five different presentation ideas are meant to be used in those performances) and the particular care placed in highlighting the evident link between the musicality of the bodies and their sound traceability, aesthetic intentions that are found in my entire body of work. The constant back and forth rather than eliciting a simple and reductive definition of womanhood, suggests a global aesthetic vision of the issues proposed, of their presentation and representation, and above all the mystical perceptions of women, which may be unique to every individual.
These five forms of narration and representation of womanhood are all associated in their stage direction to the five elements (fire, earth, water, air and wood), following the definition used in Asian cultures. That intent in the writing is deliberate aiming at highlighting my notion around the main appeal of womanhood and its sensory territories. Close to doubt as well as certainty, to deep reflections but also madness, to anger and awakenings, these representations of women (sometimes dedicated to the performer herself) all tend towards one same colourful and complex vision of their sensory world. To highlight these unique mental categories, and these new associations between elements and the female psychological state within each chapter, new participation modes using interactive devices, are then conceived to create new stage direction modes.
January 31st 2022
PERFORMANCE Don Juan
Conception: Jacopo Baboni Schilingi and Gerard Pommier
Reading with Alexandra Scicluna
Librarie Tschann - Paris - [France]
January 28th 2022
INSTALLATION
ARGO - generative and interactive installation
Conception: Jacopo Baboni Schilingi
Hardware and software for breathing analysis: David Kuller - MyAir company
Graphical interpretation of the data: Léo Baqué
Conservatoire de musique de Châteauroux
Nuit des conservatoires - Châteauroux - [France]
Argo is a generative, interactive musical composition created for the Artists & Robots exposition (Grand Palais 2018). The music is created in real time, completely programmed by algorithms that perform their calculations following functions based on semantic interpretations. The installation reacts to my breathing in real time, following his use of a respiratory sensor worn 24/7 since June 2017. Based on the musical trajectories written by me, my breathing continues to disrupt the system, that regenerates itself in an automatic and continuous manner. Each day, the music is different and recomposes itself infinitely. Argo demonstrates the artistic appropriations possible when faced with current emerging technologies, and renews the imaginary relationships that we hold with technical innovations. The installation questions the relationship between Man and the machine, between the human body and that of robots, and between contingence and programming.
Janvier 12th 2022
MONOGRAPHIC CONCERT [Cancelled because of Covid]
Integral piano works by Jacopo Baboni Schilingi
Piano - Véronique Ngo Sach-Hien
A production by the Conservatoire de Musique, de Danse et d'Art Dramatique de Montbéliard - the EMI - Ensemble de Musique Interactive.
Sala del Buonumore - Conservatorio Boccherini - Florence - [Italy]
from Janvier 10th to 20th 2022
Artistic residency
Rizhomatics
Music by Jacopo Baboni Schilingi
Performer - Agathe Vidal
A production by EMI - Ensemble de Musique Interactive.
MAD - Piazza delle Murate - Florence - [Italy]
Rhizomatics is not strictly speaking a performance, nor an installation. It is a new way of looking at creation and at the notion of the work of art itself. It is an invitation to displace our frames of reference and our habits, both to the artists (Agathe Vidal and me) and to the public, thus inaugurating a new space for encounters, debates and intimacy around this creation and anticipating the risks that, at any moment, threaten to disconnect us from one another.
Rhizomatics thus consists of a new artistic pact; it is a new paradigm, imagined in the continuity of the changes in the relationship between the work, the two artists and the public. This pact is based on a reinterpretation of the concept of the open work, of the metamorphosis of the work in contact with its audiences, whose principles Umberto Eco theorised, and whose functioning Thadeusz Kantor illustrated through his happenings, open classes and unprecedented theatrical creations.
2021
December 8th 2021
MONOGRAPHIC CONCERT
Integral piano works by Jacopo Baboni Schilingi
Piano - Véronique Ngo Sach-Hien
A production by the Conservatoire de Musique, de Danse et d'Art Dramatique de Montbéliard, the EMI - Ensemble de Musique Interactive.
L’Arche - 2 Rue d’Héricourt - Bethoncourt - [France]
I have written several compositions for solo piano and with live electronics. The piano represents the ideal instrument for experimenting with already known forms, but above all for researching new formal archetypes. After more than 35 years of production, the formal trajectories described by my piano compositions are readable. Since 1995, I have integrated live electronics into my compositions. This recital also allows us to see how my use of the computer has evolved over the years until today. Véronique Ngo Sach-Hien is an exceptional pianist who is very familiar with my repertoire, with whom she has been collaborating for many years. This recital is the fruit of our collaboration and artistic friendship.
Janvier 19th 2022
CONCERT [Cancelled because of Covid]
Recital for flute and live electronics
Flute - Anne Nardin
A production by the Conservatoire de Musique, de Danse et d'Art Dramatique de Montbéliard - the EMI - Ensemble de Musique Interactive.
MAD - Piazza delle Murate - Florence - [Italy]
I have been working since 2007 on a new cycle for flute and live electronics. This cycle, dedicated to Anne Nardin, is entitled Silence. It is a series of five compositions for different transverse flutes [bass, alto, « normal » and piccolo] and live electronics. This cycle evokes the notion of silence, what precedes or follows it, the fact that absolute silence does not exist, thus exploring our images of what silence is.
From 3rd to 26th December 2021
INSTALLATION
Maillages cosmiques 2021
Generative installation by Miguel Chevalier
Conception Miguel Chevalier
Music by Jacopo Baboni Schilingi
Software: Cyrille Henry / Antoine Villeret
Technical production: Voxels Productions
Église Saint-Jean-de-Malte - Aix-en-Provence - [France]
Maillages cosmiques 2021 is a generative virtual reality installation projected on the stone façade of the Saint-Jean-de-Malte Church in Aix-en-Provence, accompanied by music by composer Jacopo Baboni Schilingi. 30 different meshes of coloured light, superimposed on maps of the sky where imagination and science are mixed, are revealed one after the other. These large meshes form and deform, creating diversified universes that are constantly renewed. The elements attract and repel each other, creating a rhythm of expansion and contraction similar to breathing. The work underlines the architecture of the façade, notably the two octagonal towers, the tympanum decorated with trefoils and tri-lobed arches and above all the large rose of 4 metres in diameter which comes to life. A bridge is created between the high-tech gothic of the stone and the high-tech of the technology. The music is also generative. Jacopo Baboni Schilingi has recorded fragments of liturgical chants from different eras which are then processed with morphogenesis algorithms to create infinite musical variations. Light, colour and movement create a poetic of matter and elaborate a new aesthetic of the virtual. This cosmic ballet of pixels with radiant energy plunges visitors into the mysteries of the universe. This work of light creates a festive atmosphere in this holiday season.
December 2nd 2021
INSTALLATION
ARGO - music and video installation
Institut du monde arabe (Paris) - France
December 2nd 2021
CONCERT « hommage pour le Liban »
Under the high patronage of François Hollande, former President of the French Republic, and under the initiative of UNESCO's Li Beirut directed by Audrey Azoulay
With the support of the Arab World Institute chaired by Jack Lang
HUGE - for piano and live computer - Commissioned by Deutsche Grammophon
Pianist - Simon Ghraichy - Institut du monde arabe (Paris) - France
HUGE is a new original composition for piano and live compuetr belonging to the cycle « highly ». Highly is a cycle of compositions intended as a tribute to the music performers.Very often playing a composition of contemporary music there is a real discrepancy between virtuosity displayed during the concert and many hours of study. However, Highly is based on the pre-existing experiences of the musician, and it requires an exceptional virtuoso work.
December 2nd 2021
CONCERT
Electroacoustic interludes
Institut du monde arabe (Paris) - France
These Interludes constitute a cycle of short electroacoustic compositions that Jacopo Baboni Schilingi will perform between each couple of composition. Based on an interactive interface, Baboni Schilingi will control the musical transformation from the end of one composition until the beginning of the following.
November 2021
MUSIC for the movie - TALISMANS
Director of the film - Henry Colomer
Music by Jacopo Baboni Schilingi
SARABAND FILMS - Paris - [France]
Talismans intertwines stories about signs that serve as safe-conducts: a few verses, a lullaby, an image, small viaticum that impress themselves on the memory, that link to life, to others, that put time back on track. Each of them has a material starting point, a modest but tangible support, demanding careful examination. Notes carried close to the body, on which a few words have been scribbled in phonetics; newspaper clippings deforming, through successive translations, a poem collected from the lips of a dying man, without anything being able to undermine its expressive power. Facing these traces, a hand that presents them to the light, eyes that observe them, a voice that says how and why they count.
In Talismans short stories respond to each other around a dual recurrent theme: shipwreck and rescue. The shipwreck: the icy, shadowless glow of critical situations. The hour when there is no longer time to talk. Rescue: a ritornello, a few verses learnt by heart or scribbled on a rag of paper, the last resort in our existence governed by signs.
Words huddle between the margins of books.
In the darkest hours, they know how to make themselves invisible.
Breaths of air laden with sounds exchanged in the night.
To remember better days, to imagine others.
November 2021
CD RELEASE Italian Contemporary Music for Harpsichord
Scarlet K141 by Jacopo Baboni Schilingi
Luca Quintavalle - harpsichord
A banquet of first recordings, highly original works and composers in a new recording by one of today’s most adventurous harpsichordists.
Scarlatti is the inspiration for an ornate elaboration of the same idiom in Scarlet K141, my last composition.
With a full introduction to all the works and composers on the album by Luca Quintavalle, the album makes an arresting introduction to the music of many composers otherwise hardly represented in the current catalogue, and a significant new volume in the library of harpsichord music.
Scarlet K141 is a composition for harpsichord and live electronics.
It is a composition that belongs to the "highly" cycle, which means "as fast as possible".
It is a composition strongly inspired by Scarlatti's sonata K141. Actually, I was inspired by three sonatas: K18, K141 and K525. But the morphological link with K141 is much more explicit.
This composition seeks, in addition to a purely musical discourse, to enhance the performer. In the music of creation, also known as contemporary music, all too often composers submit passages that are extremely difficult to perform and whose sonic result seems disconnected from the difficulty of producing it.
Scarlet K141 is exactly the opposite. The instrumental gestures are in themselves all idiomatic to the instrument: obstinate repeated notes, trills, tremolos, clusters. It is their concatenation that makes them particularly spectacular.
In addition to the gestures just listed, I ask Luca Quintavalle, in a section before the finale, to strike the harpsichord as if it were a percussion instrument. It is no longer a question of playing on the keyboard, but on the different wooden parts of the sound box. All these sounds are recorded in real time by the computer and I process them so that a dialogue is established between the harpsichord and the electronics. This dialogue is defined both by the reworked sounds and by a series of sounds that I have composed specifically for this composition.
For more than 14 years now, I have been writing my scores not on paper, nor on the computer, but on human bodies. Then I take photographs of these scores so that I can copy them and send them to the musicians. For Scarlet K141 I wrote about Agathe Vidal [whose photo was used for the cover].
In this sense Scarlet K141 represents my aesthetics [or poetics if you prefer], which is articulated around four fundamental needs: to express myself through complex structures, the search for pleasure through my work, the use of machines and the redefinition of the notion of the body in art.
Scarlet K141 is dedicated to Luca Quintavalle, to whom I owe so much: this composition bears witness to that.
November 5th 2021
PERFORMANCE
CINERE - a part of ALIAS - a tribute to women
A project by Jacopo Baboni Schilingi
Text - Elsa Revcolevschi
Actress - Elsa Revcolevschi
Music - Jacopo Baboni Schilingi
Videos - Jacopo Baboni Schilingi and Eric Cordier
Cinema La Compagnia
Via Camillo Cavour, 50/R - Florence - Italy
Part of the Alias project, my personal tribute to Women, which brings together five women from different artistic backgrounds, CINERE is a theatrical monologue for an actress accompanied by a violinist. The text was written by Elsa Revcolevschi, who also performs it on stage. In order to write this text, Elsa went to a convent, hoping that its calm would let the text emerge. She found herself in front of a blank page, in a single room that contained nothing but a mirror. In this neutral environment, she saw her face reflected in the mirror without being able to recognise herself, realising then that she regularly perceived her reflection as a deformed, strange or even alien echo. She named her other self "wandering". CINERE follows the journey of a woman who questions her refusal to recognise certain features of her face that may have been tarnished by family, by religious figures, trained to bend and smile, enslaved, as well as revived by traumas that forged the woman she became at the age of 22 . While, in the text, she immerses herself in her childhood imagination, daring to give life to buried fantasies, CINERE also tells the story of a woman who starts to unearth the abuse she has suffered.
The use of video projection, which reflects the daily life of a traumatised person, as well as the music played by a violinist who becomes an authentic character during the performance, with whom the actress interacts, are fundamental within the performance.
Throughout the monologue, the actress' performance is accompanied by music generated in real time by the interpretation of physiological data linked to her breathing.
October 15th 2021
Issue number 2 of the magazine Documents
Metaleptic manifesto of consubstantial music by Jacopo Baboni Schilingi
Documents N.2 - Paris - [France]
This is my second manifesto through which I declare myself an artist and not only a composer. In fact I expresse myself through concerts, performances and installations, but also through text, videos, choreography, stage plays and photography. In 20 years of production, my aesthetics have changed. In this new manifesto, I define my poetics articulated around four fundamental needs: expressing through complex structures, the search for pleasure through my work, the use of machines and the redefinition of the notion of the body in art.
October 13th, 14th & 15th 2021
THREE PEFORMANCES
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Département du Doubs - collèges en scène
Dancer - Adèle Bord
Le Russey, Pouilley-les-Vignes & Sancey-le-Grand - [France]
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnoea and / or hypopnea, etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
September 6th 2021 to setptember 22nd 2022
INSTALLATION
ARGO - music and video installation
Murate Art District
Piazza delle Murate (Florence) Italy
Argo is a generative, interactive musical composition created for the Artists & Robots exposition (Grand Palais 2018). The music is created in real time, completely programmed by algorithms that perform their calculations following functions based on semantic interpretations. The installation reacts to Jacopo Baboni Schilingi’s breathing in real time, following his use of a respiratory sensor worn 24/7 since June 2017. Based on the musical trajectories written by the composer, his breathing continues to perturb the system that regenerates itself in an automatic and continuous manner. Each day, the music is different and recomposes itself infinitely. Argo demonstrates the artistic appropriations possible when faced with current emerging technologies, and renews the imaginary relationships that we hold with technical innovations. The installation questions the relationship between Man and the machine, between the human body and that of robots, and between contingence and programming.
from September 2021 to September 2022 - Artistic residence at MAD - Florence - ITALY
From Juin 21st to July 3rd 2021
Immersion orchestrale - a tribute to symphonic music
Conception and music - Jacopo Baboni Schilingi
Saint-Dié-des-Vosges - France
Juin 5th 2021
Artistic residence for recording
Scarlet K18 for harpsichord and live computer
Luca Quintavalle harpsichord - Düsseldorf - Germany
from April 26th to 30th 2021
Artistic residence at la Scène Numérique
La Scène Numèrique
Montbéliard - France
From March 15th to 23rd - 2021
MATERIA [a part of Alias] - Video and music installation
By the action of Jacopo Baboni Schilingi
Maya Maximovitch - production of the videos and conception installation
Jacopo Baboni Schilingi - music
Saison Numérique #5
Scène Numérique - Montbéliard
Production :
Département du Doubs
Conservatory of Music, Dance and Dramatic Art of the Pays de Montbéliard
EMI Ensemble de Musique Interactive
MATERIA is an interactive video installation project that deals with older women's representations of their bodies in movement. This project is destined to evolve over time, as a work that Maya Maximovitch keeps renewing according to her encounters, until she is 75 years old and can close the work with her own portrait.
In this first form, MATERIA, three vertical screens 190cm high and 50 wide (like a large human) will be planted on the ground, forming a cromlech. The sensitive and symbolic kinship with these Neolithic monuments is essential for Maya Maximovitch. They remain mysterious: we do not know their original uses (territorial markers? religious? calendars?). Throughout time, they have been the subject of myths and reuses. For example, in the 6th century AD, women wishing to get married danced around the menhirs because of their phallic shape. How and why, like Sisyphus, did humans, without a motor or draught animal, move and erect stones weighing several tons? This question of the arduousness of a task that may seem absurd, finds an analogy with the condition of being a woman and the self-representations that this requires to painfully construct.
On each of the screens a video composition is projected: the portrait in action of seven women aged between 60 and 99. They lend themselves to the lens or seize it to film (themselves). The subject of MATERIA is their representation of themselves, of their bodies marked by time, based on the pleasure they get from the game.
At the same time, there is a reflection on verticality, which changes the way images are constructed, in terms of framing and editing, but also in terms of reception in the face of the habit we have acquired of mobile phone screens which are vertical. This gives rise to another relationship to the image made with two fingers directly in the palm of the hand on a touch screen for us who usually have heavy cameras, which are both a technical and physical burden. But also with images of ourselves and others that we have filmed with our phones and that we are used to viewing: standing in front of them, their fragile beauty is revealed.
2020
July 11th - 2020
Isolated Iseland
Dance and choreography - PeiJu Chien-Pott
Music - Jacopo Baboni Schilingi
Iron Rose Festival - Opening nigh - Taoyuan - Taiwan
July 4th - 2020
Rebirth performance
Interdisciplinary performance conceived by artist Kang Mu Xiang
New original music composition by Jacopo Baboni Schilingi
Dance and choreography by Ji Ling PeiJu Chien-Pott
Taipei 101 - Taiwan
March 9th - 2020
Who's Laura Palmer
New composition for violin, cello, AirGo breathing system and live computer
Diego Tosi (violon), Timothé Tosi (violoncelle)
Festival Flashback – Perpignan - France
February 27th 2020
CINERE - a part of Alias - Hommage au statut de la femme
Music - Jacopo Baboni Schilingi
Texte - Elsa Revcolevschi
Saison Numérique-2020 - France
Scène Numérque - Montbéliard
Cinere, performed by Elsa Revscolevsky alone on a stage, is embodied by two evanescent situations: Sarah Kane’s life and her works, Elsa’s life and her body. Through an intimate inner monologue by the two women, Cinere reveals the humanity of its actresses. The works by Sarah Kane, an English writer from the second half of the 20ieth century, highlight the neurosis and the lack of understanding from her contemporaries that plagued her life, through the inability to understand oneself, the call to transcend from desire into mysticism, in many different ways. Elsa Revscolevsky uses this project to seal an intimate deal with the author and with herself, turning her identity into a story spread all around the world of eternity and alterity. Elsa shares this stage with the specters of her personality, facing her own doubles shown in the video of the performance of the same show 7 years ago, every performance of the show being shot on video every 7 year for an undetermined amount of time.
February 7th 2020
Rebirth
Interdisciplinary performance conceived by artist Kang Mu Xiang
New original music composition by Jacopo Baboni Schilingi
Dance and choreography by Ji Ling PeiJu Chien-Pott
Taipei 101 - Taiwan
January 26th 2020
Spatio Intermisso (temporis) for saxophone & live-computer
During A DATE WITH WIND
Saxophone - Joël Versavaud
Nicolas Jacquot - live computer
Le Pic-Télémaque, Marseille, France
January 24th 2020
Insana nocte - for harpe and live computer
Stéphanie Manzo - harpe
Le CRAC 109 - Montbéliard - France
From January 14th to February 14th 2020
MONOGRAPHIC PHOTO EXHIBITION
Bodyscore - the soul signature
Monographic Bodyscore exhibition
CHANEL NEXUS HALL - Ginza
Tokyo - Japan
Morphogenesis (in English) is the set of laws that determine the form and shapes, from the living one (animals, trees) to the more abstract ones (music composition). This photo exhibition shows Jacopo Baboni Schilingi’s practice known as “Body scores”. He has been writing music scores on human bodies since 2007. At first, these were experiments, but they have since transformed into a new compositional practice. He writes works directly on bare human skin. The score is a codified link, written by hand, which indicates how to embody the emotions that the composer expresses through his creation. Then Baboni Schillingi takes pictures of them, because he wants people to be able to read all his emotional intentions. For Baboni Schilingi the photography of his “human” scores is the only way to make people see all the intentions that led him to write a particular piece of music.
2019
December 10th, 11th and 12th 2019Ann
CernUnum - music for the performance by Virginie Mécènes
Ailey City Group Theater - New York (USA)
Dancers - Ari Mayzick, Abdiel Cedric Jacobsen, Ricardo Barrett, and Jesse Obremski
Commissioned by Buglisi Dance Theatre - New York (USA)
November 22nd 2019
CONCERT
Electroacoustic interludes
Simon Ghraichy - performer
La Seine Musicale
Boulogne-Billancourt (Paris) - France
These Interludes constitute a cycle of short electroacoustic compositions that Simon Ghraichy will perform between each couple of composition of his piano recital. Based on an interactive interface, Simon Ghraichy will control the musical transformation from the end of one composition until the beginning of the following. These interludes for live computer have been commissioned to Jacopo by Simon Ghraichy.
November 22nd 2019
CONCERT/PERFORMANCE
For the « Carte blanche à Marie-Agnés Gillot » Simon Ghraichy plais HUGE - for piano and live computer, composed Jacopo Baboni Schilingi.
During this performance, Marie-Agnés Gillot creates a new choreography.
La Seine Musicale
Boulogne-Billancourt (Paris) - France
Simon Ghraichy and Marie-Agnés Gillot, during the whole performance, wear the breathing sensor conceived by David Kuller (My-Air), with the image projection of ARGO and the interactive system conceived by Jacopo Baboni Schilingi. The breaths of Simon Ghraichy and Marie-Agnés Gillot controls the sound treatment of Jacopo’s compositions.
November 20th 2019
MONOGRAPHIC CONCERT
Monographic concert for string quartet and live computer
Il colore del Blu-II (first string quartet)
De la nature du sacre (third string quartet)
N.5 commissioned by Chanel (fifth string quartet)
Musicians from the Pygmalion Nexus Hall - CHANEL NEXUS HALL - Ginza - Tokyo (Japan)
https://chanelnexushall.jp/en/program/2019/jbs/
CHANEL NEXUS Hall will hold a special concert in collaboration with Jacopo Baboni Schilingi, an artist known as a composer specializing in interactive music. In honor of the spirit of CHANEL's founder "Coco Chanel", a lover of the arts who unstintingly supports artists, Baboni Schilingi was inspired to compose a new string quartet entitled "N.5." In this special concert, in addition to the new work N.5, Baboni Schilingi will stage a unique performance using a special system he has devised in parallel with the performance of violins, viola and cello string quartet. Tones played by the string quartet will combine with electronic sounds in real time to create a novel experience in music. Come and enjoy the harmony of classical music and technology in a unique world view created by Baboni Schilingi.
From 12th to 20th November 2019
PHOTO EXHIBITION
Identigraphies - Photo exhibition
Collectif du Hérisson
9, rue Saint-Paul
75004 -Paris - France
http://www.collectifduherisson.fr/
Jacopo Baboni Schilingi's work therefore consists of the intersection between the model’s skin and artisanal, calligraphic techniques, and is also influenced by the postures and concentration. But the body is not merely a surface; the entire organism participates in the process. On the one hand, the composer is inspired by the body’s landscape; on the other, the body is alive, not inert like a sheet of paper. The skin encloses muscles, organs, and a skeleton. It contains a spirit which responds to emotions, which manifests itself by the breath, which can in turn be a measure of time. Breath is a source of life, always renewing itself. But it can also serve as an external indicator of an internal state. Everyone knows the feeling of intimacy between two breaths which meet, mingle, respond…or spurn one another. Jacopo Baboni Schlingi describes his concentration, which approaches self-hypnosis, and the necessity of a mimetic synchronicity between two breaths, a community of tension and release, without which the magic is broken, the music silent. It is the proximity of a trusting and respectful relationship, in which one can share intimacy without being close; moments during which one needs but few words to speak.
November 8th 2019
PERFORMANCE
For Fotofever with Collectif du Hérisson
Live performance Bodyscore with Anaïs De Matos
Guillaume Antonini - violin
Nichoas Isherwood - voice
Silencio
Paris - France
In the vision of composer Jacopo Baboni Schilingi, the dimension of writing is central: much more than a medium between the author and his interpreter, it is an asceticism as much as a move of body and mind. The daily life of creation is thus punctuated by attention to the gesture of writing, to fatigue as well as to the muscular memory that it induces. For this state of initial tension, that is to say pre-existing projection of the sound composed, the composer makes a performance during which a work rises over the hours, under the public gaze. Thus Jacopo Baboni Schilingi gives shape, by the corp of the model, to the pre-tensio experienced during the act of creation. It is to this exposure that the public is invited. Throughout this performance, two musicians gravitate around the composer, reading the playing the rising score. The public is free to stay, to leave to return, but especially to see the evolution in vivo of this creation and to listen to it.
November 7th 2019
PERFORMANCE
Live performance Bodyscore
Anaïs de Matos - model
Guillaume Antonini - violin
Collectif du Hérisson
Fotofever - Carrousel du Louvre
Paris – France
To compose is to create a state of tension, of vibration, between his mind and the listener, through the interpreter through the prism of the score. But there is a tension that precedes all this, and which touches on the very act of composing, what Jacopo Baboni Schilingi calls Bodyscore. He writes a new work on the body of a model throughout the performance. Writing changes over time. It grows with age and experience. As in any calligraphy, each gesture is the vehicle of the mood and the mental state of the artist. The handwritten score is the trace of the artist/composer, who is expressing himself; beyond the musical content, the score displays the emotional state of the composer. The handwritten score leaves a muscular memory inside the composer’s body.
From 7th to 10th November 2019
PHOTO EXHIBITION
http://www.collectifduherisson.fr/
http://www.fotofever.com/fr-38-a-propos.html
Le collectif du Hérisson invites Jacopo Baboni Schilingi at Fotofever. Since 2007, Jacopo Baboni Schilingi desires to make music calligraphy continue, in a very particular and personal way; through the revival of his practice of musical writing. Touched by the cinematic adaptation of the book by Sei Shonagon, Pillow book by Peter Greenaway in 1996, as well as Cinq femmes autour d'Utamaro by Kenji Mizoguchi (1946), he slowly began to write sketches of scores directly onto bodies, onto the living skin of models. He asks them to his studio, where in slots of six to twelve hours to compose, with a thin tip felt pen on their backs, arms, faces, legs, chests, and patiently inks staves and music notes, a way of literally ‘incarnating’ the motion of writing on the living, a way to make sacred this action in this written form. In doing this, he reaffirms his attachment to traditional writing, abandoning the ‘character police’ in favour of calligraphy, which he carries out on the skin of models.
October 17th 2019
PERFORMANCE
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Festival Artonov - Halles Saint-Géry | Sint-Gorikshallen
Place Saint-Géry 1
Bruxelles - Belgium
Dancer - Fanny Gombert
https://festival-artonov.eu/programme/#terra
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnea and / or hypopnea etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnoea and / or hypopnea, etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
October 12th 2019
CONCERT
Live performance Bodyscore with Nicholas Isherwood (5 p.m.)
Festival Artonov - Halles Saint-Géry | Sint-Gorikshallen
Place Saint-Géry 1 Bruxelles - Belgium
https://festival-artonov.eu/programme/#bodyscore
Then the dark is done. Nicholas Isherwood comes on stage and joins the model, Alia Mroué. Using a flashlight, he reads the notes on the body and sings the composed score lively. It is a very emotional moment, where the music, revealed by the song, takes its reality before us, mixing the body of the model, the voice of the singer, the beauty of the calligraphy into an ultimate artistic gesture.
October 12th 2019
PERFORMANCE
Live performance Bodyscore with Alia Mroué (11 a.m. - 4 p.m.)
Festival Artonov - Halles Saint-Géry | Sint-Gorikshallen
Place Saint-Géry 1
Bruxelles - Belgium
https://festival-artonov.eu/programme/#bodyscore
Since 2007, Jacopo Baboni Schilingi has been developing his projects Bodyscore and Identigraphies, where he composes on bodies, men and women, inspired by the energy, the aura, the pulsation, the breathing of the body, the grain of skin, which, therefore, participate intimately in the musical creation. During this performance the audience is invited to come, to stay or just pass, and they can observe the composer working lively.
From 7th to 10th October 2019
ARTISTIC RESIDENCE
Artistic residence with Pauline P. Raybaud for video, dance and calligraphy on the concept of heristic rules in performances
Istituto Italiano di Cultura
Bruxelles - Belgium
This first artistic residence the beginning of a new project. How to create a performance based on heuristic rules applied in real time? This is the goal of the residence. Both artists (Pauline Raybaud and Jacopo Baboni Schilingi) work for a while on predefined structures whose occurrences are rules-based. Baboni Schilingi’s software developments on heuristic rules are ready to be tested in real time. During this residence the two artists share their experiences, knowledge and tools in order to create a performance including video, dance and music.
October 5th 2019
CONCERT
HUGE - for piano and live computer - Commissioned by Deutsche Grammophon
Nuit Blanche
Pianist - Simon Ghraichy - Institut de France - Paris (France)
HUGE is a new original composition for piano and live compuetr belonging to the cycle « highly ». Highly is a cycle of compositions intended as a tribute to the music performers.Very often playing a composition of contemporary music there is a real discrepancy between virtuosity displayed during the concert and many hours of study. However, Highly is based on the pre-existing experiences of the musician, and it requires an exceptional virtuoso work.
October 2nd 2019
MONOGRAPHIC CONCERT
NOX - for two singers and live computer
Soprano - Tamara Nur Bounazou, Mezzosoprano - Séraphine Cortez
Institut Italian de Culture - Bruxelles - Belgium
https://iicbruxelles.esteri.it/iic_bruxelles/fr/gli_eventi/calendario/2019/10/concerto-nox-in-memoria-di-luciano.html
Nox (night in Latin) is a single composition in four movements inspired by the night and the gradual disappearance of matter. This is a work for two voices (soprano and mezzo-soprano) and live computer. The text of Nox is entirely taken from Ecclesiastes from the Bible in its Latin version. The choice of Latin has been done because of the sounds of the language that are particularly suitable for singing.
Live computer means a particular way of using the computer in order to ketch the vocal sound in order to treat them without any temporal delay. The use of electronics (live computer) aims to create vast soundscapes in respect of interactivity between performers and the sounds distributed in space. Nox is a cycle which investigates, according to different axes, vocalization towards the use of electronics. This is a cycle that offers a new virtuosity between the singers and the computer. This virtuosity is based on the interaction between voice and machine through the capture, processing, dsitribution of sound. The latest sound-processing techniques are explored here: as the super-amplification, the expected time, freezing the spectrum, granulation, spectral translations. All these electroacoustic techniques articulate with the purely vocal and compositional techniques define Nox cycle as a music astetcic research and creative new virtuosity.
The four parts of Nox were composed between 2003 and 2014. For this reason each movement has a the same given Roman numeral "II" to indicate that it is the "second" version. These second versions have all been completed and revisited in 2015 for the release of this CD. The four movements are connected without any interruption to propose one and only one composition. This final and definitive version of cycle Nox is dedicated to my sons Clement and Arthur.
From 9th to 13th September 2019
ARTISTIC RESIDENCE
CINERE - a part of ALIAS - Mon hommage au statut de la femme
First part of work residence with Elsa Revcolevschi
Paris - France
Cinere, performed by Elsa Revcolevschi alone on a stage. Through an intimate inner monologue by the two women, Cinere reveals the humanity of its actresses. The lack of understanding from her contemporaries that plagued her life, through the inability to understand oneself, the call to transcend from desire into mysticism, in many different ways. Elsa Revcolevschi uses this project to seal an intimate deal with the audience and with herself, turning her identity into a story spread all around the world of eternity and alterity. Elsa shares this stage with the spectres of her personality, facing her own doubles shown in the video of the performance of the same show 7 years ago, every performance of the show being shot on video every 7 year for an undetermined amount of time. Divided into four parts, themes and sequences where time is freed from its objective measures, the show lets us understand the psychic and social, intimate relationship-related mechanisms that rule the organization of our minds and foreshadows the world as we can live it. Love, childhood, medicine, religion, are the four levels of subjective projections through which the protagonist’s fate is articulated.
September 5th 2019
INSTALLATION
ARGO - music and video installation
Galerie Charlot
47 rue Charlot
Paris - France
https://www.galeriecharlot.com/fr/expo
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Argois a generative, interactive musical composition created for the Artists & Robots exposition (Grand Palais 2018). The music is created in real time, completely programmed by algorithms that perform their calculations following functions based on semantic interpretations. The installation reacts to Jacopo Baboni Schilingi’s breathing in real time, following his use of a respiratory sensor worn 24/7 since June 2017. Based on the musical trajectories written by the composer, his breathing continues to perturb the system that regenerates itself in an automatic and continuous manner. Each day, the music is different and recomposes itself infinitely. Argo demonstrates the artistic appropriations possible when faced with current emerging technologies, and renews the imaginary relationships that we hold with technical innovations. The installation questions the relationship between Man and the machine, between the human body and that of robots, and between contingence and programming.
From 23rd to 28th Augut 2019
ARTISTIC RESIDENCE
First part of work residence with the artist Kang Mu Xiang.
Taipei 101 - Taiwan
From 8th to 18th Augut 2019
INSTALLATION
http://www.miguel-chevalier.com/en/digital-supernova
Generative virtual-reality installation
May 17th 2019
PERFORMANCEcom
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Ariane# - Collège Lou Blazer - Montnéliard (France)
Dancer - Fanny Gombert
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnea and / or hypopnea etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
April 28th 2019
CONCERT
Anima - a new composition for piano and live-computer - commissioned by Variations 2019 – Nantes (France)
Pianist - Célimène Daudet
Anima is a new original composition written for the Célimène Daudet. Based on the same technology as ARGO, the pianist will control the sound treatments thought her respiration.
from 25th to 30th March 2019
ARTISTIC RESIDENCE
BodyScore residence with Jesse Obremski and Ricardo Barrett
New York - USA
February 19th 2019
CONCERT
Metamorphosis - 7 interludes for live computer - Commissioned by Simon Ghraichy
Performer - Simon Ghraichy - Théâtre des Champs Elysées - Paris (France)
Metamorphosisis a cycle of 7 interludes that Simon Ghraichy will perform between each couple of composition of his piano recital. Based on an interactive interface, Simon Ghraichy will control the musical transformation of the end of one composition and the beginning of the following.
February 19th 2019
HUGE - for piano and live computer - Commissioned by Deutsche Grammophon
Pianist - Simon Ghraichy - Théâtre des Champs Elysées - Paris (France)
HUGE is a new original composition for piano and live compuetr belonging to the cycle « highly ». Highly is a cycle of compositions intended as a tribute to the music performers.Very often playing a composition of contemporary music there is a real discrepancy between virtuosity displayed during the concert and many hours of study. However, Highly is based on the pre-existing experiences of the musician, and it requires an exceptional virtuoso work.
February 8th 2019
Avant premiere of HUGE - for piano and live computer - Commissioned by Deutsche Grammophon
Pianist - Simon Ghraichy - FNAC des Ternes - Paris (France) 
February 3rd 2019
Iris - for doublebass live-computer
Saison Numérique - Loue Lison (France)
An original composition written for the DEM doublebass program for young musician Iris Plaisance-Godey.
February 3rd 2019
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Saison Numérique - Loue Lison - (France)
Dancer - Fanny Gombert
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnea and / or hypopnea etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
February 2nd 2019
Iris - for doublebass live-computer
Saison Numérique - Loue Lison (France)
An original composition written for the DEM doublebass program for young musician Iris Plaisance-Godey.
February 2nd 2019
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Saison Numérique - Pierrefontaine-les-Varans - (France)
Dancer - Fanny Gombert
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnea and / or hypopnea etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
January 24th 2019
Spatio intermisso (temporis)-II for accordon and live computer
Accordion - Ambre Vouillermoz
Conservatoire Nationale Supérieur de Paris - Paris (France)
January 15th 2019
Cinquième réfléxion pour piano (1998)
Piano - Alfonso Alberti
Galleria di Arte Moderna - Milano (Italy)
2018
December 10th 2018
Mission France - music for the documentary (90') by Henry Colomer
Production - INA - (France)
December 8th 2018
De la nature du sacre - third string quartet and live-computer - Conservatoire de Romainville – Romainville (France)
Leonis String QuartetPIAN
"De la nature du sacre" is the third string quartet written by Baboni Schilingi inside a group that, in its final version, it will provide a total of five string quartets.
It is a composition for string instruments and live computer that falls in the genre of interactive music. Through sound processing algorithms, the composer re-interprets the sounds produced by live musicians creating a dialogue between sound synthesis, treatment of string instruments and sounds purely acoustic.
The main instrument is the cello that plays the role not only of concertante instrument, but driving in a path in order to find the "right mean" or, if you will, the right balance. Throughut this term Baboni Schilingi wants to articulate the notion of "ritual (the “sacre” in French), the search for an equilibrium not between opposite poles, but within distinct properties, often incompatible. Sometimes irreconcilable. Exposure of a given material, its renewal in time, his hypothesis of existence as a precursor emotional, and its integration mnemonics in memory of the listener... so this is an unstable equilibrium, not necessarily dynamic, that only the projection of a hypothesis wisdom brings its desire for existence.
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December 1st 2018
Unum - music for the performance by Virginie Mécènes
Kaatsbaan International Dance Center - 33 Kaatsbaan Road - Tivoli, NY 12583
Dancers - Ari Mayzick, Abdiel Cedric Jacobsen, Ricardo Barrett, and Jesse Obremski
Commissioned by Buglisi Dance Theatre - New York (USA)
November 9th 2018
October 30th 2018
Decode-II - for percussions and live computer
Percussionist - Tim Roth
Eva Clare Hall - Winnipeg - (Canada)
October 26th 2018
UNUM - new composition for dance
Choreography by Virginie Mécènes
Dancesrs - Ricardo Barrett, Abdiel Jacobsen and Jesse Obremski
Alvin Alley Studios - New York - (USA)
Production Buglisi Dance Theatre
October 19th 2018
HUGE - new composition for piano and live computer
Recording HUGE at EMIL BERLINER STUDIOS - Berlin - (Germany)
Pianist - Simon Ghraichy
Production Deutsche Grammophon
October 5th 2018
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Musée Guimet - Nuit Blanche - Paris - (France)
Dancer - Fanny Gombert
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnea and / or hypopnea etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer.
October 1st 2018
PRE-TENSIO - performance with Colin Roche
Paris (France)
From September 21st to December 31st 2018
Mesure de la lumière by Sarkis with an original sound composition by Jacopo Baboni Schilingi
Festival Printemps de septebre - Couvent des Jacobins - Toulouse - (France)
Mesure de la lumière A long, thin neon crystal tube is suspended in each of the seven intervals of the colonnade. Each tube is one of seven colors of the rainbow. In the choir, stands the column from which spring the twenty-two arches in ogive which form the magnificent "palm tree". This is where the artist suspended a cluster of seven neon tubes assembling the seven colors. This beam turns on and off to the rhythm of a calm breath. Thus Sarkis unfolds throughout this plan of separation the procession of colors that speak light, understood in all its metaphors: life, joy, diversity, conciliation, ascent, etc. This regained plan of moral and spiritual elevation is emblematized while a soundtrack, made by the musician Jacopo Baboni Schilingi, slowly diffuses at our feet, in the choir, the sounds of the outside, ordinary noises of the common life. The noises of weather events, the sounds of time passing by, a whole rumor of the outside world that slips its redundancy or its discrepancy between visitors and the "real-time" noises, between the material world and the spiritual world. What size to give the light tubes that punctuate the nave? Sarkis chose a multiple of the unit of measurement used for the construction of the church, the "Toulouse cane", a little less than one meter eighty. Measure of the light, it is the title of this work, it is also what it does, to measure the place and the light. Hence the knotted ropes that hang along the tubes and measure their size. We see that Sarkis lives in this monument of exception with the humility of the respect he inspires and the empathy he awakens in him. The past does not pass when artists bring it back to the present.
From 5th to 16th September 2018
Immersion symphonique - inetractive installation - a tribute to symphonic repertoire - Cour du POalais Granvelle - Besançon (France)
Immersion symphonique (Curiosity) offers a new way of meeting the symphonic world through an interactive virtual orchestra inviting the public to break down and recompose a symphonic piece. Moving in the middle of an original scenography, the public becomes spectator of the installation: when it is positioned on an identified point, a group of instruments plays a fragment of a symphonic work. If he remains motionless, he will hear only part of the orchestra, but if he moves in space, or if several people are present on the device, the set of instruments will be heard little by little. Curiosity invites passersby to play with a symphonic work by becoming the "leader" of an interactive virtual orchestra! The musical piece is composed from citations of repertoire works associated with "bridges" allowing a link in morphing between each extract. Upon initiation by a visitor of the room, it will run as long as the sensors are activated. At the end of the work, or in case of inactivity, it is the atmosphere of an orchestra tuning that will be broadcast.
From June 20th to July 20th 2018
Identigrafie - photo and music exhibition - Galleria Contact - Rome (Italie)
Identigrafie project (Identigraphy in English) exists across different kind of monstration: books of photography, photo exhibitions in art galleries or art centres, live performances during which scores are painted lively, concerts where scores are projected on stage while musicians are playing. In Rome there will be Jacopo Baboni Schilingi's first monographic exhibition of Identigraphy. Today, musical scores are generated by software, which allows the musical transcriptions to be printed and distributed, directly. Therefore the “original” notation is in fact already an automated product. Before the advent of such tools, scores were hand written by composers, and the calligraphic excellence required was part of their stringent training. As with any precise, concentrated work, writing scores by hand demands long, intense labor. With time, a composer’s handwriting becomes a style, part of their personal signature, which corresponds to their sensibility. This is the school of composition in which Jacopo Baboni Schilingi was trained. Writing by hand is not only a necessary process for basic learning, but – as we now know – the gesture of writing links vision and touch; or, more precisely: the brain simulates the movement before the act of writing. Accordingly, moving the hand is not the same process as calling forth a letter (or a note) on a screen. In other words, cognitive structures are a function of physical activity. Therefore it is logical that the mechanics of writing should transform the resulting text.
June 19th 2018
TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi
Grand Palais - Soirée des mécènes - Paris - (France)
Dancer - Peiju Chien-Pott - principal dancer of Martha Graham Dance Company
TERRA is a dance and music project conceived by Jacopo Baboni Schilingi in collaboration with dancer PeiJu Chien-Pott (Taiwan). Terra is a project that uses a technology called MyAir, designed by engineer David Kuller, and also presented in another project by Jacopo Baboni Schilingi, "Argo". The dancer carries a sensor (MyAir) that allows her to detect at any time in real time the dilatation of her rib cage, the number of her breaths over time, the maximum and minimum thresholds of her breathing, the phenomena of apnea and / or hypopnea etc. All these parameters related to breathing are automatically translated into music data. Terra's music is thus generated in real time by the counterpoint between two musically translated breaths: that of the dancer mixed with that of the composer. TERRA project is supported by Françoise and Jean-Luc Déchery, Camille Fournet – Paris
June 2nd 2018
De la nature du sacre - third string quartet and live-computer - Maison de la Radio – Paris (France)
Leonis String Quartet
"De la nature du sacre" is the third string quartet written by Baboni Schilingi inside a group that, in its final version, it will provide a total of five string quartets.
It is a composition for string instruments and live computer that falls in the genre of interactive music. Through sound processing algorithms, the composer re-interprets the sounds produced by live musicians creating a dialogue between sound synthesis, treatment of string instruments and sounds purely acoustic.
The main instrument is the cello that plays the role not only of concertante instrument, but driving in a path in order to find the "right mean" or, if you will, the right balance. Throughut this term Baboni Schilingi wants to articulate the notion of "ritual (the “sacre” in French), the search for an equilibrium not between opposite poles, but within distinct properties, often incompatible. Sometimes irreconcilable. Exposure of a given material, its renewal in time, his hypothesis of existence as a precursor emotional, and its integration mnemonics in memory of the listener... so this is an unstable equilibrium, not necessarily dynamic, that only the projection of a hypothesis wisdom brings its desire for existence.
May 27th 2018
Insana nocte - for harpe and live computer
Harpe - Stéphanie Manzo
Alba Music Festival - Chiesa di San Giuseppe - Alba (Italy)
Insana nocte means crazy night.The tensions acquire with Insana nocte, a greater force: more sound masses, more musical activity, more interaction between the instrumentalist and the computer.The power of electronics seeks to offend the incessant play of the harp that does not give way, remains alone at the end of the composition.Formally, Insana nocte presents a double final to allow time for all musical tensions to dissipate in the listener's memory.
May 2nd 2018
Live performance
PIANORAMA - Jacopo Baboni Schilingi
Camille Fournet
Paris - France
From April 5th to July 9th 2018
ARGO - music and video installation - Grand Palais - Paris (France)
Argo is a project started in June-2017. It has duration length equal to the rest of Jacopo’s lifetime. Based on David Kuller’s technology (My-Air) Baboni Schilingi wears 24h 7/7 a special device conceived to measure his rib cage. A dedicated computer reads in real time the data coming from his device: how long Jacopo is breathing, how deep are his last ten seconds or one-minute breaths, how fast Jacopo is breathing, how expanded or compressed is his rib cage, etc. All these data are converted into musical functions in order to generate a not determinate duration music. Jacopo Baboni Schilingi is particularly involved in projects that create bridges between human body and the world of machines. Argo is one part of the body centred artistic research of Baboni Schilingi. Argo project is supported by Françoise and Jean-Luc Déchery, Camille Fournet – Paris
Software development: Jacopo Baboni Schilingi, Leo Baqué, Julien Vincenot and Lenny Szpira
Technical production: David Kuller, My Air company
Executive Producer: Ensemble de Musique interactive
Graphical representation of breathing data - Léo Baqué
March 28th 2018
Iris - New Composition for doublebass live-computer - Conservatoire de Musique – Besançon (France)
A new original composition written for the DEM doublebass program for young musician Iris Plaisance-Godey.
March 10th 2018
Live performance
PIANORAMA - Jacopo Baboni Schilingi
Camille Fournet
Paris - France
March 2nd 2018
Saxopohone recital and live computer - Why Note - Le Consortium - Dijon (France)
A new original musical playground dressed up by the duo formed by Jacopo Baboni Schilingi and Davy Basquin. Crossing repertories and sonorities together with the pulse of both improvisation and electro-acoustic live treatments, they navigate side by side, crossing each other through interactive musical processes. Guided by the compositions of Tanaka, they’ll undergoe the most energetic artpieces of Pierre Jodlowski, Baboni Schilingi’s own works such as Shift-II and Spatio Intermisso (Temporis) confronted to Grab it ! from Jacob Ter Veldhuis…!
Thomas Aguettaz - sound assistant
From February 26th to March 10th 2018
Artistic residence for composing his new string quartet - Chanel Nexus Hall - Tokyo (Japan)
Jacopo Baboni Schilingi modified his compositional method to rediscover a « sculptural » sensibility, which had previously been altered by machines, via living materials, indispensable for creation. His choice is drastic, emphatic and powerful, as it represents – literally – a return to the body, a carnal return: his scores are henceforth not just written by hand, but also written directly onto human bodies. Recreating his atelier, converted into both a calligraphy atelier and photography studio, he collaborates with Japanese male and female models, who serve as living canvases for his compositions.
February 14th 2018
Live performance
PIANORAMA - Jacopo Baboni Schilingi
Camille Fournet
Paris - France
February 5th 2018
Saxopohone recital and live computer - Les 2 Scènes - Théâtre de l'Espace - Besançon (France)
A new original musical playground dressed up by the duo formed by Jacopo Baboni Schilingi and Davy Basquin. Crossing repertories and sonorities together with the pulse of both improvisation and electro-acoustic live treatments, they navigate side by side, crossing each other through interactive musical processes. Guided by the compositions of Tanaka, they’ll undergoe the most energetic artpieces of Pierre Jodlowski, Baboni Schilingi’s own works such as Shift-II and Spatio Intermisso (Temporis) confronted to Grab it ! from Jacob Ter Veldhuis…!
January 20th 2018
Le Château-II - Saison Nulérique - Conservatoire de Pontarlier - Pontarlier (France)
Choir of Post-Maitrise du Conservatoire de Montbéliard
If it were necessary to choose a subtitle for this composition, I would have chosen: "a monument to heterophony".The Château-II is a composition that is articulated in 5 main sections, each of them explore properties of the voice: whispering, rhythmic ostinato, polyphony, melody and, more than all, heterophony.To understand what is heterophony, we must first start from the notion of monody and polyphony.The monody is any musical theme that unfolds through one and only one voice (consisting of one or more stamps) that has an autonomy of meaning.For example, we have a monody when men and women sing the same notes (including at different octaves) with the same rhythm.Polyphony, on the other hand, is any musical entity that unfolds through two or more voices (each made up of one or more timbres) each of which has an autonomy of meaning.A polyphony is therefore a set of monodies that acquire a wider meaning by being together.The heterophony is different.It is any entity or set of entities that unfolds through two or more voices (consisting of one or more stamps) each of which can have a meaning autonomy.The voices that constitute a heterophony acquire a functional meaning (which is therefore no longer entirely autonomous) through their relations with other voices.For example, we speak of heterophony when a voice is musically "disturbed" by another voice;or, when listening we are not able to discern two separate voices, while being aware that two singers, for example, do not sing the same notes.The discussions that I had with Luciano Berio around the voice and heterophony are, among other things, the origin of this composition.Berio himself has greatly developed the writing of heterophony in his works.So I decided to concentrate mainly on a constant ambiguity between a polyphonic writing (several separate voices) and a monodic writing (a single voice sung by several people) and the one between them.I also updated the technique of heterophony using the computer (real-time voice processing) through the use of a system of delays of variable duration, as well as a system ofgranular synthesis.The Château-II was composed from a text of personal invention (inspired by the text of Human Rights in its English version) and I allowed myself to set it to music both for its semantic values, but especially for its phonetic characteristics.
January 19th 2018
Le Château-II - Saison Nulérique - Musée de l'Aventure Peugeot - Sochaux (France)
Choir of Post-Maitrise du Conservatoire de Montbéliard
If it were necessary to choose a subtitle for this composition, I would have chosen: "a monument to heterophony".The Château-II is a composition that is articulated in 5 main sections, each of them explore properties of the voice: whispering, rhythmic ostinato, polyphony, melody and, more than all, heterophony.To understand what is heterophony, we must first start from the notion of monody and polyphony.The monody is any musical theme that unfolds through one and only one voice (consisting of one or more stamps) that has an autonomy of meaning.For example, we have a monody when men and women sing the same notes (including at different octaves) with the same rhythm.Polyphony, on the other hand, is any musical entity that unfolds through two or more voices (each made up of one or more timbres) each of which has an autonomy of meaning.A polyphony is therefore a set of monodies that acquire a wider meaning by being together.The heterophony is different.It is any entity or set of entities that unfolds through two or more voices (consisting of one or more stamps) each of which can have a meaning autonomy.The voices that constitute a heterophony acquire a functional meaning (which is therefore no longer entirely autonomous) through their relations with other voices.For example, we speak of heterophony when a voice is musically "disturbed" by another voice;or, when listening we are not able to discern two separate voices, while being aware that two singers, for example, do not sing the same notes.The discussions that I had with Luciano Berio around the voice and heterophony are, among other things, the origin of this composition.Berio himself has greatly developed the writing of heterophony in his works.So I decided to concentrate mainly on a constant ambiguity between a polyphonic writing (several separate voices) and a monodic writing (a single voice sung by several people) and the one between them.I also updated the technique of heterophony using the computer (real-time voice processing) through the use of a system of delays of variable duration, as well as a system ofgranular synthesis.The Château-II was composed from a text of personal invention (inspired by the text of Human Rights in its English version) and I allowed myself to set it to music both for its semantic values, but especially for its phonetic characteristics.
2017
November 14th 2017
Live performance
PIANORAMA - Jacopo Baboni Schilingi
Camille Fournet
Paris - France
November 9th and 10th 2017
MUSIC FOR THEATRE
Trois riches et trois pauvres
Stage director - Anne-Laure Walger-Mossière
Actors - Yasmina Maïza, Angélique Ros, Maud Landau, François Costagliola
Music - Jacopo Baboni Schilingi
Costumes et décors - Bénédicte Blaison
Lights et machinerie - Sylvain Roch
Co-production - CREA Scène Conventionnée Jeune Public (Kingersheim) - Salle Europe (Colmar) - (France)
from October 19th 2017 to December 31st 2017
INSTALLATION
PEGASUS
Conception and music - Jacopo Baboni Schilingi
Production Ensemble de Musique Interactive
EFS - Toulouse - (France)
October 19th 2017
Live performance
PIANORAMA - Jacopo Baboni Schilingi
Voice - IRMA
Camille Fournet
Paris - France
October 1st 2017
PERFORMANCE
PRE-TENSIO
in collaboration with Project Bloom - Colin Roche
Live Bodyscore performance
Living score - Anaïs De Matos, violin Nathalie Shaw
Paris - France
June 30th 2017
CONCERT
De la nature du mythe - Composition for SABRe [extended bass clarinet] and live computer
Matthias Muller (bass clarinet)
Tonhalle - Zürich - (Switzerland)
Juin 18th 2017
PERFORMANCE
PRE-TENSIO
in collaboration with Project Bloom - Colin Roche
Live Bodyscore performance
Living score - Anaïs De Matos and Mehdi Moussaoui, flute Shao-We Chou
Le Charbon - Ovry sue Seine - France
From 10th Juin to 10th September 2017
INSTALLATION
Music for sixteen - ARGO
Expo-2017 Astana
Generative music installation based on breathing sensors conceived by Dadid Kuller
Réunion des musées nationaux - Grand Palais
Astana - Kazakhstan
Argo is a project started in June-2017. It has duration length equal to the rest of Jacopo’s lifetime. Based on David Kuller’s technology (My-Air) Baboni Schilingi wears 24h 7/7 a special device conceived to measure his rib cage. A dedicated computer reads in real time the data coming from his device: how long Jacopo is breathing, how deep are his last ten seconds or one-minute breaths, how fast Jacopo is breathing, how expanded or compressed is his rib cage, etc. All these data are converted into musical functions in order to generate a not determinate duration music. Jacopo Baboni Schilingi is particularly involved in projects that create bridges between human body and the world of machines. Argo is one part of the body centred artistic research of Baboni Schilingi. Argo project is supported by Françoise and Jean-Luc Déchery, Camille Fournet – Paris
RMN-Grand Palais
Software development: Jacopo Baboni Schilingi, Julien Vincenot and Lenny Szpira
Technical production: David Kuller, My Air company
Executive Producer: Ensemble de Musique interactive
Graphical representation of breathing data - Léo Baqué
May 5th 2017
CONCERT
Shift-II for saxopohone and live computer
Saxophone - Davy Basquin
Festival aCROSS - Vitry sur Seine - (France)
From April 27th to May 5th 2017
ARTISTIC RESIDENCE
Musique transformation of original Haïku from BASHÔ (1644-1694) with young calligrapher Miyuki Jinnai
Light Assistant - Eric Cordier
Istituto Italiano di Cultura - Tokyo - (Japan)
From 16th to 22nd April 2017
ARTISTIC RESIDENCE
TERRA, a tribute to women
Artistic residence with PeiJu Chien Pott
Nimbus Studio Dance
Jersey - New Jersey (USA)
From 9th to 23rd September 2017
INSTALLATION
IMMERSION SYMPHONIQUE
Interactive music installation conceived by Jacopo Baboni Schilingi based on symphonic music
Festival de musique de Besançon - (France)
From April 1st to November 2nd 2017
INSTALLATION
Generative music composition by Jacopo Baboni Schilingi for the generative installation "IN/OUT-PARADIS ARTIFICIEL" by Miguel Chevalier
Festival des Jardins
Chaumont-Sur-Loire - (France)
From February 21st to May 6th 2016
INSTALLATION
Circular inception
Generative music composition by Jacopo Baboni Schilingi for the installation "Circular inception" by Elias Crespin
Maison de l'Amerique Latine - Paris - (France)
From 18th to 21st January 2017
Artistic residence
Working on the interactive photo Bodyscore - A new monographic photo exhibition
Galeria CONTACT - Rome - (Italie)
February 12th 2017
PERFORMANCE
PRE-TENSIO
In collaboration with Project Bloom - Colin Roche
Live Bodyscore performance
Living score - Score with Cellist Lola Mallique
Le Charbon - 54, Rue Vérollot - Ivry sur Seine (France)
February 5th 2017
CONCERT
Quando (non) c'è più silenzio - world premiere for flûte and live computeur by Jacopo Baboni Schilingi
Marie Sonderskov (flute) Symfosnik Sal - Thomas Jensens
Aarhus - Cultural Capital 2017 - (Denmark)
February 2nd 2017
CONCERT
Aura - Phoenix - [fourth string quartet] - for violon and live compute
Inside the recital "Violon augmenté : de Bach à Hendrix"
Guillaume Antonini - violin
Jacopo Baboni Schilingi - live computer
Auditorium du Grand Avignon – Le Pontet (France)
January 28th 2017
MONOGRAPHIC CONCERT
Decode-II - Clément Gérard (Percussions)
Media nocte and Concubia Nocte - Axelle Saint-Cirel (mezzo-soprano)
Spatio intermisso (temporis) - William Besserer (soprano saxophone) with real time interactive images by Ciryl Michaud
Production Ensemble de Musique Interactive and MOLOCO
Le MOLOCO - AUDINCOURT (France)
2016
from December 13th 2016 to January 31st 2017
INSTALLATION
PEGASUS
Conception and music - Jacopo Baboni Schilingi
Production Ensemble de Musique Interactive
EFS - BESANCON - (France)
December 12th 2016
CONCERT
La Dernière onde pour un enfant retrouvé mort sur une plage en été - for onde martenot and live computer
Nadia Ratsimandresy - onde martenot
Gävle theatre - (Sweden)
November 4th 2016
CONCERT
World premiere of De la nature du Mythe
Composition for SABRe and live computer - Matthias Muller (bass clarinet)
Tonhalle Zürich - (Switzerland)
October 1st 2016
PERFORMANCE
PRE-TENSIO - during "Nuit Blanche"
In collaboration with Project Bloom - Colin Roche
Live Bodyscore performance
Living score - Score with violinist Nathamie Shaw
Galerie HUS - Paris (France)
from September 1st to 8th 2016
ARTISTIC RESIDENCE
TERRA
with PeiJu Chien-Pott (Principal Dancer at Martha Graham Dance Company) and David Kuller (AirGo Technology)
Martha Graham New York and Nimbus - New Jersey - (USA)
September 2nd and 3rd 2016
ARTISTIC RESIDENCE
Bodyscore with PeiJu Chien Pott
New York - USA
from July 25th to August 28th 2016
INSTALLATION
ONDE PIXEL
Generative and interactive virtual-reality installation
Conception and intractive images - Miguel Chevalier
Music Jacopo Baboni Schilingi
UniCredit Pavilion, Milano, Italy
Software: Cyrille Henry / Antoine Villeret
Technical production: Voxels Productions
UniCredit Pavilion, Milano, Italy
July 16th 2016
CONCERT
De la nature du sacre (third string quartet) – for string quartet and live computer
Leonis string quartet
Eglise St Maurice - Caromb - (France)
June 25th 2016
INSTALLATION
ANIMA - Installation
Festival Back To The Trees
Forêt de Chaux - Besançon - (France)
June 18th 2016
MONOGRAPHIC CONCERT
International Festival - Foto di note
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Casa Delle Arti - Cernusco sul Naviglio - Milan - (Italy)
June 18th and 19th 2016
MONOGRAPHIC PHOTO EXHIBITION
International Festival - Foto di note
Bodyscore
Casa Delle Arti - Cernusco sul Naviglio - Milan - (Italy)
June 18th 2016
PERFORMANCE
International Festival - Foto di note
Live bodyscore
Blue - Cernusco sul Naviglio - Milan - (Italy)
June 15th 2016
CONCERT
International Festival - Intimate and to be shared, substantially
Réflexions pour piano (I, V) – for piano and live computer
Ensemble de Musique Interactive – Véronique Ngo Sach-Hien - piano
HAW Hamburg Finkenau Produktionslabor – Hamburg – (Germany)
June 10th 2016
CONCERT
La Dernière onde pour un enfant retrouvé mort sur une plage en été - for onde martenot and live computer
Copenhagen Avantgarde Music Festival
Nadia Ratsimandresy - onde martenot
Den Frie Udstillingsbygning - Copenhagen - (Denmark)
May 21st 2016
CONCERT
Festival Architectures et Géographies Imaginaires
Spatio intermisso (temporis) - for saxophone and live computer and Decode-ii - for percussion and Live computer
William Besserer - saxophone
Clément Gérard - percussion
Saline Royale - Arc-et-Senans - (France)
May 16th 2016
ARTISTIC RESIDENCE
Bodyscore
In collaboration ith Philippe Bouvet
La Plantation - Beijing (China)
April 22nd 2016
CONCERT
Festival PÉRIL ELECTRO
La Dernière onde pour un enfant retrouvé mort sur une plage en été - for onde martenot and live computer
Nadia Ratsimandresy - onde martenot
Confluence - Paris - (France)
April 3rd 2016
CONCERT
Concert for Ondes Martenot and live computer
La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer
Espace Multimedia Gantner - Bourogne - (France) 
April 3rd 2016
INSTALLATION
Bodyscore installation
Photo and music by Jacopo Baboni Schilingi
Espace Multimedia Gantner - Bourogne - (France)
March 24th 2016
CONCERT
Horizons Electroniques II
La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer
Nadia Ratsimandresy - Ondes Martenot
Festival Electroni - Genève - (Switzerland) 
from March 9th to 12th 2016
ARTISTIC RESIDENCE
With Sarkis for Zorlu Yapı Yatırım
Istanbul (Turkey)
from March 18th to 23rd 2016
ARTISTIC RESIDENCE
With Delphine Fabbri Lawson - Bodyscore
Phnom Pen (Cambodia)
March 3rd 2016
CONCERT
Augmented violin
Aura-phoenix (fourth string quartet) for violin and live computer
Violin - Guillaume Antonini
Why Note - Atheneum Centre Culturel - Dijon - (France)
2015
December 9th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Paine Hall - Harvard University - Cambridge - (USA)
December 3rd 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Spectrum - New York - (USA)
November 20th 2015
CONCERT
Festival Why note
La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer
Nadia Ratsimandresy - Ondes Martenot
CONSORTIUM [20h00] - Dijon - (France)
November 20th 2015
MNOGRAPHIC CONCERT
Festival Why note
Concubia nocte - in memoria di Luciano Berio - for soprano and live computer - Annabelle Bayet (soprano)
Spatio intermisso (temporis) - for oboe and live computer - Sophie Tévenard (oboe)
Decode-II - for percussion and Live computer (Clément Pecherau)
CONSORTIUM [180h00] - Dijon - (France)
from November 12th to 15th 2015
INSTALLATION
COMPLEXE MESHES
GENERATIVE AND INTERACTIVE VIRTUAL REALITY INTALLATION
Conception and images - Miguel Chevalier
Music by Jacopo Baboni Schilingi
Lumiere Festival, Durham Cathedrale, Durham, United Kingdom
Curator: Curators : Helen Marriage / Artichoke
Software: Cyrille Henry / Antoine Villeret
Technical production: Voxels Productions
Durham Cathedrale - (United Kingdom)
Novemver 6th 2015
CONCERT
Salzburg Contemporary Music
Decode-II - for percussion and live computer
Names Ensemble/Ensemble de Musique Interactive
Salzburg – (Austria)
November 5th 2015
MONOGRAPHIC CONCERT
Extended Nox
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
William Besserer - saxophones
Clément Gérard - percussions
INNO-Design
ARSENAL – Metz – (France)
November 5th and 6th 2015
INSTALLATION
Bodyscore installation
Photo and music by Jacopo Baboni Schilingi
INNO-Design
ARSENAL – Metz – (France)
October 31st 2015
ARTISTIC RESIDENCE
3rd INTERNATIONAL SYMPOSIUM OF MSUICAL ANALYTICS
Wuhan - China
October 26th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Sala Gianni Agnelli – Gae Aulenti – Tokyo – (Japan)
October 19th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
HeLuTing Concert Hall – Shanghai – (China)
October 18th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
La Plantation – Beijing – (China)
October 17th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
La Plantation – Beijing – (China)
from October 18th to 22nd 2015
INTERACTIVE PHOTO EXHIBITION
BODYSCORE
Conception by Jacopo Baboni Schilingi
Photos by Pilippe Bouvet
La Plantation – Beijing – (China)
October 15th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Yishu 8 – Beijing – (China)
October 11th 2015
CONCERT
Biennale de Venice – music section
De la nature du sacre (third string quartet) – for string quartet and live computer
Leonis string quartet
Sala delle armi – Arsenale – Venice – (Italy)
October 8th 2015
PERFORMANCE
Playing live computer with music by P. Boulez, P. Jodlowski, G. Platini, K. Saariaho
Auditorium du Conservatoire de Belfort – Belfort – (France)
October 7th 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Le Musée de l'Aventure Peugeot - Sochaux - (France)
from August 21st to 29th 2015
VIDEO
Méta-Territoires by Miguel Chevalier
Galerie Fernand Léger – Ivry-sur-Seine – (France)
September 26th 2015
PERFORMANCE
Laptop performance with musicians from Cambodian Living Art
Ensemble de Musique Interactive/Anahata/Cambodian Living Art
Pagode Preah Prohm Roath – Siem Reap – Angkor (Cambodia)
from September 21st to 30th 2015
ARTISTIC RESIDENCE
Anahata/Ensemble de Musique Interactive
Phnom Penh - Siem Reap - (Cambodia)
July 25th 2015
MONOGRAPHIC CONCERT
Festival – Eclat de Caromb
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Eglise St Maurice – Caromb – (France)
from July 10th to August 3rd
INSTALLATION
Pixels Wave 2015 Generative and interactive virtual-reality installation by Miguel Chevalier
Malta International Art Festival
Music by Jacopo Baboni Schilingi
Sizes: 164 ft x 49.21 ft
Software: Cyrille Henry / Antoine Villeret
Technical production: Voxels Productions
Republic Street - Valletta - (Malta)
Juin 27th 2015
INSTALLATION
Festival Back To The Threes
Créatures imaginaires – sound installation
Forêt de Chaux - Besançon - (France)
Juin 23rd 2015
CONCERT
Réflexions pour piano – for piano and live computer
Ensemble de Musique Interactive - Véronique Ngo Sach-Hien – piano
IBEAM - New York - (USA)
Juin 21st 2015
CONCERT
Réflexions pour piano – for piano and live computer
Ensemble de Musique Interactive - Véronique Ngo Sach-Hien – piano
Abrons Arts Center, Playhouse Theater, 466 Grand Street New York
June 6th 2015
CONCERT
Augmented violin
Aura-phoenix (fourth string quartet) - for violin and live computer
Conservatory of music - Wuhan - (China)
June 3rd 2015
CONCERT
Augmented violin
Aura-phoenix (fourth string quartet) - for violin and live computer
Meridian Space - Beijing - (China)
from Juin 2nd to 6th 2015
ARTISTIC RESIDENCE
BODYSCORE with Philippe Bouvet
La Plantation - Beijing (China)
from February 1st to Juin 20th 2015
INSTALLATION
Trianguconcéntricos rouge - installation by Elias Crespin
Music by Jacopo Baboni Schilingi
Das Kleine Museum - Weissenstadt - (Germany)
May 25th 2015
MONOGRAPHIC CONCERT
ALBA MUSIC FESTIVAL
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Chiesa della Maddalena – Alba – (Italy)
from April 18th to December 31st 2015
INSTALLATION
Festival Animal Animalis
Venus à Gonds - interactive and generative installation
Conception Arman, Jacopo Baboni Schilingi and Tita Reut
Sculpture by Arman
Music by Jacopo Baboni Schilingi
Texte by Tita Reut
Abbaye Royale de Saint Riquier - Saint Riquier - (France)
from April 18th to Decelber 31st 2015
INSTALLATION
Festival Animal Animalis
Créatures imagnaires - interactive and generative installation
Conception Jacopo Baboni Schilingi
Images Michel Jaffrennou
Music by Jacopo Baboni Schilingi
Abbaye Royale de Saint Riquier - Saint Riquier - (France)
from May 7th to November 1st 2015
INSTALLATION
Biennale of Venice - Art section
Respiro della voce - music for the installation by Sarkis « Respiro »
Biennale of Venice - Pavilion of Turkey - Venice - (Italy)
Mai 10th 2015
CONCERT
Evangelishes Gemeindezentrum Grünwald
Decode-II - for percussion and live computer
Names Ensemble/Ensemble de Musique Interactive
Münich - (Germany)
February 2nd 2015
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Espace Multimedia Gantner - Bourogne - (France)
February 1st 2015
MUSIC FOR THEATER
Ulysse
Stage diretcor - Anne-Laure Walger-Mossière
Actors - Elisabeth Von Buxhoeveden, Maud Landau, Angélique Ros, François Costagliola
Musique - Jacopo Baboni-Schilingi
Scenography - Anne-Marie Schoen
Costumes - Bénédicte Blaison
Lights - Khaled Rabah
Co-production - CREA Scène Conventionnée Jeune Public (Kingersheim) Triangle - Huningue - (France)
2014
December 10th 2014
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Eglise Saint-Séverin - Paris (France)
December 11th 2014
CONCERT
Disparition - electroacoustic composition
Hydra - Harvard University
Paine Hall - Harvard University - Cambridge - (USA)
December 7th 2014
MONOGRAPHIC CONCERT
Les Pôles des Aimants
Live performance – for 3 instruments and 3 voices and live computer
Flute - Anne Nardin, Clarinet - Thierry Perrout, Saxophone - William Besserer
Voices - Tamara Bounazou, Axelle Saint-Cirel, Chloé Lukasiewicz
Ensemble de Musique Interactive
Musée du château des Ducs de Wurtemberg - Montbéliard - (France)
November 11th 2014
CONCERT
Festival - Festival Sons d’Autumne
De la nature du sacre (third string quartet) - for string quartet and live computer
Conservatoire de musique - Annecy - (France)
November 11th 2014
PERFORMANCE
Meng Qi - synthesizers
Jacopo Baboni Schilingi - Live computer
Festival Croisement
The Meridian Space - Beijing (China)
October 26th 2014
MONOGRAPHIC CONCERT
Nox - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Conservatory of Music Wuhan - (China)
October 24th 2014
CONCERT
Ultima Nocte - for two voices and live computer
Tamara Bounazou - soprano
Axelle Saint-Cirel - mezzosprano
Ensemble de Musique Interactive
Central Conservatory of Music - Beijing (China)
from October 17th 2014 to March 3rd 2015
INSTALLATION
Trianguconcéntricos rouge - installation by Elias Crespin
Music by Jacopo Baboni Schilingi
Galérie Denise René - Paris - (France)
December 16th 2014
MONOGRAPHIC CONCERT
Les Pôles des Aimants
Live performance – for 3 instruments and 3 voices and live computer
Flute - Anne Nardin, Clarinet - Thierry Perrout, Saxophone - William Besserer
Voices - Tamara Bounazou, Axelle Saint-Cirel, Chloé Lukasiewicz
Ensemble de Musique Interactive
Musée du château des Ducs de Wurtemberg - Montbéliard - (France)
September 26th 2014
CONCERT
Beijing Design Week
Meng Qi - synthesizers
Jacopo Baboni Schilingi - Live computer
Orange - Sanlitung Village - Beijing - (China)
from September 2nd to 7th 2014
INSTALLATION
The origin of the Curve
IFA 2014 - Samsung
Generative and interactive virtual-reality installation by Miguel Chevalier
Music - Jacopo Baboni Schilingi
Commissioned by Samsung
Software - Cyrille Henry / Antoine Villeret
Technical production - Voxels Productions
Technical collaboration - Cheil and Messebau Tunnissen GmbH
Samsung - IFA 2014, City Cube - Berlin (Germany)
from August 23rd to 31st 2014
INSTALLATION
Magic Carpets 2014
Generative and interactive virtual-reality installation by Miguel Chevalier
Music - Jacopo Baboni Schilingi
Festival Internazionale di Andria Castel dei Mondi, Castel del Monte, Andria, Italy
Curator - Riccardo Carbutti
Software - Cyrille Henry / Antoine Villeret
Technical production - Voxels Productions
from July 25th to 27th 2014
Festival Eclat de Caromb
Rêves dévoilés - music installation and land art
Place du Beffroi - Caromb - (France)
from July 25th to August 31st 2014
The Origin of the World 2014
Generative and interactive virtual-reality installation by Miguel Chevalier
Music - Jacopo Baboni Schilingi
Curator - David Rosenberg & Joanne Kim
Software - Cyrille Henry / Antoine Villeret
Technical production - Voxels Productions
from Juin 6th to 2014 to January 4th 2015
INSTALLATION
Les Pôles des Aimants by Sarkis
Music - Jacopo Baboni Schilingi
Musée du château des Ducs de Wurtemberg - Montbéliard - (France)
June 1st 2014
CONCERT
Alba Music Festival
Decode-II - for percussion and live computer - Bertrand Monneret - percussion
Réflexions pour piano – for piano and live computer - Véronique Ngo Sach Hien - piano
Chiesa di San Giuseppe - Alba (Italy)
from May 23rd to Juin 6th 2014
Conception and music by Jacopo Baboni Schilingi
May 16th 2014
MUSIC FOR THEATER
Ulysse
Stage diretcor - Anne-Laure Walger-Mossière
Actors - Elisabeth Von Buxhoeveden, Maud Landau, Angélique Ros, François Costagliola
Musique - Jacopo Baboni-Schilingi
Scenography - Anne-Marie Schoen
Costumes - Bénédicte Blaison
Lights - Khaled Rabah
Bains Douches - Kingersheim - (France)
April 15th 2014
CONCERT
Festival IMPETUS
Il colore del Nero-II - Requiem in forma di Musica - for 11 musicians and live computer
Ensemble de Musique Interactive - Conductor Laurent Zemp
Crac 19 - Montbéliard - (France)
April 3rd 2014
CONCERT
SABRe
New beginnings - for augmented bass clarinet and live computer
Matthias Müller - bass clarinet
Kunstraum Walcheturm - Zurich - (Switzerland)Gant 
April 3rd 2014
CONCERT
Concert for flute and live computer
Quasi un silenzio – for flute and live computer
Ensemble de Musique Interactive – Anne Nardin - flute
Espace Multimedia Gantner - Bourogne - (France)
April 3rd 2014
INSTALLATION
Venus à Gonds - interactive and generative installation
Conception Arman, Jacopo Baboni Schilingi and Tita Reut
Sculpture by Arman
Music by Jacopo Baboni Schilingi
Texte by Tita Reut
Espace Multimedia Gantner - Bourogne - (France)
March 20th & 21st 2014
MUSIC FOR THEATER
Ulysse
Stage diretcor - Anne-Laure Walger-Mossière
Actors - Elisabeth Von Buxhoeveden, Maud Landau, Angélique Ros, François Costagliola
Musique - Jacopo Baboni-Schilingi
Scenography - Anne-Marie Schoen
Costumes - Bénédicte Blaison
Lights - Khaled Rabah
Espace Tival - Kingersheim - (France)
from February 22nd to June 1st 2014
INSTALLATION
Circuconcéntricos Blu - installation by E. Crespin
Music by Jacopo Baboni Schilingi
Galérie de la Marine - Nice - (France)
from January 16th to 20th 2014
INSTALLATION
How Unpainted, Germany's First New Media Art Fair
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Munich - (Germany)
2013
from November 5th to 11th 2013
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Mumbai - (India)
November 13th 2013
CONCERT
Carte blanche à Jacopo Baboni Schilingi
Spatio intermisso (temporis) - for oboe and live computer - Christian Schmitt - Oboe
Ensemble de Musique Interactive
Quasi un silenzio - for Flute and Live computer - Anne Nardin - Flute
Scène Numérique - MA Scène Nationale - Montbéliard - (France)
November 2nd 2013
CONCERT
Chamber Music Festival - 2013
Cinq Réflexion pour piano - for piano and live computer
Ensemble de Musique Interactive - Véronique Ngo Sach-Hien - Piano
Central Conservatory of Music - Beijing - (China)
November 22nd 2013
CONCERT
Electronic Music Week - 2013
De la nature du sacre-II - for String quartet and live computer
Leonis String Quartet and Ensemble de Musique Interactive
Shanghai Concert Hall - Shanghai - (China)
from October 10th to 16th 2013
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Pacific Place - Hong Kong - (China) 
August 24th 2013
PERFORMANCE
Laptop performance
Ensemble de Musique Interactive
Mas de l’Amarine - Saint Remy de Province - (France)
August 24th 2013
PERFORMANCE
Ensemble de Musique Interactive
Body Score Live performance
Mas de l’Amarine - Saint Remy de Province - (France)
August 24th 2013
PHOTO EXHIBITION
Body Score
Mas de l’Amarine - Saint Remy de Province - (France)
August 24th 2013
INSTALLATION
Venus à Gonds - Instalation with Arman and T. Reut
Mas de l’Amarine - Saint Remy de Province - (France)
June 1st 2013
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Miami - (USA)
from Jun 1st o October 10th 2013
INSTALLATION
Côté Jardin
…Et si le temps était toujours modern? - music installation and land art
Saline Royale - Arc-et-Senans - (France)
Mai 19th 2013
CONCERT
Disparition - Electroacoustic music
With Nicholas Isherwood and Anne Delafosse-Quentin
Ensemble de Musique Interactive
Centre Chorégraphique National- Belfort - (France)
from April 10th to 13th 2013
INSTALLATION
MACO - Mexico Arte COntemporaneo
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Mexico City - (Mexico)
from February 2nd to September 1st 2013
INSTALLATION
Turbulences II
Origine du monde by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Fondation Boghossian - Villa Empain - Bruxelles - (Belgium)
from January 1st to February 5th 2013
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Nanjing - (China)
November January 26th 2013
CONCERT
Leonis en résidence
De la nature du sacre - for String quartet and live computer
Leonis String Quartet and Ensemble de Musique Interactive
Théâtre de l’Aquarium - Vincennes - (France)
from January 25th to April 7th 2013
INSTALLATION
Origine du monde - music for the interactive and generative installation by Miguel Chevalier
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Wood Street Galleries- Pittsburgh - (USA)
from January 25th to April 7th 2013
INSTALLATION
Pixel Liquide - music for the interactive and generative installation by Miguel Chevalier
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Wood Street Galleries- Pittsburgh - (USA)
from January 14th to 20th 2013
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Shenyang - (China)
2012
December 15th 2012
CONCERT
Piccola natura serena - for orchestra and live computer
Aposiopée - Conductor Jean-Louis Vicart
Centre d’Animation Jemmapes - Paris - (France)
from December 10th to 16th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
The Pavilion Downtown Dubai - Dubai - (United Arab Emirates)
from November 10th to 16th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Busan - (South Korea)
November 10th 2012
CONCERT
Piccola natura serena - for orchestra and live computer
Aposiopée - Conductor Jean-Louis Vicart
Auditorium Saint-Germain - Paris (France)
from November 7th to 13th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Selfridges- London - (UK)
November 3rd 2012
CONCERT
Tage für neue Musik
De la nature du sacre (third string quartet) – for string quartet and live computer
Leonis String Quartet
Jugendzentrum - Weimar - (Germany)
From October 10th to November 4th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Seattle - (USA)
From October 16th to 21st 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Palazzo Morando - Milan - (Italy)
October 11th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Palais Brongniart - Paris - (France)
From October 6th to 13th 2012
INSTALLATION
Travel Journal n.1 - sound installation
Music by Jacopo Baboni Schilingi
Biennale de Venice - music section
Giardino delle Vergini - Arsenale - Venice - (Italy)
from October 5th to 11th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Osaka - (Japan)
from October 5th to 11th 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Anvers - (Belgium)
from September 24th to 31st 2012
INSTALLATION
8 Ties for Hermès by Miguel Chevalier - Generative and interactive virtual-reality installation
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Hermès - Ginza - Tokyo - (Japan)
from September 24th to 31st 2012
INSTALLATION
Festival A-Part
La vague des pixels - music for the interactive and generative installation by Miguel Chevalier
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Carrières de lumières - Baux de Province - (France)
from September 24th to 31st 2012
INSTALLATION
Festival A-Part
Pixel liquide - music for the interactive and generative installation by Miguel Chevalier
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Carrières de lumières - Baux de Province - (France)
Juin 21 2012
Ensemble de Musique Interactive
from June 1st to October 21st 2012
INSTALLATION
Rêves dévoilés - music installation and land art
Les Amitiées Végétales
Saline Royale - Arc-et-Senans - (France)
from June 1st to October 21st 2012
INSTALLATION
Molecole armoniche - a part of a collective exhibition
Les Amitiées Végétales
Saline Royale - Arc-et-Senans - (France)
May 18th 2012
Stagione di Musica da Camera
De la nature du sacre (third string quartet)
Quatuor Léonis
Ensemble de Musique Interactive
May 13th 2012
Philarmonische Konzerte im Großen Haus
Natura-Phoenix - for symphonic orchestra and String quartet
Cottbus Symphonic Orchestra - Conductor Evan Crist
May 13th 2012
Philarmonische Konzerte im Großen Haus
Natura-Phoenix - for symphonic orchestra and String quartet
Cottbus Symphonic Orchestra - Conductor Evan Crist
May 4th 2012
Percussion Bytes
Igitur semper – version for 3 percussionists, solo trombone and Live computer
Soloists of Basel Symphonic Orchestra – Henri Michel Garzia – Trombone
April 7th 2012
Artiste en Résidence
Concubia nocte – in Memoria di Luciano Berio – for soprano and live computer
Ensemble de Musique Interactive – Anne Delafosse Quentin – voice
March 24th 2012
CONCERT
Festival Ghost in the instrument (in collaboration with the Columbia University)e
Spatio intremisso (temporis) – for oboe and live computer
Ensemble de Musique Interactive – Christian Schmitt - oboe
Miller Theatre - New York - (USA)
March 2rd 2012
CONCERT
Festival Ghost in the instrument (in collaboration with the Columbia University)e
Decode-II – for percussion and live computer - Bertrand Monneret
Shift-II – for saxophone and live computer - Philippe Bouveret
Ensemble de Musique Interactive – Christian Schmitt - oboe
Prentis Hall - New York - (USA)
March 2rd 2012
CONCERT
Festival Ghost in the instrument (in collaboration with the Columbia University)
Decode-II – for percussion and live computer - Bertrand Monneret
Shift-II – for saxophone and live computer - Philippe Bouveret
Ensemble de Musique Interactive – Christian Schmitt - oboe
Prentis Hall - New York - (USA)
2011
December 11th 2011
CONCERT
La creation musicale : tout un programme !
Spatio intermisso (temporis) - for saxophone and live computer - Philippe Bouveret
Ensemble de Musique Interactive – Philippe Bouveret - saxophone
Opéra Comique - Paris - (France)
October 13th 2011
CONCERT
Electronic Music Week - 2011Decode-II - for percussion and live computer
Yan Haocheng - percussionist
HeLuTing Concert Hall - Shanghai - (China)
September 22nd 2011
September 26th 2011
Spatio intermisso (temporis) - for saxophone and live computer
September 24th 2011
MONOGRAPHIC CONCERT
September 24th 2011
Conception and music by Jacopo Baboni Schilingi
from 13th to 15th August 24th 2011
Les Jardins Musicaux
Conception and music by Jacopo Baboni Schilingi
July 24th 2011
Juin 15th 2011
Disparition - electroacoustic music
Come in Silenzio, quasi… - for trio and live computer
Ensemble de Musique Interactive
Auditorium - Grand Chalon - (France)
Mai 6th 2011
Igitur semper - version for 3 percussionists, solo trombone and Live computer
Soloists of Basel Symphonic Orchestra - Henri Michel Garzia - Trombone
Theater Basel - Basel - (Switzerland)
from mai 27th to June 6th 2011
Fractal Flowers- Interactive and generative installation by Miguel Chevalier
Music by Jacopo Baboni Schilingi
Technical production - Voxels Productions
Oi Futuro - Rio De Janeiro - (Brazil)
| 15/04/11 | |
| Impetus | |
| Decode-II - for percussion and live computer (version for 5 percussionists) | |
| Ensemble de Musique Interactive | |
| Le Moloco - Audincourt - (France) | |
| 30/03/11 | |
| Mid-Day Recital | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer | |
| Sarah Kirsch - soprano | |
| Eva Clare Hall - Winnipeg - (Canada) | |
| 01/09/10 | |
| MIS | to |
| Terra Incognita - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 31/10/10 |
| MIS - San Paulo - (Brazil) | |
| 10/07/10 | |
| Nuit Bleue - 2010 | |
| Disparition - electroacoustic music | |
| Saline Royale - Arc-et-Senans - (France) | |
| 06/05/10 | |
| Festival île de découvertes | |
| Anima-Phoenix - for symphonic orchestra, String quartet and live computer | |
| Orchestre Nationale d’Île de France - Conductor Kaspar Zehnder | |
| Scène Nationale - Grand Théâtre - Saint-Quentin-en-Yvelines - (France) | |
| 10/03/10 | |
| Créer ce que l’on joue? | |
| Le Château-II - for 4 voices, choir and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| MPAA - Auditorium Saint Germain - Paris - (France) | |
| 26/02/10 | |
| Peninsula Arts Contemporary Music Festival | |
| Something in between - for 3 musicians | |
| RE:search Ensemble | |
| Upper Lecture Theatre, Sherwell Centre, University of Plymouth - Plymouth - (UK) | |
| 28/01/10 | |
| L’Allan - Scène Nationale de Montbéliard | |
| Après disparition - for 8 soloist voices, choir and live computer | |
| Ensemble Contraste - Conductor Brigitte Rose | |
| Théâtre de la Ville - Montbéliard - (France) | |
| 13/01/10 | |
| Live Electronic Space | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ben Reimer – percussion; Rosemarie Van der Hooft - soprano | |
| The Winnipeg Art Gallery - Winnipeg - (Canada) | |
| 17/12/09 | |
| DE LA MODERNITÉ À LA CONTEMPORANÉITÉ | |
| Il colore del Rosso – for 11 musicians; | |
| Il colore del Bianco – for 6 musicians; | |
| Il colore del Giallo – for 2 musicians; | |
| Il colore del Nero - Requiem in forma di Musica – for 11 musicians - Monographic concert | |
| Ensemble de Musique Interactive - Conductor Laurent Zemp | |
| Palot - Montbéliard - (France) | |
| 04/12/09 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Espace Grün- Cernay - (France) | |
| 22/10/09 | |
| Electronic Music Week - 2009 | |
| Decode-II - for percussion and live computer | |
| Student from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 21/10/09 | |
| Electronic Music Week - 2009 | |
| Incipit-Phoenix (second string quartet) – for string quartet and live computer | |
| Students from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 20/10/09 | |
| Electronic Music Week - 2009 | |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Student from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 21/09/09 | |
| Musée de la Chasse et de la Nature | to |
| Fractal Flowers in Vitro - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 03/01/10 |
| Musée de la Chasse et de la Nature - Paris - (France) | |
| 26/06/09 | |
| Multiphonie - GRM | |
| Spatio intermisso (temporis) - for oboe and live computer; Come in silenzio, quasi… - for trio and live computer | |
| Ensemble de Musique Interactive | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 20/05/09 | |
| Maestri Italiani | |
| Decode-II - for percussion and live computer; Il colore del Buio - cycle for 11 musicians | |
| Il colore del Blu (first string quartet) – for string quartet; | |
| Il colore del Rosso – for 11 musicians; | |
| Il colore del Bianco – for 6 musicians; | |
| Il colore del Giallo – for 2 musicians; | |
| Il colore del Nero - Requiem in forma di Musica – for 11 musicians - Monographic concert | |
| KammarensembleN - Conductor Frank Ollu | |
| Italienska Kulturinstitutet - Stockholm - (Sweden) | |
| 02/04/09 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Rive Rhin- Village-Neuf - (France) | |
| 21/03/09 | |
| Les Alchimies Electroniques | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Shift-II - for baritone saxophone and live computer | |
| Ensemble de Musique Interactive | |
| Espace BARBARA - Paris - (France) | |
| 22/02/09 | |
| Le Salon de Musique | |
| Incipit-Phoenix (second string quartet) – for string quartet and live computer | |
| Quatuor Leonis | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| 24/01/09 | |
| Association Art Metz | |
| Decode-II - for percussion and live computer; Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer - monographic concert | |
| Ensemble de Musique Interactive | |
| Château du Pont d’Oye– Habay - (Belgique) | |
| 05/12/08 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Cour d’Appel- Colmar - (France) | |
| 15/11/08 | |
| Ma vie sur les murs | & |
| Music for the spectacle by Anne-Laure Walger Mossiere | 16/11/08 |
| CREA - Kingersheim - (France) | & |
| 17/11/08 | |
| 09/11/08 | |
| Festival NOVELUM | |
| Disparition - electroacoustic music | |
| Odyssud - Blagnac - (France) | |
| 02/11/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Trois profils pour alto - for Viola and live computer; Le Château-II - for 4 voices, choir and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Concert Hall- Anqing - (China) | |
| 31/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Wide-II - for 3 musicians and live computer; Trois profils pour alto - for viola and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Concert Hall- Hefei - (China) | |
| 29/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Le Château-II - for 4 voices, choir and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Opera of Anhui - Anhui - (China) | |
| 28/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Decode-II - for percussion and live computer; Wide-II - for 3 musicians and live computer | |
| Ensemble de Musique Interactive | |
| Opera of Anhui - Anhui - (China) | |
| 19/09/08 | |
| Concert d’Ouverture - au Coeur du son | |
| Le Château-II - for 4 voices, choir and live computer; Decode-II - for percussion and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Hall de PMA - Montbéliard - (France) | |
| 08/09/08 | |
| Ars Numerica | to |
| HEMERA – Interactive and generative installation for music and light with A. Poumarat | 12/09/08 |
| Les Versannes | |
| Ars Numerica- Montbéliard - (France) | |
| 04/09/08 | |
| Sous les drapeaux | |
| Music for the documentary movie by H. Colomer – for symphonic orchestra Compositions with live computer – monographic concert | |
| Orchestre Nationale d’Île de France - Conductor Christophe Mangou | |
| Maison de l’Orchestre Nationale d’Île de France - Alfortville - (France) | |
| 13/06/08 | |
| Concert du Palot | |
| Quasi un silenzio - for flute and live computer; Decode-II - for percussion and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 12/06/08 | |
| Boffi Bains | to |
| Fractal Flowers - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 20/06/08 |
| Boffi Bains - Paris - (France) | |
| 30/05/08 | |
| Récital pour flûte | |
| Quasi un silenzio - for flute and live computer | |
| Ensemble de Musique Interactive – Anne Nardin - flute | |
| Crac 19 - Montbéliard - (France) | |
| 26/03/08 | |
| Festival Voce 2008 | |
| Le Château-II - for 4 voices, choir and live computer | |
| Ensemble Contraste | |
| Foyer municipal - Audincourt - (France) | |
| 19/03/08 | |
| Musique Interactive | |
| Nox – monographic concert | |
| Anne Delafosse Quentin et Raphaël Mas - voix | |
| Théâtre Bacchus - Besançon - (France) | |
| 11/03/08 | |
| La Poste inspire de Artistes | to |
| L’envolée du courrier - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 31/03/08 |
| Musée de la Poste - Paris - (France) | |
| 21/02/08 | |
| Guest Artists Recital | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Jessen Auditorium - University of Texas - Austin - (USA) | |
| 08/11/07 | |
| Festival MANCA | |
| Spatio intermisso (temporis) - accordion version | |
| Pascal Contet - Accordion | |
| Théâtre de la Photographie et de l’Image - Nice - (France) | |
| 10/12/07 | |
| PALAIS DES FETES | to |
| HEMERA – Interactive and generative installation for music and light with A. Poumarat | 14/12/07 |
| Les Versannes | |
| Palais des fêtes- Strasbourg - (France) | |
| 05/12/07 | |
| Rencontre avec Jacopo Baboni Schilingi | |
| Spatio intermisso (temporis) - for oboe and live computer; Insana nocte - for harp and live computer – monographic concert | |
| Ensemble de Musique Interactive | |
| Istituto Italiano di Cultura - Paris - (France) | |
| 27/08/07 | |
| ENSATT | to |
| HEMERA – Interactive installation for music and light with A. Poumarat | 31/08/07 |
| Les Versannes | |
| ENSATT - Lyon - (France) | |
| 07/07/07 | |
| Nuit Bleue - 2007 | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive | |
| Saline Royale - Arc-et-Senans - (France) | |
| 08/06/07 | |
| Association Art Metz | to |
| Crossborder - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 09/07/07 |
| Gare de Metz - Metz - (France) | |
| 23/05/07 | |
| Biennale de Poesie val de Marne | to |
| Les voix du monde – sound installation | 02/06/07 |
| MACVAL - Vitry-sur-Seine – (France) | |
| 15/05/07 | |
| ESC Orchestra | |
| Laptop performance - 4 Laptops 4 musicians live performance | |
| ESC - Electroacoustic Synthesis Crew | |
| Cité Internationale Universitaire de Paris - Paris - (France) | |
| 27/03/07 | |
| Festival Voce 2007 | |
| Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 07/12/06 | |
| Fête des Lumières | to |
| Anima - music and light installation with C. Houdart and A. Poumarat | 10/12/06 |
| Les versannes | |
| Place Bir-Hakeim - Lyon - (France) | |
| 29/10/06 | |
| Xème Congres de l’Association Française du Hautbois | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Auditorium Daniel Dechico - Bayonne - (France) | |
| 14/10/06 | |
| Agon | & |
| I dadi di Mozart - Live performance | 15/10/06 |
| Villa Belgiojoso Bonaparte - Milan - (France) | |
| 16/06/06 | |
| Concert du Palot | |
| Insana nocte - for harp and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 28/05/06 | |
| Les Voix du Prieuré | |
| Concubia nocte - in Memoria di Luciano Berio | |
| Ensemble de Musique Interactive - Anne Delafosse Quentin - voice | |
| Eglise Saint-Laurent - Le Bourget-du-Lac - (France) | |
| 23/05/06 | |
| L’Allan - Scène Nationale de Montbéliard | |
| Spatio intermisso (temporis) - accordion version | |
| Pascal Contet - Accordion | |
| Palot - Montbéliard - (France) | |
| 10/03/06 | |
| FROMM PLAYERS AT HARVARD | |
| Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer | |
| Jennifer Ashe - soprano | |
| Paine Hall - Harvard University - Cambridge - (USA) | |
| 03/02/06 | |
| Interface | & |
| Interdit aux moins de seize ans – music performance with pomes by J.P. Balpe and live painting by J.B. Evequoz – monographic concert | 04/02/06 |
| Théâtre Intérface - Sion - (Switzerland) | & |
| 05/02/06 | |
| 08/01/06 | |
| « 1/60 » Atelier de création radiophonique | |
| Il violin a un an - electroacoustic composition | |
| Maison de la Radio - Paris - (France) | |
| 07/01/06 | |
| Multiphonie - GRM | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 14/12/05 | |
| Intrusions 0-2 (Ars Numerica) | |
| Etude sur Media nocte – for mezzo soprano and live computer | |
| Ensemble de Musique Interactive - Dragana Serbanovic - Voice | |
| Palot - Montbéliard - (France) | |
| 29/11/05 | |
| In-Out | to |
| La lanteur - interactive and generative sound and image installation | 02/12/05 |
| ESC - Electroacoustic Synthesis Crew | |
| Laboratoire Paragraphe – Paris8 – Saint Denis - (France) | |
| 02/11/05 | |
| Territoire polychromes 2015 | |
| …nographies - music spectacle for bass voice, 3 musicians and live computer with J.P. Balpe | |
| Nicholas Isherwood - bass voice | |
| Ensemble de Musique Interactive | |
| Theatre du Lierre - Paris - (France) | |
| 21/07/05 | |
| Festival Musique et Mémoire | & |
| Nox - monographic concert | 22/07/05 |
| Anne Delafosse Quentin and Paulin Bündgen - voice | |
| Notre-Dame du Haut (Chapelle de Ronchamps) - Ronchamps - (France) | |
| 08/07/05 | |
| Santarcangelo dei Teatri | & |
| Real Madrid - With MK dance Company | 09/07/05 |
| ESC - Electroacoustic Synthesis Crew | & |
| Teatro degli Atti - Rimini - (Italy) | 10/07/05 |
| 16/06/05 | |
| Progetto Sostanza Sonora | to |
| Sostanza sonora - With MK dance Company | 28/06/05 |
| ESC - Electroacoustic Synthesis Crew | |
| Arboreto Teatro Dimora - Mondaino - (Italy) | |
| 09/05/05 | |
| Omen - Progetto Sostanza Sonora | |
| Sostanza sonora - With MK dance Company | |
| ESC - Electroacoustic Synthesis Crew | |
| Fonderie Teatrali Limone - Torino - (Italy) | |
| 25/03/05 | |
| Réflexions | |
| 5 Réflexions pour piano – for piano and live computer | |
| Ensemble de Musique Interactive - Laurence Coeytaux - Piano | |
| Palot - Montbéliard - (France) | |
| 03/12/04 | |
| Concert du Palot | |
| Tre intermezzi - for 3 instruments and live computer; Insana nocte - for harp and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 01/12/04 | |
| Intrusions 0-1 (Ars Numerica) | to |
| La lanteur - interactive and generative sound and image installation | 22/12/04 |
| ESC - Electroacoustic Synthesis Crew | |
| Cinéma le Parvis - Montbéliard - (France) | |
| 26/11/04 | |
| Sextuor de Percussions | |
| L’instant relative - for 6 percussionists | |
| Percussionists from Montbéliard Conservatory - conductor Jacopo Baboni Schilingi | |
| Centre Culturel Mandeure - Mandeure - (France) | |
| 11/11/04 | |
| Musica Ahora | |
| Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Salon Pentagono de la Universidad de La Serena - La Serena - (Chile) | |
| 24/11/04 | |
| Recital for saxophone | |
| Shift-II – for baritone saxophone and live computer | |
| Ensemble de Musique Interactive - P. Bouveret - saxophone | |
| Crac 19 - Montbéliard - (France) | |
| 07/11/04 | |
| Syntono | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer; Trois profils pour alto – for viola and live computer | |
| Ensemble de Musique Interactive | |
| Cité Internationale Universitaire de Paris - Paris - (France) | |
| 01/10/04 | |
| Milano Musica | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Claudine Bounod - soprano | |
| Musica d’insieme - Milan - (Italy) | |
| 11/09/04 | |
| ENZIMI 2004 | & |
| Sostanza sonora - With MK dance Company | 12/09/04 |
| ESC - Electroacoustic Synthesis Crew | |
| Acquario Romano - Rome - (Italy) | |
| 03/08/04 | |
| 30° Festival de Estoril | |
| Il colore del Bianco – for 6 musicians | |
| Orchestrutopica - conductor Cesareo Costa | |
| Centro Cultural de Cascais - Cascais - (Portugal) | |
| 23/07/04 | |
| Musique Vocale à Silvacane | & |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | 24/07/04 |
| Anne Delafosse Quentin - soprano | & |
| Abbaye de Silvacane - La Roque d'Anthéron – (France) | 25/07/04 |
| 12/06/04 | |
| Festival Mon Bel Accordeon - La caverne des sons | |
| Laptop improvisation with accordion | |
| Pascal Contet - Accordion | |
| Théâtre 71 - Malakoff - (France) | |
| 10/06/04 | |
| Concert du Palot | |
| Wide-II - for 3 musicians and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 08/06/04 | |
| Concert du Palot | |
| Deux réflexions - (I, IV) pour piano and live computer | |
| Ensemble de Musique Interactive - Laurence Coeytaux - piano | |
| Palot - Montbéliard - (France) | |
| 04/06/04 | |
| Festival AGORA | |
| Shift-II - for baritone saxophone and live computer | |
| Claude Delangle - saxophone | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 25/03/04 | |
| Dalla sintesi sonora al theremin | |
| Trois profils pour alto – for viola | |
| Maurizio Barbetti - viola | |
| Libreria Bibli - Rome - (Italy) | |
| 24/01/04 | |
| PRISMA | to |
| Venus à Gonds - Installation with Arman and T.Reut | 28/01/04 |
| Limonaia di Villa Strozzi - Tempo Reale - Florence - (Italy) | |
| 05/12/03 | |
| Concert du Palot | |
| Shift-II - for saxophone Baritone and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 06/11/03 | |
| III Festival Internacional de Musica Contemporanea de Valparaiso | |
| Wide-II for 3 instruments and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Sala Isidora Zegers - Valparaiso - (Chile) | |
| 31/10/03 | |
| Musica Electroacustica en Tiempo Real | |
| Shift-II - for saxophone Baritone and live computer; Wide-II - for 3 instruments and live computer | |
| Ensemble de Musique Interactive/Students from Universidad de Chile | |
| Sala Isidora Zegers - Santiago del Chile - (Chile) | |
| 18/11/03 | |
| Biennale de Poesie Val de Marne | |
| …nographies - music spectacle for bass voice, 3 musicians and live computer with J.P. Balpe | |
| Nicholas Isherwood - bass voice | |
| Ensemble de Musique Interactive | |
| Theatre Molière - Paris - (France) | |
| 16/10/03 | |
| Musik Über Musik - Tage für neue Musik | |
| Reflexion pour piano; Dernière reflexion pour piano – for solo piano | |
| Laurence Coeytaux - piano | |
| Jugendzentrum - Weimar - (Germany) | |
| 13/09/03 | |
| Corps Perdus | |
| Music for theatre | |
| La compagnie de Seine et Arts - Fontainebleau - (France) | |
| 24/07/03 | |
| Musique et Mémoire | |
| Concubia nocte - in meomoria di Luciano Berio - for soprano and live computer | |
| Anne Delafosse Quentin - voice | |
| Notre-Dame du Haut (Chapelle de Ronchamps) - Ronchamps - (France) | |
| 05/06/03 | |
| JIM 10ème | |
| Shift-II - for saxophone baritone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouvret - saxophone | |
| Palot - Montbéliard - (France) | |
| 08/05/03 | |
| XIV CIM | |
| Le château - for bass voice, young voice choir and live computer | |
| Nicholas Isherwood solo voice | |
| Conductor - Jacopo Baboni Schilingi | |
| La Limonaia di Villa Strozzi - Florence - (Italy) | |
| 11/04/03 | |
| Muzicki Biennale Zagreb | |
| Shift-II - for saxophone baritone and live computer | |
| Claude Delangle - saxophone | |
| Kulturni Centar Centra Kaptol - Zagreb - (Croatia) | |
| 11/03/03 | |
| PRISMA | |
| Réflexion pour piano – for piano; Trois profils pour alto for viola and live computer | |
| Ensemble de Musique Interactive | |
| Istituto Italiano di Cultura - Paris - (France) | |
| 21/02/03 | |
| Boîte à musique | |
| Wide – for 3 instruments | |
| Ensemble in extremis | |
| Istituto Italiano di Cultura - Strasbourg - (France) | |
| 28/01/03 | |
| PRISMA | |
| Réflexion pour piano – for piano | |
| Ensemble de Musique Interactive - Laurence Coeytaux - piano | |
| Limonaia di Villa Strozzi - Tempo Reale - Florence - (Italy) | |
| 28/11/02 | |
| Concert du Palot | |
| nocte Prima - for 4 instruments and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 03/11/02 | |
| Milano Musica | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Arditti String Quartet | |
| Teatro Dal Verme - Milan - (Italy) | |
| 02/09/02 | |
| Musica Electroacustica violin Musica Interactiva | |
| Shift - for clarinet and live computer; Trois profils pour alto - for viola and live computer | |
| Ensemble de Musique Interactive | |
| Sala Isidora Zegers - Santiago del Chile - (Chile) | |
| 28/08/02 | |
| II Jornadas de Composicion Contemporanea | |
| Shift - for clarinet and live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Auditorio di Alianza Fancesa - Cordoba - (Argentina) | |
| 28/08/02 | |
| Festival acusmatico violin multimedial | |
| Shift - for clarinet and live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Auditorio di Alianza Fancesa - Buenos Aires - (Argentina) | |
| 12/12/02 | |
| Recital piano | |
| Prima sonata - for piano cembalo and live computer | |
| Anne Condamin - piano and cembalo | |
| Crac 19 - Montbéliard - (France) | |
| 03/08/02 | |
| Festival Musique et Mémoire | |
| Prima sonata - for piano cembalo and live computer | |
| Anne Condamin - piano and cembalo | |
| Centre culturel - Lure - (France) | |
| 18/06/02 | |
| L’Allan | to |
| Venus à Gonds - Installation with Arman and T.Reut | 28/06/02 |
| Hotel de Sponneck - Montbéliard - (France) | |
| 28/06/02 | |
| Concert du Palot | |
| Shift - for clarinet and live computer; Trois profils pour Alto for viola and live computer; nocte Prima - for 4 instruments and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 10/03/02 | |
| Messa Elettronica | |
| Alleluia - for choir and live computer | |
| Vocal Ensemble Soli Tutti | |
| Chiesa di San Marco - Milano - (Italy) | |
| 05/03/02 | |
| Messa Elettronica | |
| Alleluia - for choir and live computer | |
| Vocal Ensemble Soli Tutti | |
| Teatro Dal Verme - Milano - (Italy) | |
| 08/02/02 | |
| Metapolis | |
| Metapolis - Interactive Installation by Miguel Chevalier, texts by J.P. Balpe and Music by Jacopo Baboni Schilingi | |
| MARCO - Monterrey - (Mexico) | |
| 17/11/01 | |
| Rendez-vous musique nouvelle | |
| Natura morta - for church organ and live computer | |
| Philippe Delacour – church organ | |
| Eglise St Remy - Forbach - (France) | |
| 20/09/01 | |
| Settembre Musica | |
| L’effet Fantôme - for 4 musicians | |
| Antidogma Ensemble | |
| Conservatorio Giuseppe Verdi - Turin - (Italy) | |
| 03/09/01 | |
| The International Gaudeamus Week | |
| Il colore del Rosso - for 11 musicians | |
| Nieuw Ensemble - conductor Jurjen Hempel | |
| Paradiso - Amsterdam - (Holland) | |
| 14/07/01 | |
| International Bartok Festival | |
| Crossfade - for 2 instruments | |
| Students of the International Bartok Seminar | |
| Art Gallery - Szombathely - (Hungary) | |
| 29/06/01 | |
| Concert du Palot | |
| Shift - for clarinet and live computer | |
| Ensemble de Musique Interactive - Thierry Perrout - clarinet | |
| Palot - Montbéliard - (France) | |
| 31/01/01 | |
| FOCUS! 2001: 100 years of Italian Music since Verdi | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Students form Juliard University | |
| Juliard Theater - New York - (USA) | |
| 17/12/00 | |
| Festival Interférences | |
| Shift - for clarinet and live computer | |
| Ensemble de Musique Interactive - Thierry Perrout - clarinet | |
| Tour 41 - Belfort - (France) | |
| 14/12/00 | |
| Festival Interférences | to |
| Venus à Gonds - Installation with Arman and T.Reut | 20/12/00 |
| Atria - Belfort - (France) | |
| 14/12/00 | |
| Festival Interférences | |
| Syntax Error! - For Bass voice, 18 musicians and Live computer - Monographic Concert | |
| Ensemble de Musique Interactive - conductor Jacopo Baboni Schilingi | |
| Nicholas Isherwood bass voice | |
| Atria - Belfort - (France) | |
| 07/12/00 | |
| ISEA 2000 | to |
| Venus à Gonds - Installation with Arman and T.Reut | 10/12/00 |
| Ecole de Beaux Arts de Paris - Paris - (France) | |
| 29/11/00 | |
| Quarant’anni nel 2000 | |
| Odyssèe - for bass voice and live computer | |
| Nicholas Isherwood | |
| Sala ex Chiesa di S. Marta - Rome - (Italy) | |
| 02/06/00 | |
| Musik im 21 Jahrhundert | |
| Il colore del Rosso - for 11 musicians | |
| Klangforum Wien - conductor Emilio Pomarico | |
| Funkhaus Halberg, Großer Sendessal - Saarbrücken - (Germany) | |
| 19/04/00 | |
| Schönberg Kandinsky | |
| Il colore del Blu (first string quartet) – for string quartet | |
| NewTon Ensemble | |
| Arnold Schönberg Center - Wien - (Austria) | |
| 15/04/00 | |
| BIG Torino | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Il colore del Bianco - for 6 musicians | |
| Antidogma Ensemble - conductor Yoichi Sugijama | |
| Conservatorio Giuseppe verdi - Turin - (Italy) | |
| 13/04/00 | |
| BIG Torino | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Il colore del Bianco - for 6 musicians | |
| Antidogma Ensemble - conductor Yoichi Sugijama | |
| Teatro Nicolò Barbieri - Vercelli - (Italy) | |
| 04/12/99 | |
| Attenzione Luciano Berio | |
| Il colore del Nero - Requiem in forma di Musica - for 11 musicians | |
| Collegium Novum - conductor Thomas Gartmann | |
| Kleiner Tohallesaal - Zürich - (Switzerland) | |
| 14/03/99 | |
| Aspects de Musiques d’Aujourd’hui | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Ensemble Intercontemporain | |
| Grand Auditorium de Caen - Caen - (France) | |
| 10/03/99 | |
| Anomos | to |
| Daphné - generative and interactive installation - music by Jacopo Baboni Schilingi, Space conception Emanuele Quinz, Text generation A.G. Balpe | 14/03/99 |
| Museion - Bolzano (Italy) | |
| 17/12/98 | |
| I concerti di Tempo Reale | |
| Shift - for saxophone and live computer | |
| Mauro Cassinari - saxophone | |
| Sala Vanini - Florence - (Italy) | |
| 20/10/98 | |
| Milano Musica | |
| Dernière reflefion pour piano – for piano | |
| Alfonso Alberti - piano | |
| Musica d’insieme - Milan - (Italy) | |
| 30/07/98 | |
| International Bartok Festival | |
| Réflexions pour piano (I, III, V) | |
| Florian Hölscher - piano | |
| Art Gallery - Szombathely - (Hungary) | |
| 18/06/98 | |
| Nuova Consonanza - Progetto Musica | |
| Frames – for piano, Reflexion pour piano – for piano, deuxième reflefion pour piano – for piano | |
| Maria Carla Notarstefano - piano | |
| Acquario Romano - Rome - (Italy) | |
| 09/06/98 | |
| La voix des anches | |
| Frammenti per una voce accompagnata - for 3 instruments and soprano | |
| Ensemble Besozzi | |
| Marseille - (France) | |
| 17/05/98 | |
| Forum Young Composers | |
| Profils - for 3 instruments and live computer | |
| Music Information Center of the Ukraine Composers’ Union - Kiev - (Ukraina) | |
| 22/04/98 | |
| Neue italienische musikszene | |
| Il colore del Nero - Requiem in forma di Musica - for 11 musicians | |
| Ensemble dell’Orchestra Sinfonica Arturo Toscanini - Conductor Giorgio Bernasconi | |
| SFB Kleiner Sendesaal - Berlin - (Germany) | |
| 16/12/97 | |
| Progetto Musica - Inside outside the piano | |
| Reflexion pour piano – for piano | |
| Esther Fluckiger - piano | |
| Acquario Romano - Rome - (Italy) | |
| 14/11/97 | |
| Génération poétique | & |
| Trois Mythologies et un Poète aveugle - spectacle for 3 poets, 3 musicians and live computer (with j.P. Balpe) - monographic concert | 15/11/97 |
| Court Circuit Ensemble | |
| Scenography by Michel Jaffrennou | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 13/11/97 | |
| Dedalo Ensemble | |
| Il colore del Bianco - for 6 percussionists | |
| Dedalo Ensemble - conductor Vittorio Parisi | |
| Teatro Sancarlino - Brescia - (Italy) | |
| 09/11/97 | |
| Raum und Rhythmus | |
| Il colore del Bianco - for 6 percussionists | |
| Dedalo Ensemble - conductor Vittorio Parisi | |
| Künstlerhof Schreyahn - (Germany) | |
| 23/02/97 | |
| Festival PRESENCES | |
| L’instant relative - for 6 percussionists | |
| Les Pléïades - conductor Jacopo Baboni Schilingi | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 13/02/97 | |
| Festival PRESENCES (en région) | |
| L’instant relative - for 6 percussionists | |
| Les Pléïades - conductor Jacopo Baboni Schilingi | |
| Le Cargo - Maison de la Culture- Grenoble - (France) | |
| 30/01/97 | |
| Rencontre France Italie | |
| Shift - for clarinet | |
| Pierre Dutrieu - clarinet | |
| CDMC - Paris - (France) | |
| 27/11/96 | |
| Festival Spaziomusica | |
| Decode - for percussion and live computer | |
| Thierry Miroglio – percussion | |
| Chiesa di Sant’Agostino - Cagliari - (Italy) | |
| 01/11/96 | |
| Festival MANCA | |
| Decode - for percussion and live computer | |
| Thierry Miroglio - percussion | |
| Auditorium Linné - Parc Phoenix - Nice - (France) | |
| 26/10/96 | |
| Comoedia - Nuit de Musique | |
| Sei frammenti sparsi per una voce sola – for soprano | |
| Marie Prost - soprano | |
| Théâtre Comoedia - Aubagne - (France) | |
| 06/10/96 | |
| Festival MUSICA | |
| Profils - for 3 instruments and live computer | |
| Elèves du Conservatoire de Strasbourg | |
| Ecole des Arts Décoratifs - Strasbourg - (France) | |
| 06/10/96 | |
| Journée des portes ouvertes | |
| A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat | |
| Ecole des Arts Décoratifs - Strasbourg - (France) | |
| 28/09/96 | |
| Voix Nouvelles | |
| Sei frammenti sparsi per una voce sola – for soprano | |
| L’Itinéraire - Marie Prost - soprano | |
| Fondation Royaumont - Royaumont - (France) | |
| 13/06/96 | |
| L’Ircam dévoile le haut | to |
| A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat | 19/06/96 |
| Studio n.4 - IRCAM - Paris - (France) | |
| 13/6/1996 (20h00) | |
| Concert d’inauguration officielle des nouveaux bâtiments - IRCAM | & |
| Profils - for 3 instruments and live computer | (16h00) |
| Court Circuit Ensemble | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 13/01/96 | |
| Concert « Cursus Ircam » | |
| Profils – for 3 instruments and live computer | |
| Court Circuit Ensemble | |
| Espace de Projection – IRCAM – Paris – (France) | |
| 20/06/95 | |
| Concerto « Borsa Ferrari » | |
| Reflexion pour Piano – for piano | |
| Andrea Carnevali - piano | |
| Auditorium Lattuada - Milan - (Italy) | |
| 13/03/94 | |
| Biennale Internazionale dei Giovani Artisti dell’Europa Meridionale | |
| Shif - for saxophone | |
| Massimo Cassinari - saxophone | |
| Spazio Campus Cantiere - Milan - (Italy) | |
| 16/05/94 | |
| Seminari e Concerti | |
| Rewinds – for wind quartet | |
| Quaretto Leos | |
| Sezione di Musica Contemporanea - Milan - (Italy) | |
| 29/10/93 | |
| Incontri con la classe di composizione | |
| Shif - for saxophone | |
| Massimo Cassinari - saxophone | |
| Istituto Musicale - Livorno - (Italy) | |
| 19/05/93 | |
| Ars Musica | |
| Decode - for percussionist and live computer | |
| Marco Pezzenati – percussion | |
| Sezione di Musica Contemporanea - Milan - (Italy) | |
| 22/03/93 | |
| Ars Musica | |
| Decode - for percussionist and live computer | |
| Marco Pezzenati - percussion | |
| Maison de la Radio - Studio 1 - Bruxelles - (Belgium) | |
| 07/07/93 | |
| Roma Europa Festival | |
| Frames - for Piano solo | |
| Viviana Amodeo - piano | |
| Palazzo Falconieri - Rome - (Italy) | |
| 13/05/93 | |
| Manifestazioni musicali | |
| Decode - for solo percussionist | |
| Marco Pezzenati - percussion | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 30/10/92 | |
| Virtuosismi virtuali | |
| Shif - for saxophone and live computer | |
| Massimo Cassinari - saxophone | |
| Palazzina Liberty - Milan - (Italy) | |
| 11/10/92 | |
| Miano Poesia - Carme - Opera Prima | |
| Wide – for 3 instruments | |
| Carme ensemble | |
| Spazio Ansaldo - Milan - (Italy) | |
| 03/07/92 | |
| Concorso Alpe Adria Giovani | |
| Rewinds – for wind quartet | |
| Musicisti dell’Alpe Adria | |
| Goethe Institut - Trieste - (Italy) | |
| 16/05/92 | |
| Inaugurazione della nuova biblioteca | |
| Shif - for saxophone and live computer | |
| Massimo Cassinari | |
| Teatro Don Bosco - Carugate - (Italy) | |
| 08/05/92 | |
| Primo concorso nazionale di musica « Città di Pavia » | |
| Shif - for clarinet | |
| Sala el Rivellino - Castel Visconteo - Pavia - (Italy) | |
| 07/04/92 | |
| Manifestazioni musicali | |
| Shift - for clarinet solo | |
| Alberto Giudici - clarinet | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 20/03/92 | |
| Ars Musica | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta conducted by David Searcy | |
| Maison de la Radio - Studio 1 - Bruxelles - (Belgium) | |
| 05/08/91 | |
| Dialoghi | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta – conductor Jacopo Baboni Schilingi | |
| Castello Sforzesco - Cortile della Rocchetta - Milan - (Italy) | |
| 26/05/91 | |
| Manifestazioni musicali | |
| Tre improvvisi per pianoforte – for piano, rewinds – for wind quaret, Quartetto per percussioni - for 4 percussionists | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 13/03/91 | |
| Manifestazioni musicali | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 13/12/89 | |
| Interact - Monza | |
| Dimensioni - for 11 musicians | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor by Jacopo Baboni Schilingi | |
| Teatro Litta - Milan - (Italy) | |
| 19/05/89 | |
| Manifestazioni musicali | |
| Dimensioni - for 11 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 01/06/88 | |
| Istituto Gonzaga | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium dell’Istituto Gonzaga - Milan - (Italy) | |
| 26/05/88 | |
| Manifestazioni musicali | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 12/05/87 | |
| Manifestazioni musicali | |
| Musica della note - for 9 musicisti | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 05/07/86 | |
| Ritmi nel tempo | |
| Trio – for 3 musicians | |
| Musicians from Villa Simonetta | |
| Teatro delle Erbe - Milan - (Italy) | |
| 14/05/86 | |
| Manifestazioni musicali | |
| Trio – for 3 musicians | |
| Musicians from Villa Simonetta | |
| Auditorium di Villa Simonetta - Milan - (Italy) |
Auditorium Saint-Germain - Paris (France)
| 03/11/12 | |
| Tage für neue Musik | |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis String Quartet | |
| Jugendzentrum - Weimar - (Germany) | |
| 29/10/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 04/11/12 |
| Hérmes - Seattle - (USA) | |
| 16/10/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 21/10/12 |
| Palazzo Morando - Milan - (Italy) | |
| 11/10/12 | |
| Hermès | |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | |
| Palais Brongniart - Paris - (France) | |
| 06/10/12 | |
| Biennale de Venice - music section | to |
| Travel Journal n.1 - sound installation | 13/10/12 |
| Giardino delle Vergini - Arsenale - Venice - (Italy) | |
| 05/10/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 11/10/12 |
| Hermès - Osaka - (Japan) | |
| 26/09/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 06/10/12 |
| Hermès - Anvers - (Belgium) | |
| 24/09/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 31/9/2012 |
| Hermès Ginza - Tokyo - (Japan) | |
| 19/07/12 | |
| Festival A-Part | to |
| La vague des pixels - music for the interactive and generative installation by Miguel Chevalier | 21/07/12 |
| Carrières de lumières - Baux de Province - (France) | |
| 19/07/12 | |
| Festival A-Part | to |
| Pixel liquide - music for the interactive and generative installation by Miguel Chevalier | 21/07/12 |
| Carrières de lumières - Baux de Province - (France) | |
| 21/06/12 | |
| Fête de la musique | |
| Conducting music by P. Boulez, VIOLIN. Goutfreind, P. Jodlowski | |
| Ensemble de Musique Interactive | |
| DRAC - Besancon - (France) | |
| 01/06/12 | |
| Les Amitiées Végétales | to |
| Rêves dévoilés - music installation and land art | 21/10/12 |
| Saline Royale - Arc-et-Senans - (France) | |
| 01/06/12 | |
| Les Amitiées Végétales | to |
| Molecole Armoniche - Exhibition of original scores | 21/10/12 |
| Saline Royale - Arc-et-Senans - (France) | |
| 18/05/12 | |
| Stagione di Musica da Camera | |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis String Quartet | |
| Sala Sinopoli - Auditorium Parco della Musica - Rome - (Italy) | |
| 13/05/12 | |
| Philarmonische Konzerte im Großen Haus | & |
| Natura-Phoenix - for symphonic orchestra and String quartet | 11/05/12 |
| Cottbus Symphonic Orchestra - Conductor Evan Crist | |
| Staatstheater - Cottbus - (Germany) | |
| 04/05/12 | |
| Percussion Bytes | |
| Igitur semper – version for 3 percussionists, solo trombone and Live computer | |
| Soloists of Basel Symphonic Orchestra – Henri Michel Garzia – Trombone | |
| Dreispitzhalle - Basel – (Switzerland) | |
| 07/04/12 | |
| Artiste en Résidence | |
| Concubia nocte – in Memoria di Luciano Berio – for soprano and live computer | |
| Ensemble de Musique Interactive – Anne Delafosse Quentin – voice | |
| Saline Royale – Arc-et-Senans – (France) | |
| 24/03/12 | |
| Festival Ghost in the instrument (in collaboration with the Columbia University) | |
| Spatio intremisso (temporis) – for oboe and live computer | |
| Ensemble de Musique Interactive – Christian Schmitt - oboe | |
| Miller Theatre - New York - (USA) | |
| 23/03/12 | |
| Festival Ghost in the instrument (in collaboration with the Columbia University) | |
| Decode-II – for percussion and live computer; Shift-II – for saxophone and live computer | |
| Ensemble de Musique Interactive | |
| Prentis Hall - New York - (USA) | |
| 03/12/11 | |
| La creation musicale : tout un programme! | |
| Spatio intermisso (temporis) - for saxophone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouveret - saxophone | |
| Opera Comique - Paris - (France) | |
| 13/10/11 | |
| Electronic Music Week - 2011 | |
| Decode-II - for percussion and live computer | |
| Yan Haocheng - percussionist | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 22/09/11 | |
| Récital pour flûte | |
| Quasi un silenzio - for flute and live computer | |
| Ensemble de Musique Interactive – Anne Nardin - flute | |
| Musée du château des Ducs de Wurtemberg - Montbéliard - (France) | |
| 26/09/11 | |
| PRISMA 2001/2011 | |
| Spatio intermisso (temporis) - for saxophone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouveret - saxophone | |
| MPAA - Auditorium Saint Germain - Paris - (France) | |
| 24/09/11 | |
| 64° Festival International de musique | |
| nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Magic Mirror - Besançon - (France) | |
| 24/09/11 | |
| Back To The Trees | |
| Genus Naturae - music installation and land art - with P. Percier and R. Hofstetter | |
| Ensemble de Musique Interactive | |
| Forêt de Chailluz - Besançon - (France) | |
| 13/08/11 | |
| Les Jardins Musicaux | to |
| Genus Naturae - music installation and land art - with P. Percier and R. Hofstetter | 15/08/11 |
| Ensemble de Musique Interactive | |
| Saline Royale - Arc-et-Senans - (France) | |
| 24/07/11 | |
| Schubertiades des Nancyphonies | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive - Christian Schmitt - oboe | |
| Auditorium du Conservatoie de Nancy - Nancy - (France) | |
| 18/06/11 | |
| Digitalarti | to |
| Capture - interactive and generative installation by G. Chatonsky with music by Jacopo Baboni Schilingi | 19/06/11 |
| CiTu | |
| Mairie du 4ème - Paris - (France) | |
| 15/06/11 | |
| Musique électro/mixte au tour de l’œuvre de J. Baboni Schilingi | |
| Disparition - electroacoustic music; Come in Silenzio, quasi… - for trio and live computer | |
| Ensemble de Musique Interactive | |
| Auditorium - Grand Chalon - (France) | |
| 05/06/11 | |
| Schlag auf schlag | |
| Igitur semper - version for 3 percussionists, solo trombone and Live computer | |
| Soloists of Basel Symphonic Orchestra - Henri Michel Garzia - Trombone | |
| Theater Basel - Basel - (Switzerland) | |
| 27/05/11 | |
| Oi Futuro | to |
| Power Pixel - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 04/06/11 |
| Oi Futuro - Rio De Janeiro - (Brazil) | |
| 15/04/11 | |
| Impetus | |
| Decode-II - for percussion and live computer (version for 5 percussionists) | |
| Ensemble de Musique Interactive | |
| Le Moloco - Audincourt - (France) | |
| 30/03/11 | |
| Mid-Day Recital | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer | |
| Sarah Kirsch - soprano | |
| Eva Clare Hall - Winnipeg - (Canada) | |
| 01/09/10 | |
| MIS | to |
| Terra Incognita - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 31/10/10 |
| MIS - San Paulo - (Brazil) | |
| 10/07/10 | |
| Nuit Bleue - 2010 | |
| Disparition - electroacoustic music | |
| Saline Royale - Arc-et-Senans - (France) | |
| 06/05/10 | |
| Festival île de découvertes | |
| Anima-Phoenix - for symphonic orchestra, String quartet and live computer | |
| Orchestre Nationale d’Île de France - Conductor Kaspar Zehnder | |
| Scène Nationale - Grand Théâtre - Saint-Quentin-en-Yvelines - (France) | |
| 10/03/10 | |
| Créer ce que l’on joue? | |
| Le Château-II - for 4 voices, choir and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| MPAA - Auditorium Saint Germain - Paris - (France) | |
| 26/02/10 | |
| Peninsula Arts Contemporary Music Festival | |
| Something in between - for 3 musicians | |
| RE:search Ensemble | |
| Upper Lecture Theatre, Sherwell Centre, University of Plymouth - Plymouth - (UK) | |
| 28/01/10 | |
| L’Allan - Scène Nationale de Montbéliard | |
| Après disparition - for 8 soloist voices, choir and live computer | |
| Ensemble Contraste - Conductor Brigitte Rose | |
| Théâtre de la Ville - Montbéliard - (France) | |
| 13/01/10 | |
| Live Electronic Space | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ben Reimer – percussion; Rosemarie Van der Hooft - soprano | |
| The Winnipeg Art Gallery - Winnipeg - (Canada) | |
| 17/12/09 | |
| DE LA MODERNITÉ À LA CONTEMPORANÉITÉ | |
| Il colore del Rosso – for 11 musicians; | |
| Il colore del Bianco – for 6 musicians; | |
| Il colore del Giallo – for 2 musicians; | |
| Il colore del Nero - Requiem in forma di Musica – for 11 musicians - Monographic concert | |
| Ensemble de Musique Interactive - Conductor Laurent Zemp | |
| Palot - Montbéliard - (France) | |
| 04/12/09 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Espace Grün- Cernay - (France) | |
| 22/10/09 | |
| Electronic Music Week - 2009 | |
| Decode-II - for percussion and live computer | |
| Student from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 21/10/09 | |
| Electronic Music Week - 2009 | |
| Incipit-Phoenix (second string quartet) – for string quartet and live computer | |
| Students from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 20/10/09 | |
| Electronic Music Week - 2009 | |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Student from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 21/09/09 | |
| Musée de la Chasse et de la Nature | to |
| Fractal Flowers in Vitro - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 03/01/10 |
| Musée de la Chasse et de la Nature - Paris - (France) | |
| 26/06/09 | |
| Multiphonie - GRM | |
| Spatio intermisso (temporis) - for oboe and live computer; Come in silenzio, quasi… - for trio and live computer | |
| Ensemble de Musique Interactive | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 20/05/09 | |
| Maestri Italiani | |
| Decode-II - for percussion and live computer; Il colore del Buio - cycle for 11 musicians | |
| Il colore del Blu (first string quartet) – for string quartet; | |
| Il colore del Rosso – for 11 musicians; | |
| Il colore del Bianco – for 6 musicians; | |
| Il colore del Giallo – for 2 musicians; | |
| Il colore del Nero - Requiem in forma di Musica – for 11 musicians - Monographic concert | |
| KammarensembleN - Conductor Frank Ollu | |
| Italienska Kulturinstitutet - Stockholm - (Sweden) | |
| 02/04/09 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Rive Rhin- Village-Neuf - (France) | |
| 21/03/09 | |
| Les Alchimies Electroniques | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Shift-II - for baritone saxophone and live computer | |
| Ensemble de Musique Interactive | |
| Espace BARBARA - Paris - (France) | |
| 22/02/09 | |
| Le Salon de Musique | |
| Incipit-Phoenix (second string quartet) – for string quartet and live computer | |
| Quatuor Leonis | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| 24/01/09 | |
| Association Art Metz | |
| Decode-II - for percussion and live computer; Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer - monographic concert | |
| Ensemble de Musique Interactive | |
| Château du Pont d’Oye– Habay - (Belgique) | |
| 05/12/08 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Cour d’Appel- Colmar - (France) | |
| 15/11/08 | |
| Ma vie sur les murs | & |
| Music for the spectacle by Anne-Laure Walger Mossiere | 16/11/08 |
| CREA - Kingersheim - (France) | & |
| 17/11/08 | |
| 09/11/08 | |
| Festival NOVELUM | |
| Disparition - electroacoustic music | |
| Odyssud - Blagnac - (France) | |
| 02/11/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Trois profils pour alto - for Viola and live computer; Le Château-II - for 4 voices, choir and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Concert Hall- Anqing - (China) | |
| 31/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Wide-II - for 3 musicians and live computer; Trois profils pour alto - for viola and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Concert Hall- Hefei - (China) | |
| 29/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Le Château-II - for 4 voices, choir and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Opera of Anhui - Anhui - (China) | |
| 28/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Decode-II - for percussion and live computer; Wide-II - for 3 musicians and live computer | |
| Ensemble de Musique Interactive | |
| Opera of Anhui - Anhui - (China) | |
| 19/09/08 | |
| Concert d’Ouverture - au Coeur du son | |
| Le Château-II - for 4 voices, choir and live computer; Decode-II - for percussion and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Hall de PMA - Montbéliard - (France) | |
| 08/09/08 | |
| Ars Numerica | to |
| HEMERA – Interactive and generative installation for music and light with A. Poumarat | 12/09/08 |
| Les Versannes | |
| Ars Numerica- Montbéliard - (France) | |
| 04/09/08 | |
| Sous les drapeaux | |
| Music for the documentary movie by H. Colomer – for symphonic orchestra Compositions with live computer – monographic concert | |
| Orchestre Nationale d’Île de France - Conductor Christophe Mangou | |
| Maison de l’Orchestre Nationale d’Île de France - Alfortville - (France) | |
| 13/06/08 | |
| Concert du Palot | |
| Quasi un silenzio - for flute and live computer; Decode-II - for percussion and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 12/06/08 | |
| Boffi Bains | to |
| Fractal Flowers - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 20/06/08 |
| Boffi Bains - Paris - (France) | |
| 30/05/08 | |
| Récital pour flûte | |
| Quasi un silenzio - for flute and live computer | |
| Ensemble de Musique Interactive – Anne Nardin - flute | |
| Crac 19 - Montbéliard - (France) | |
| 26/03/08 | |
| Festival Voce 2008 | |
| Le Château-II - for 4 voices, choir and live computer | |
| Ensemble Contraste | |
| Foyer municipal - Audincourt - (France) | |
| 19/03/08 | |
| Musique Interactive | |
| Nox – monographic concert | |
| Anne Delafosse Quentin et Raphaël Mas - voix | |
| Théâtre Bacchus - Besançon - (France) | |
| 11/03/08 | |
| La Poste inspire de Artistes | to |
| L’envolée du courrier - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 31/03/08 |
| Musée de la Poste - Paris - (France) | |
| 21/02/08 | |
| Guest Artists Recital | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Jessen Auditorium - University of Texas - Austin - (USA) | |
| 08/11/07 | |
| Festival MANCA | |
| Spatio intermisso (temporis) - accordion version | |
| Pascal Contet - Accordion | |
| Théâtre de la Photographie et de l’Image - Nice - (France) | |
| 10/12/07 | |
| PALAIS DES FETES | to |
| HEMERA – Interactive and generative installation for music and light with A. Poumarat | 14/12/07 |
| Les Versannes | |
| Palais des fêtes- Strasbourg - (France) | |
| 05/12/07 | |
| Rencontre avec Jacopo Baboni Schilingi | |
| Spatio intermisso (temporis) - for oboe and live computer; Insana nocte - for harp and live computer – monographic concert | |
| Ensemble de Musique Interactive | |
| Istituto Italiano di Cultura - Paris - (France) | |
| 27/08/07 | |
| ENSATT | to |
| HEMERA – Interactive installation for music and light with A. Poumarat | 31/08/07 |
| Les Versannes | |
| ENSATT - Lyon - (France) | |
| 07/07/07 | |
| Nuit Bleue - 2007 | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive | |
| Saline Royale - Arc-et-Senans - (France) | |
| 08/06/07 | |
| Association Art Metz | to |
| Crossborder - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 09/07/07 |
| Gare de Metz - Metz - (France) | |
| 23/05/07 | |
| Biennale de Poesie val de Marne | to |
| Les voix du monde – sound installation | 02/06/07 |
| MACVAL - Vitry-sur-Seine – (France) | |
| 15/05/07 | |
| ESC Orchestra | |
| Laptop performance - 4 Laptops 4 musicians live performance | |
| ESC - Electroacoustic Synthesis Crew | |
| Cité Internationale Universitaire de Paris - Paris - (France) | |
| 27/03/07 | |
| Festival Voce 2007 | |
| Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 07/12/06 | |
| Fête des Lumières | to |
| Anima - music and light installation with C. Houdart and A. Poumarat | 10/12/06 |
| Les versannes | |
| Place Bir-Hakeim - Lyon - (France) | |
| 29/10/06 | |
| Xème Congres de l’Association Française du Hautbois | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Auditorium Daniel Dechico - Bayonne - (France) | |
| 14/10/06 | |
| Agon | & |
| I dadi di Mozart - Live performance | 15/10/06 |
| Villa Belgiojoso Bonaparte - Milan - (France) | |
| 16/06/06 | |
| Concert du Palot | |
| Insana nocte - for harp and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 28/05/06 | |
| Les Voix du Prieuré | |
| Concubia nocte - in Memoria di Luciano Berio | |
| Ensemble de Musique Interactive - Anne Delafosse Quentin - voice | |
| Eglise Saint-Laurent - Le Bourget-du-Lac - (France) | |
| 23/05/06 | |
| L’Allan - Scène Nationale de Montbéliard | |
| Spatio intermisso (temporis) - accordion version | |
| Pascal Contet - Accordion | |
| Palot - Montbéliard - (France) | |
| 10/03/06 | |
| FROMM PLAYERS AT HARVARD | |
| Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer | |
| Jennifer Ashe - soprano | |
| Paine Hall - Harvard University - Cambridge - (USA) | |
| 03/02/06 | |
| Interface | & |
| Interdit aux moins de seize ans – music performance with pomes by J.P. Balpe and live painting by J.B. Evequoz – monographic concert | 04/02/06 |
| Théâtre Intérface - Sion - (Switzerland) | & |
| 05/02/06 | |
| 08/01/06 | |
| « 1/60 » Atelier de création radiophonique | |
| Il violin a un an - electroacoustic composition | |
| Maison de la Radio - Paris - (France) | |
| 07/01/06 | |
| Multiphonie - GRM | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 14/12/05 | |
| Intrusions 0-2 (Ars Numerica) | |
| Etude sur Media nocte – for mezzo soprano and live computer | |
| Ensemble de Musique Interactive - Dragana Serbanovic - Voice | |
| Palot - Montbéliard - (France) | |
| 29/11/05 | |
| In-Out | to |
| La lanteur - interactive and generative sound and image installation | 02/12/05 |
| ESC - Electroacoustic Synthesis Crew | |
| Laboratoire Paragraphe – Paris8 – Saint Denis - (France) | |
| 02/11/05 | |
| Territoire polychromes 2015 | |
| …nographies - music spectacle for bass voice, 3 musicians and live computer with J.P. Balpe | |
| Nicholas Isherwood - bass voice | |
| Ensemble de Musique Interactive | |
| Theatre du Lierre - Paris - (France) | |
| 21/07/05 | |
| Festival Musique et Mémoire | & |
| Nox - monographic concert | 22/07/05 |
| Anne Delafosse Quentin and Paulin Bündgen - voice | |
| Notre-Dame du Haut (Chapelle de Ronchamps) - Ronchamps - (France) | |
| 08/07/05 | |
| Santarcangelo dei Teatri | & |
| Real Madrid - With MK dance Company | 09/07/05 |
| ESC - Electroacoustic Synthesis Crew | & |
| Teatro degli Atti - Rimini - (Italy) | 10/07/05 |
| 16/06/05 | |
| Progetto Sostanza Sonora | to |
| Sostanza sonora - With MK dance Company | 28/06/05 |
| ESC - Electroacoustic Synthesis Crew | |
| Arboreto Teatro Dimora - Mondaino - (Italy) | |
| 09/05/05 | |
| Omen - Progetto Sostanza Sonora | |
| Sostanza sonora - With MK dance Company | |
| ESC - Electroacoustic Synthesis Crew | |
| Fonderie Teatrali Limone - Torino - (Italy) | |
| 25/03/05 | |
| Réflexions | |
| 5 Réflexions pour piano – for piano and live computer | |
| Ensemble de Musique Interactive - Laurence Coeytaux - Piano | |
| Palot - Montbéliard - (France) | |
| 03/12/04 | |
| Concert du Palot | |
| Tre intermezzi - for 3 instruments and live computer; Insana nocte - for harp and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 01/12/04 | |
| Intrusions 0-1 (Ars Numerica) | to |
| La lanteur - interactive and generative sound and image installation | 22/12/04 |
| ESC - Electroacoustic Synthesis Crew | |
| Cinéma le Parvis - Montbéliard - (France) | |
| 26/11/04 | |
| Sextuor de Percussions | |
| L’instant relative - for 6 percussionists | |
| Percussionists from Montbéliard Conservatory - conductor Jacopo Baboni Schilingi | |
| Centre Culturel Mandeure - Mandeure - (France) | |
| 11/11/04 | |
| Musica Ahora | |
| Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Salon Pentagono de la Universidad de La Serena - La Serena - (Chile) | |
| 24/11/04 | |
| Recital for saxophone | |
| Shift-II – for baritone saxophone and live computer | |
| Ensemble de Musique Interactive - P. Bouveret - saxophone | |
| Crac 19 - Montbéliard - (France) | |
| 07/11/04 | |
| Syntono | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer; Trois profils pour alto – for viola and live computer | |
| Ensemble de Musique Interactive | |
| Cité Internationale Universitaire de Paris - Paris - (France) | |
| 01/10/04 | |
| Milano Musica | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Claudine Bounod - soprano | |
| Musica d’insieme - Milan - (Italy) | |
| 11/09/04 | |
| ENZIMI 2004 | & |
| Sostanza sonora - With MK dance Company | 12/09/04 |
| ESC - Electroacoustic Synthesis Crew | |
| Acquario Romano - Rome - (Italy) | |
| 03/08/04 | |
| 30° Festival de Estoril | |
| Il colore del Bianco – for 6 musicians | |
| Orchestrutopica - conductor Cesareo Costa | |
| Centro Cultural de Cascais - Cascais - (Portugal) | |
| 23/07/04 | |
| Musique Vocale à Silvacane | & |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | 24/07/04 |
| Anne Delafosse Quentin - soprano | & |
| Abbaye de Silvacane - La Roque d'Anthéron – (France) | 25/07/04 |
| 12/06/04 | |
| Festival Mon Bel Accordeon - La caverne des sons | |
| Laptop improvisation with accordion | |
| Pascal Contet - Accordion | |
| Théâtre 71 - Malakoff - (France) | |
| 10/06/04 | |
| Concert du Palot | |
| Wide-II - for 3 musicians and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 08/06/04 | |
| Concert du Palot | |
| Deux réflexions - (I, IV) pour piano and live computer | |
| Ensemble de Musique Interactive - Laurence Coeytaux - piano | |
| Palot - Montbéliard - (France) | |
| 04/06/04 | |
| Festival AGORA | |
| Shift-II - for baritone saxophone and live computer | |
| Claude Delangle - saxophone | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 25/03/04 | |
| Dalla sintesi sonora al theremin | |
| Trois profils pour alto – for viola | |
| Maurizio Barbetti - viola | |
| Libreria Bibli - Rome - (Italy) | |
| 24/01/04 | |
| PRISMA | to |
| Venus à Gonds - Installation with Arman and T.Reut | 28/01/04 |
| Limonaia di Villa Strozzi - Tempo Reale - Florence - (Italy) | |
| 05/12/03 | |
| Concert du Palot | |
| Shift-II - for saxophone Baritone and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 06/11/03 | |
| III Festival Internacional de Musica Contemporanea de Valparaiso | |
| Wide-II for 3 instruments and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Sala Isidora Zegers - Valparaiso - (Chile) | |
| 31/10/03 | |
| Musica Electroacustica en Tiempo Real | |
| Shift-II - for saxophone Baritone and live computer; Wide-II - for 3 instruments and live computer | |
| Ensemble de Musique Interactive/Students from Universidad de Chile | |
| Sala Isidora Zegers - Santiago del Chile - (Chile) | |
| 18/11/03 | |
| Biennale de Poesie Val de Marne | |
| …nographies - music spectacle for bass voice, 3 musicians and live computer with J.P. Balpe | |
| Nicholas Isherwood - bass voice | |
| Ensemble de Musique Interactive | |
| Theatre Molière - Paris - (France) | |
| 16/10/03 | |
| Musik Über Musik - Tage für neue Musik | |
| Reflexion pour piano; Dernière reflexion pour piano – for solo piano | |
| Laurence Coeytaux - piano | |
| Jugendzentrum - Weimar - (Germany) | |
| 13/09/03 | |
| Corps Perdus | |
| Music for theatre | |
| La compagnie de Seine et Arts - Fontainebleau - (France) | |
| 24/07/03 | |
| Musique et Mémoire | |
| Concubia nocte - in meomoria di Luciano Berio - for soprano and live computer | |
| Anne Delafosse Quentin - voice | |
| Notre-Dame du Haut (Chapelle de Ronchamps) - Ronchamps - (France) | |
| 05/06/03 | |
| JIM 10ème | |
| Shift-II - for saxophone baritone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouvret - saxophone | |
| Palot - Montbéliard - (France) | |
| 08/05/03 | |
| XIV CIM | |
| Le château - for bass voice, young voice choir and live computer | |
| Nicholas Isherwood solo voice | |
| Conductor - Jacopo Baboni Schilingi | |
| La Limonaia di Villa Strozzi - Florence - (Italy) | |
| 11/04/03 | |
| Muzicki Biennale Zagreb | |
| Shift-II - for saxophone baritone and live computer | |
| Claude Delangle - saxophone | |
| Kulturni Centar Centra Kaptol - Zagreb - (Croatia) | |
| 11/03/03 | |
| PRISMA | |
| Réflexion pour piano – for piano; Trois profils pour alto for viola and live computer | |
| Ensemble de Musique Interactive | |
| Istituto Italiano di Cultura - Paris - (France) | |
| 21/02/03 | |
| Boîte à musique | |
| Wide – for 3 instruments | |
| Ensemble in extremis | |
| Istituto Italiano di Cultura - Strasbourg - (France) | |
| 28/01/03 | |
| PRISMA | |
| Réflexion pour piano – for piano | |
| Ensemble de Musique Interactive - Laurence Coeytaux - piano | |
| Limonaia di Villa Strozzi - Tempo Reale - Florence - (Italy) | |
| 28/11/02 | |
| Concert du Palot | |
| nocte Prima - for 4 instruments and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 03/11/02 | |
| Milano Musica | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Arditti String Quartet | |
| Teatro Dal Verme - Milan - (Italy) | |
| 02/09/02 | |
| Musica Electroacustica violin Musica Interactiva | |
| Shift - for clarinet and live computer; Trois profils pour alto - for viola and live computer | |
| Ensemble de Musique Interactive | |
| Sala Isidora Zegers - Santiago del Chile - (Chile) | |
| 28/08/02 | |
| II Jornadas de Composicion Contemporanea | |
| Shift - for clarinet and live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Auditorio di Alianza Fancesa - Cordoba - (Argentina) | |
| 28/08/02 | |
| Festival acusmatico violin multimedial | |
| Shift - for clarinet and live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Auditorio di Alianza Fancesa - Buenos Aires - (Argentina) | |
| 12/12/02 | |
| Recital piano | |
| Prima sonata - for piano cembalo and live computer | |
| Anne Condamin - piano and cembalo | |
| Crac 19 - Montbéliard - (France) | |
| 03/08/02 | |
| Festival Musique et Mémoire | |
| Prima sonata - for piano cembalo and live computer | |
| Anne Condamin - piano and cembalo | |
| Centre culturel - Lure - (France) | |
| 18/06/02 | |
| L’Allan | to |
| Venus à Gonds - Installation with Arman and T.Reut | 28/06/02 |
| Hotel de Sponneck - Montbéliard - (France) | |
| 28/06/02 | |
| Concert du Palot | |
| Shift - for clarinet and live computer; Trois profils pour Alto for viola and live computer; nocte Prima - for 4 instruments and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 10/03/02 | |
| Messa Elettronica | |
| Alleluia - for choir and live computer | |
| Vocal Ensemble Soli Tutti | |
| Chiesa di San Marco - Milano - (Italy) | |
| 05/03/02 | |
| Messa Elettronica | |
| Alleluia - for choir and live computer | |
| Vocal Ensemble Soli Tutti | |
| Teatro Dal Verme - Milano - (Italy) | |
| 08/02/02 | |
| Metapolis | |
| Metapolis - Interactive Installation by Miguel Chevalier, texts by J.P. Balpe and Music by Jacopo Baboni Schilingi | |
| MARCO - Monterrey - (Mexico) | |
| 17/11/01 | |
| Rendez-vous musique nouvelle | |
| Natura morta - for church organ and live computer | |
| Philippe Delacour – church organ | |
| Eglise St Remy - Forbach - (France) | |
| 20/09/01 | |
| Settembre Musica | |
| L’effet Fantôme - for 4 musicians | |
| Antidogma Ensemble | |
| Conservatorio Giuseppe Verdi - Turin - (Italy) | |
| 03/09/01 | |
| The International Gaudeamus Week | |
| Il colore del Rosso - for 11 musicians | |
| Nieuw Ensemble - conductor Jurjen Hempel | |
| Paradiso - Amsterdam - (Holland) | |
| 14/07/01 | |
| International Bartok Festival | |
| Crossfade - for 2 instruments | |
| Students of the International Bartok Seminar | |
| Art Gallery - Szombathely - (Hungary) | |
| 29/06/01 | |
| Concert du Palot | |
| Shift - for clarinet and live computer | |
| Ensemble de Musique Interactive - Thierry Perrout - clarinet | |
| Palot - Montbéliard - (France) | |
| 31/01/01 | |
| FOCUS! 2001: 100 years of Italian Music since Verdi | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Students form Juliard University | |
| Juliard Theater - New York - (USA) | |
| 17/12/00 | |
| Festival Interférences | |
| Shift - for clarinet and live computer | |
| Ensemble de Musique Interactive - Thierry Perrout - clarinet | |
| Tour 41 - Belfort - (France) | |
| 14/12/00 | |
| Festival Interférences | to |
| Venus à Gonds - Installation with Arman and T.Reut | 20/12/00 |
| Atria - Belfort - (France) | |
| 14/12/00 | |
| Festival Interférences | |
| Syntax Error! - For Bass voice, 18 musicians and Live computer - Monographic Concert | |
| Ensemble de Musique Interactive - conductor Jacopo Baboni Schilingi | |
| Nicholas Isherwood bass voice | |
| Atria - Belfort - (France) | |
| 07/12/00 | |
| ISEA 2000 | to |
| Venus à Gonds - Installation with Arman and T.Reut | 10/12/00 |
| Ecole de Beaux Arts de Paris - Paris - (France) | |
| 29/11/00 | |
| Quarant’anni nel 2000 | |
| Odyssèe - for bass voice and live computer | |
| Nicholas Isherwood | |
| Sala ex Chiesa di S. Marta - Rome - (Italy) | |
| 02/06/00 | |
| Musik im 21 Jahrhundert | |
| Il colore del Rosso - for 11 musicians | |
| Klangforum Wien - conductor Emilio Pomarico | |
| Funkhaus Halberg, Großer Sendessal - Saarbrücken - (Germany) | |
| 19/04/00 | |
| Schönberg Kandinsky | |
| Il colore del Blu (first string quartet) – for string quartet | |
| NewTon Ensemble | |
| Arnold Schönberg Center - Wien - (Austria) | |
| 15/04/00 | |
| BIG Torino | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Il colore del Bianco - for 6 musicians | |
| Antidogma Ensemble - conductor Yoichi Sugijama | |
| Conservatorio Giuseppe verdi - Turin - (Italy) | |
| 13/04/00 | |
| BIG Torino | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Il colore del Bianco - for 6 musicians | |
| Antidogma Ensemble - conductor Yoichi Sugijama | |
| Teatro Nicolò Barbieri - Vercelli - (Italy) | |
| 04/12/99 | |
| Attenzione Luciano Berio | |
| Il colore del Nero - Requiem in forma di Musica - for 11 musicians | |
| Collegium Novum - conductor Thomas Gartmann | |
| Kleiner Tohallesaal - Zürich - (Switzerland) | |
| 14/03/99 | |
| Aspects de Musiques d’Aujourd’hui | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Ensemble Intercontemporain | |
| Grand Auditorium de Caen - Caen - (France) | |
| 10/03/99 | |
| Anomos | to |
| Daphné - generative and interactive installation - music by Jacopo Baboni Schilingi, Space conception Emanuele Quinz, Text generation A.G. Balpe | 14/03/99 |
| Museion - Bolzano (Italy) | |
| 17/12/98 | |
| I concerti di Tempo Reale | |
| Shift - for saxophone and live computer | |
| Mauro Cassinari - saxophone | |
| Sala Vanini - Florence - (Italy) | |
| 20/10/98 | |
| Milano Musica | |
| Dernière reflefion pour piano – for piano | |
| Alfonso Alberti - piano | |
| Musica d’insieme - Milan - (Italy) | |
| 30/07/98 | |
| International Bartok Festival | |
| Réflexions pour piano (I, III, V) | |
| Florian Hölscher - piano | |
| Art Gallery - Szombathely - (Hungary) | |
| 18/06/98 | |
| Nuova Consonanza - Progetto Musica | |
| Frames – for piano, Reflexion pour piano – for piano, deuxième reflefion pour piano – for piano | |
| Maria Carla Notarstefano - piano | |
| Acquario Romano - Rome - (Italy) | |
| 09/06/98 | |
| La voix des anches | |
| Frammenti per una voce accompagnata - for 3 instruments and soprano | |
| Ensemble Besozzi | |
| Marseille - (France) | |
| 17/05/98 | |
| Forum Young Composers | |
| Profils - for 3 instruments and live computer | |
| Music Information Center of the Ukraine Composers’ Union - Kiev - (Ukraina) | |
| 22/04/98 | |
| Neue italienische musikszene | |
| Il colore del Nero - Requiem in forma di Musica - for 11 musicians | |
| Ensemble dell’Orchestra Sinfonica Arturo Toscanini - Conductor Giorgio Bernasconi | |
| SFB Kleiner Sendesaal - Berlin - (Germany) | |
| 16/12/97 | |
| Progetto Musica - Inside outside the piano | |
| Reflexion pour piano – for piano | |
| Esther Fluckiger - piano | |
| Acquario Romano - Rome - (Italy) | |
| 14/11/97 | |
| Génération poétique | & |
| Trois Mythologies et un Poète aveugle - spectacle for 3 poets, 3 musicians and live computer (with j.P. Balpe) - monographic concert | 15/11/97 |
| Court Circuit Ensemble | |
| Scenography by Michel Jaffrennou | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 13/11/97 | |
| Dedalo Ensemble | |
| Il colore del Bianco - for 6 percussionists | |
| Dedalo Ensemble - conductor Vittorio Parisi | |
| Teatro Sancarlino - Brescia - (Italy) | |
| 09/11/97 | |
| Raum und Rhythmus | |
| Il colore del Bianco - for 6 percussionists | |
| Dedalo Ensemble - conductor Vittorio Parisi | |
| Künstlerhof Schreyahn - (Germany) | |
| 23/02/97 | |
| Festival PRESENCES | |
| L’instant relative - for 6 percussionists | |
| Les Pléïades - conductor Jacopo Baboni Schilingi | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 13/02/97 | |
| Festival PRESENCES (en région) | |
| L’instant relative - for 6 percussionists | |
| Les Pléïades - conductor Jacopo Baboni Schilingi | |
| Le Cargo - Maison de la Culture- Grenoble - (France) | |
| 30/01/97 | |
| Rencontre France Italie | |
| Shift - for clarinet | |
| Pierre Dutrieu - clarinet | |
| CDMC - Paris - (France) | |
| 27/11/96 | |
| Festival Spaziomusica | |
| Decode - for percussion and live computer | |
| Thierry Miroglio – percussion | |
| Chiesa di Sant’Agostino - Cagliari - (Italy) | |
| 01/11/96 | |
| Festival MANCA | |
| Decode - for percussion and live computer | |
| Thierry Miroglio - percussion | |
| Auditorium Linné - Parc Phoenix - Nice - (France) | |
| 26/10/96 | |
| Comoedia - Nuit de Musique | |
| Sei frammenti sparsi per una voce sola – for soprano | |
| Marie Prost - soprano | |
| Théâtre Comoedia - Aubagne - (France) | |
| 06/10/96 | |
| Festival MUSICA | |
| Profils - for 3 instruments and live computer | |
| Elèves du Conservatoire de Strasbourg | |
| Ecole des Arts Décoratifs - Strasbourg - (France) | |
| 06/10/96 | |
| Journée des portes ouvertes | |
| A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat | |
| Ecole des Arts Décoratifs - Strasbourg - (France) | |
| 28/09/96 | |
| Voix Nouvelles | |
| Sei frammenti sparsi per una voce sola – for soprano | |
| L’Itinéraire - Marie Prost - soprano | |
| Fondation Royaumont - Royaumont - (France) | |
| 13/06/96 | |
| L’Ircam dévoile le haut | to |
| A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat | 19/06/96 |
| Studio n.4 - IRCAM - Paris - (France) | |
| 13/6/1996 (20h00) | |
| Concert d’inauguration officielle des nouveaux bâtiments - IRCAM | & |
| Profils - for 3 instruments and live computer | (16h00) |
| Court Circuit Ensemble | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 13/01/96 | |
| Concert « Cursus Ircam » | |
| Profils – for 3 instruments and live computer | |
| Court Circuit Ensemble | |
| Espace de Projection – IRCAM – Paris – (France) | |
| 20/06/95 | |
| Concerto « Borsa Ferrari » | |
| Reflexion pour Piano – for piano | |
| Andrea Carnevali - piano | |
| Auditorium Lattuada - Milan - (Italy) | |
| 13/03/94 | |
| Biennale Internazionale dei Giovani Artisti dell’Europa Meridionale | |
| Shif - for saxophone | |
| Massimo Cassinari - saxophone | |
| Spazio Campus Cantiere - Milan - (Italy) | |
| 16/05/94 | |
| Seminari e Concerti | |
| Rewinds – for wind quartet | |
| Quaretto Leos | |
| Sezione di Musica Contemporanea - Milan - (Italy) | |
| 29/10/93 | |
| Incontri con la classe di composizione | |
| Shif - for saxophone | |
| Massimo Cassinari - saxophone | |
| Istituto Musicale - Livorno - (Italy) | |
| 19/05/93 | |
| Ars Musica | |
| Decode - for percussionist and live computer | |
| Marco Pezzenati – percussion | |
| Sezione di Musica Contemporanea - Milan - (Italy) | |
| 22/03/93 | |
| Ars Musica | |
| Decode - for percussionist and live computer | |
| Marco Pezzenati - percussion | |
| Maison de la Radio - Studio 1 - Bruxelles - (Belgium) | |
| 07/07/93 | |
| Roma Europa Festival | |
| Frames - for Piano solo | |
| Viviana Amodeo - piano | |
| Palazzo Falconieri - Rome - (Italy) | |
| 13/05/93 | |
| Manifestazioni musicali | |
| Decode - for solo percussionist | |
| Marco Pezzenati - percussion | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 30/10/92 | |
| Virtuosismi virtuali | |
| Shif - for saxophone and live computer | |
| Massimo Cassinari - saxophone | |
| Palazzina Liberty - Milan - (Italy) | |
| 11/10/92 | |
| Miano Poesia - Carme - Opera Prima | |
| Wide – for 3 instruments | |
| Carme ensemble | |
| Spazio Ansaldo - Milan - (Italy) | |
| 03/07/92 | |
| Concorso Alpe Adria Giovani | |
| Rewinds – for wind quartet | |
| Musicisti dell’Alpe Adria | |
| Goethe Institut - Trieste - (Italy) | |
| 16/05/92 | |
| Inaugurazione della nuova biblioteca | |
| Shif - for saxophone and live computer | |
| Massimo Cassinari | |
| Teatro Don Bosco - Carugate - (Italy) | |
| 08/05/92 | |
| Primo concorso nazionale di musica « Città di Pavia » | |
| Shif - for clarinet | |
| Sala el Rivellino - Castel Visconteo - Pavia - (Italy) | |
| 07/04/92 | |
| Manifestazioni musicali | |
| Shift - for clarinet solo | |
| Alberto Giudici - clarinet | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 20/03/92 | |
| Ars Musica | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta conducted by David Searcy | |
| Maison de la Radio - Studio 1 - Bruxelles - (Belgium) | |
| 05/08/91 | |
| Dialoghi | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta – conductor Jacopo Baboni Schilingi | |
| Castello Sforzesco - Cortile della Rocchetta - Milan - (Italy) | |
| 26/05/91 | |
| Manifestazioni musicali | |
| Tre improvvisi per pianoforte – for piano, rewinds – for wind quaret, Quartetto per percussioni - for 4 percussionists | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 13/03/91 | |
| Manifestazioni musicali | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 13/12/89 | |
| Interact - Monza | |
| Dimensioni - for 11 musicians | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor by Jacopo Baboni Schilingi | |
| Teatro Litta - Milan - (Italy) | |
| 19/05/89 | |
| Manifestazioni musicali | |
| Dimensioni - for 11 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 01/06/88 | |
| Istituto Gonzaga | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium dell’Istituto Gonzaga - Milan - (Italy) | |
| 26/05/88 | |
| Manifestazioni musicali | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 12/05/87 | |
| Manifestazioni musicali | |
| Musica della note - for 9 musicisti | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 05/07/86 | |
| Ritmi nel tempo | |
| Trio – for 3 musicians | |
| Musicians from Villa Simonetta | |
| Teatro delle Erbe - Milan - (Italy) | |
| 14/05/86 | |
| Manifestazioni musicali | |
| Trio – for 3 musicians | |
| Musicians from Villa Simonetta | |
| Auditorium di Villa Simonetta - Milan - (Italy) |
| PRE-TENSIO | 01/10/17 |
| Performance PRE-TENSIO | |
| Paris - (France) | |
| De la nature du mythe | 30/06/17 |
| Composition for SABRe and live computer - Matthias Muller (bass clarinet) | |
| Zutich - (Switzerland) | |
| PRE-TENSIO (Project Bloom) | 10/06/17 |
| Live performance with Shao-We Chou (flûte) and Anaïs de Matos and Mehdi Moussaoui (models) | |
| Le Charbon - Ivry sur Seine - (France) | |
| ARGO | 10/06/17 |
| Generative music installation based on breathing sensors conceived by Dadid Kuller | to |
| Paris - (France) | End of Jacopo's life |
| Music for sixteen | 01/06/17 |
| Generative music installation | to |
| Contemporary Art center EXPO 2017 - Astana (Kazakhstan) | 10/09/17 |
| SHIFT-II | 05/05/17 |
| Concert for saxophone and live computer with Davy Basquin (Saxophone) | |
| Festival aCROSS - Vitry sur Seine - (France) | |
| Composition residence | 27/04/15 |
| Musique transformation of original Haïku from BASHÔ (1644-1694) with young calligrapher Miyuki Jinnai | to |
| Istituto Italiano di Cultura - Tokyo - (Japan) | 05/05/17 |
| TERRA, a tribute to women | 16/04/17 |
| Artistic residence with Peiju Chien Pott | to |
| New-York - (USA) | 22/04/17 |
| IMMERSION SYMPHONIQUE | 27/04/17 |
| Interactive music installation conceived by Jacopo Baboni Schilingi based on symphonic music | to |
| Festival de musique de Besançon - (France) | 27/06/17 |
| IN/OUT PARADIS ARTIFICIEL | 01/04/17 |
| Generative music composition for the generative installation "IN/OUT-PARADIS ARTIFICIEL" by Miguel Chevalier | to |
| Festival des Jardins - Chaumont-Sur-Loire - (France) | 05/11/17 |
| Circular inception | 21/02/17 |
| Generative music composition for the installation "Circular inception" by Elias Crespin | to |
| Maison de l'Amerique Latine - Paris - (France) | 06/05/17 |
| Bodyscore | 18/01/2017 |
| Artistic residence - Working on the interactive photo Bodyscore - A new monographic photo exhibition | to |
| Galeria CONTACT - Rome - (Italy) | 21/01/17 |
| PRE-TENSIO | 12/02/17 |
| Live performance in collaboration with Colin Roche (Project Bloom) - Live Body Score with Cellist Lola Mallique | |
| Le Charbon - 54, Rue Vérollot - Ivry sur Seine (France) | |
| Quando (non) c'è più silenzio | 04/02/2017 |
| World premiere for flûte and live computeur by Jacopo Baboni Schilingi - Marie Sonderskov (flute) Symfosnik Sal - Thomas Jensens | |
| Azrhus - Cultural Capital 2017 - (Denmark) | |
| Decode-II | 28/02/2017 |
| Clément Gérard (Percussions) and Spatio intermisso (temporis) - William Besserer (soprano saxophone) with real time interactive images by Cyril Michaud – Ensemble de Musique interactive | |
| Ensemble de Musique Interactive | |
| MOLOCO - Audincourt- (France) | |
| Media Nocte and Concubia Nocte | 28/01/17 |
| Monographic conert Axelle Saint-Cirel (mezzo-soprano) | |
| Ensemble de Musique Interactiv | |
| MOLOCA - Audincourt- (France) | |
| PEGASUS | 13/12/16 |
| Interactive and generative music installation | to |
| EFS – Besançon - (France) | 31/01/17 |
| World premiere of De la nature du Mythe | 4/11/2016 |
| Composition for SABRe and live computer - Matthias Muller (bass clarinet) | |
| Tonhalle Zürich - (Switzerland) | |
| PRE-TENSIO - Nuit Blanche | 2/10/2016 |
| Live performance of with Colin Roche and Nathalie Shaw | |
| Ensemble de Musique Interactive - Projet Bloom | |
| Galerie HUS - Paris - (France) | |
| TERRA | 01/09/16 |
| Artistic residence music, danec and new technology with PeiJu Chien-Pott (Guest Principal Dancer at Martha Graham Dance Company) and David Kuller (AirGo Technology) | to |
| Nimbus Dance – New York - (USA) | 08/09/16 |
| Onde Pixel | 25/07/16 |
| Onde Pixel - music for the interactive and generative installation by Miguel Chevalier | to |
| UniCredit Pavilion – Milan - (Italy) | 28/08/16 |
| 16/7/2016 | |
| Festival - Eclat de Caromb | |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis string quartet | |
| Eglise St Maurice - Caromb - (France) | |
| 25/06/16 | |
| Back To The Trees | |
| Anima - installation | |
| Ensemble de Musique Interactive | |
| Forêt de Chaux - Besançon - (France) | |
| International Festival - Foto di note | 18/06/16 |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Casa Delle Arti - Cernusco sul Naviglio - Milan - (Italy) | |
| International Festival - Foto di note | 18/06/16 |
| Body scores exhibition | to |
| Photos by Jacopo Baboni Schilingi | 19/06/16 |
| Casa Delle Arti - Cernusco sul Naviglio - Milan - (Italy) | |
| International Festival - Foto di note | 18/06/16 |
| Body Score Live performance | |
| Blue - Cernusco sul Naviglio - Milan - (Italy) | |
| Intimate and to be shared, substantially | 15/06/16 |
| Réflexions pour piano (I, V) – for piano and live computer | |
| Ensemble de Musique Interactive – Véronique Ngo Sach-Hien - piano | |
| HAW Hamburg Finkenau Produktionslabor – Hamburg – (Germany) | |
| PÉRIL ELECTRO | 12/06/16 |
| La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer | |
| Nadia Ratsimandresy - Ondes Martenot | |
| Confluences - Paris - (France) | |
| Architectures et Géographies Imaginaires | 21/05/16 |
| Spatio intermisso (temporis) - for saxophone and live computer; Decode-ii - for percussion and Live computer | |
| Ensemble de Musique Interactive | |
| Saline Royale - Arc-et-Senans - (France) | |
| Body scores | 16/05/15 |
| Body scores residence with P. Bouvet | to |
| La Plantation - Beijing - (China) | 19/05/15 |
| Copenhagen Avantgarde Music Festival | 22/04/16 |
| La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer | |
| Nadia Ratsimandresy - Ondes Martenot | |
| Den Frie Udstillingsbygning - Copenhagen - (Danmark) | |
| Concert for Ondes Martenot and live computer | 03/04/16 |
| La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer | |
| Nadia Ratsimandresy - Ondes Martenot | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| Body Score Installation | 03/04/16 |
| Exhibition of Body Score interactive installation | |
| Photos by Jacopo Baboni Schilingi | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| Horizons Electroniques II | 24/03/16 |
| La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer | |
| Nadia Ratsimandresy - Ondes Martenot | |
| Festival Electroni - Genève - (Switzerland) | |
| 23/03/16 | |
| Augmented violin | |
| Aura-phoenix (fourth string quartet) - for violin and live computer | |
| Ensemble de Musique Interactive - Guillaume Antonini - violin | |
| Why Note - Atheneum Centre Culturel - Dijon - (France) | |
| Hydra - Harvard University | 09/12/15 |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Paine Hall - Harvard University - Cambridge - (USA) | |
| Spectrum | 03/12/15 |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| The Spectrum - New York - (USA) | |
| Festival Why Note | 20/11/15 |
| La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenont and live computer | 20h00 |
| Nadia Ratsimandresy - Ondes Martenot | |
| CONSORTIUM - Dijon - (France) | |
| Festival Why Note | 20/11/15 |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Spatio intermisso (temporis) - for oboe and live computer; decode-ii - for percussion and Live computer - monographic concert | 18h00 |
| Etudiants du PESM de Dijon | |
| CONSORTIUM - Dijon - (France) | |
| LUMIERE - The UK’s Largest Light Festival | 21/08/15 |
| Complex meshes - music for the interactive and generative installation by Miguel Chevalier | to |
| Durham Cathedral - Durham - (UK) | 29/08/15 |
| Salzburg Contemporary Music | 06/11/15 |
| Decode-II – for percussion and live computer | |
| Names Ensemble/Ensemble de Musique Interactive | |
| Salzburg – (Austria) | |
| INNO-Design | 05/11/15 |
| Extended Nox– monographic concert | |
| Ensemble de Musique Interactive | |
| ARSENAL – Metz – (France) | |
| INNO-Design | 05/11/15 |
| Exhibition of Body Score interactive installation | to |
| Photos by Jacopo Baboni Schilingi | 06/11/15 |
| ARSENAL – Metz – (France) | |
| Istituto Italiano di Cultura di Tokyo | 26/10/15 |
| Nox – monographic concert | |
| Ensemble de Musique Interactive | |
| Sala Gianni Agnelli – Gae Aulenti – Tokyo – (Japan) | |
| Electronic Music Week – 2015 | 19/10/15 |
| Nox-II | |
| Ensemble de Musique Interactive | |
| HeLuTing Concert Hall – Shanghai – (China) | |
| La Plantation | 18/10/15 |
| Nox – monographic concert | |
| Ensemble de Musique Interactive | |
| La Plantation – Beijing – (China) | |
| La Plantation | 17/10/15 |
| Nox – monographic concert | |
| Ensemble de Musique Interactive | |
| La Plantation – Beijing – (China) | |
| Nox – body scores exhibition | 18/10/15 |
| Exhibition of Body Score interactive installation | to |
| Photos by Philippe Bouvet | 22/11/15 |
| La Plantation – Beijing – (China) | |
| Yishu 8 | 15/10/15 |
| Nox – monographic concert | |
| Ensemble de Musique Interactive | |
| Yishu 8 – Beijing – (China) | |
| Biennale de Venice – music section | 11/10/15 |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis string quartet | |
| Sala delle armi – Arsenale – Venice – (Italy) | |
| Ariane# | 08/10/15 |
| Playing live computer with music by P. Boulez, P. Jodlowski, G. Platini, K. Saariaho | |
| Ensemble de Musique Interactive | |
| Auditorium du Conservatoire de Belfort – Belfort – (France) | |
| Ariane# | 07/10/15 |
| Nox – monographic concert | |
| Ensemble de Musique Interactive | |
| Musée de l’Aventure Peugeot – Sochaux – (France) | |
| Méta-Territoires | 21/08/15 |
| Ivry Méta-territoire – music for the video by Miguel Chevalier | to |
| Galerie Fernand Léger – Ivry-sur-Seine – (France) | 29/08/15 |
| Live performance | 26/09/15 |
| Laptop performance with musicians from Cambodian Living Art | |
| Ensemble de Musique Interactive/Cambodian Living Art | |
| Pagode Preah Prohm Roath – Siem Reap – Angkor (Cambodia) | |
| Festival – Eclat de Caromb | 25/07/15 |
| Nox – monographic concert | |
| Ensemble de Musique Interactive | |
| Eglise St Maurice – Caromb – (France) | |
| Malta International Art Festival | 10/07/15 |
| Pixel wave – music for the interactive and generative installation by Miguel Chevalier | to |
| La Valletta - Malte | 03/08/15 |
| Back To The Trees | 27/06/15 |
| Créatures imaginaires – sound installation | |
| Ensemble de Musique Interactive | |
| Forêt de Chaux - Besançon - (France) | |
| IBEAM | 23/06/15 |
| Réflexions pour piano – for piano and live computer | |
| Ensemble de Musique Interactive - Véronique Ngo Sach-Hien – piano | |
| IBEAM - New York - (USA) | |
| New York City Electroacoustic Music Festival | 21/06/15 |
| Réflexions pour piano – for piano and live computer | |
| Ensemble de Musique Interactive - Véronique Ngo Sach-Hien – piano | |
| Abrons Arts Center- New York - (USA) | |
| 07/06/15 | |
| Augmented violin | |
| Aura-phoenix (fourth string quartet) - for violin and live computer | |
| Ensemble de Musique Interactive – Guillaume Antonini - violin | |
| Conservatory of music - Wuhan - (China) | |
| 03/06/15 | |
| Augmented violin | |
| Aura-phoenix (fourth string quartet) - for violin and live computer | |
| Ensemble de Musique Interactive – Guillaume Antonini - violin | |
| Meridian Space - Beijing - (China) | |
| 02/06/15 | |
| Body scores | to |
| Body scores residence with P. Bouvet | 06/06/15 |
| La Plantation - Beijing - (China) | |
| 01/02/15 | |
| For Elias Crespin | to |
| Trianguconcéntricos rouge - installation by E. Crespin with music by Jacopo Baboni Schilingi | 20/06/15 |
| Das Kleine Museum - Weissenstadt - (Germany) | |
| 26/05/15 | |
| Alba Music Festival | |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Chiesa della Maddalena - Alba - (Italy) | |
| 18/04/15 | |
| Animal Animalis | to |
| Venus à Gonds - Installation with Arman and T.Reut | 31/12/15 |
| Ensemble de Musique Interactive | |
| Abbaye Royale de Saint Riquier - Saint Riquier - (France) | |
| 18/04/15 | |
| Animal Animalis | to |
| Créatures imaginaires - installation | 31/12/15 |
| Ensemble de Musique Interactive | |
| Abbaye Royale de Saint Riquier - Saint Riquier - (France) | |
| 07/05/15 | |
| Biennale of Venice - Art section | to |
| Respiro della voce - music for the installation by Sarkis « respiro » | 01/11/15 |
| Biennale of Venice - Pavilion of Turkey - Venice - (Italy) | |
| 10/05/15 | |
| Evangelishes Gemeindezentrum Grünwald | |
| Decode-II - for percussion and live computer | |
| Names Ensemble/Ensemble de Musique Interactive - S. Mastnak - Percussion | |
| Münich - (Germany) | |
| 15/02/15 | |
| Espace Multimedia Gantner | |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| 01/02/15 | |
| Ulysse | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Triangle - Huningue - (France) | |
| 11/12/14 | |
| Hydra - Harvard University | |
| Disparition - Electroacoustic music | |
| Paine Hall - Harvard University - Cambridge - (USA) | |
| 17/10/14 | |
| Galérie Denise René | to |
| Trianguconcéntricos fluorouge – installation by E. Crespin with music by Jacopo Baboni Schilingi | 03/01/15 |
| Galérie Denise René - Paris - (France) | |
| 10/12/14 | |
| Nox for Sarkis | |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Eglise Saint-Séverin - Paris - (France) | |
| 07/12/14 | |
| Les Pôles des Aimants | |
| Live performance – for 3 instruments and 3 voices and live computer - monographic concert | |
| Ensemble de Musique Interactive | |
| Musée du château des Ducs de Wurtemberg - Montbéliard - (France) | |
| 24/11/14 | |
| Festival - Festival Sons d’Autumne | |
| De la nature du sacre (third string quartet) - for string quartet and live computer | |
| Leonis string quartet | |
| Conservatoire de musique - Annecy - (France) | |
| 01/11/14 | |
| The Meridian Space | |
| Laptop performance with Meng Qi | |
| Ensemble de Musique Interactive | |
| Meridian Space - Beijing - (China) | |
| 26/10/14 | |
| Wuhan New Music Festival | |
| Nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Conservatory of Music - Wuhan - (China) | |
| 24/10/14 | |
| Musicacoustica | |
| Ultima nocte - for two voices and live computer | |
| Ensemble de Musique Interactive | |
| Central Conservatory of Music - Beijing - (China) | |
| 16/10/14 | |
| Les Pôles des Aimants | |
| Live performance – for 3 instruments and 3 voices and live computer - monographic concert | |
| Ensemble de Musique Interactive | |
| Musée du château des Ducs de Wurtemberg - Montbéliard - (France) | |
| 26/09/14 | |
| Beijing Design Week – Interactive musical performance | |
| Laptop performance with Meng Qi | |
| Ensemble de Musique Interactive | |
| Orange - Sanlitung Village - Beijing - (China) | |
| 02/09/14 | |
| IFA 2014 - Samsung | to |
| The origin of the Curve - music for the interactive and generative installation by Miguel Chevalier | 07/09/14 |
| City Cube - Berlin - (Germany) | |
| 23/08/14 | |
| Festival Internazionale di Andria | to |
| Magic Carpet - music for the interactive and generative installation by Miguel Chevalier | 31/08/14 |
| Castel del Monte - (Italy) | |
| 25/07/14 | |
| Festival - Eclat de Caromb | to |
| Rêves dévoilés - music installation and land art | 28/07/14 |
| Place du Beffroi - Caromb - (France) | |
| 05/07/14 | |
| Metamorhosis of the virtual | to |
| The origine of the world - music for the interactive and generative installation by Miguel Chevalier | 31/08/14 |
| K11 Foundation - Shanghai - (Chine) | |
| 06/06/14 | |
| Les Pôles des Aimants | to |
| Music for the installation Les Pôles des Aimants by Sarkis | 04/01/15 |
| Musée du château des Ducs de Wurtemberg - Montbéliard - (France) | |
| 31/05/14 | |
| Alba Music Festival | |
| Decode-II - for percussion and live computer; Réflexions pour piano – for piano and live computer | |
| Ensemble de Musique Interactive | |
| Chiesa della Maddalena - Alba - (Italy) | |
| 16/05/14 | |
| Ulysse | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Bains Douches - Kingersheim - (France) | |
| 03/04/14 | |
| Impetus | |
| Il colore del Nero-II - Requiem in forma di Musica - for 11 musicians and live computer | |
| Ensemble de Musique Interactive - Conductor Laurent Zemp | |
| Crac 19 - Montbéliard - (France) | |
| 03/04/14 | |
| SABRe | |
| New beginnings - for augmented bass clarinet and live computer | |
| Matthias Müller - bass clarinet | |
| Kunstraum Walcheturm - Zurich - (Switzerland) | |
| 30/03/14 | |
| Espace Multimedia Gantner | |
| Quasi un silenzio – for flute and live computer | |
| Ensemble de Musique Interactive – Anne Nardin - flute | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| 30/03/14 | |
| Espace Multimedia Gantner | |
| Venus à Gonds - Instalation with Arman and T.Reut | |
| Ensemble de Musique Interactive | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| 20/03/14 | |
| Ulysse | & |
| Music for the spectacle by Anne-Laure Walger Mossiere | 21/03/14 |
| Espace Tival - Kingersheim - (France) | |
| 22/02/14 | |
| Temps Suspendu | to |
| Circuconcéntricos Blu - installation by E. Crespin with music by Jacopo Baboni Schilingi | 01/06/14 |
| Galérie de la Marine - Nice - (France) | |
| 16/01/14 | |
| How Unpainted, Germany's First New Media Art Fair | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 20/01/14 |
| Hermès - Munich - (Germany) | |
| 05/11/13 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 11/11/13 |
| Hermès - Mumbai - (India) | |
| 13/11/13 | |
| Carte blanche à Jacopo Baboni Schilingi | |
| Spatio intermisso (temporis) - for oboe and live computer; Quasi un silenzio - for Flute and Live computer | |
| Ensemble de Musique Interactive | |
| Scène Numérique - MA Scène Nationale - Montbéliard - (France) | |
| 02/11/13 | |
| Chamber Music - 2013 | |
| Cinq Réflexion pour piano - for piano and live computer | |
| Ensemble de Musique Interactive - Véronique Ngo Sach-Hien - Piano | |
| Central Conservatory of Music - Beijing - (China) | |
| 23/10/13 | |
| Electronic Music Week - 2013 | |
| Conducting compositions by K. Saariaho, J.-B. Barrière | |
| Ensemble de Musique Interactive | |
| Shanghai Concert Hall - Shanghai - (China) | |
| 22/10/13 | |
| Electronic Music Week - 2013 | |
| De la nature du sacre-II - for String quartet and live computer | |
| Leonis String Quartet and Ensemble de Musique Interactive | |
| Shanghai Concert Hall - Shanghai - (China) | |
| 20/10/13 | |
| Electronic Music Week - 2013 | |
| Conducting compositions by P. Boulez, K. Saariaho, S. Reich | |
| Leonis String Quartet and Ensemble de Musique Interactive | |
| Shanghai Concert Hall - Shanghai - (China) | |
| 10/10/13 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 16/10/13 |
| Pacific Place - Hong Kong - (China) | |
| 24/08/13 | |
| Festival A-Part - Musique et Sens | |
| Laptop performance | |
| Ensemble de Musique Interactive | |
| Mas de l’Amarine - Saint Remy de Province - (France) | |
| 24/08/13 | |
| Festival A-Part - Musique et Sens | |
| Body Score Live performance | |
| Mas de l’Amarine - Saint Remy de Province - (France) | |
| 05/07/13 | |
| Festival A-Part - Body Score | to |
| Body Score photo exhibition | 31/08/13 |
| Mas de l’Amarine - Saint Remy de Province - (France) | |
| 05/07/13 | |
| Festival A-Part | to |
| Venus à Gonds - Instalation with Arman and T.Reut | 31/08/13 |
| Ensemble de Musique Interactive | |
| Mas de l’Amarine - Saint Remy de Province - (France) | |
| 01/06/13 | |
| Hermès | |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | |
| Hermès - Miami - (USA) | |
| 01/06/12 | |
| Côté Jardin | to |
| …Et si le temps était toujours modern? - music installation and land art | 20/10/12 |
| Saline Royale - Arc-et-Senans - (France) | |
| 19/05/13 | |
| FIMU | |
| Disparition - Electroacoustic music | |
| Ensemble de Musique Interactive | |
| Centre Chorégraphique National- Belfort - (France) | |
| 10/04/13 | |
| MACO - Mexico Arte COntemporaneo | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 13/04/13 |
| ZONA - MACO - Hermès - Mexico City - (Mexico) | |
| 28/02/13 | |
| Turbulences II | to |
| Origine du monde - music for the interactive and generative installation by Miguel Chevalier | 01/09/13 |
| Fondation Boghossian - Villa Empain - Bruxelles - (France) | |
| 29/01/13 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 05/02/13 |
| Hermès - Nanjing - (China) | |
| 26/01/13 | |
| Leonis en résidence | |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis String Quartet/Ensemble de Musique Interactive | |
| Théâtre de l’Aquarium - Vincennes - (France) | |
| 25/01/13 | |
| Wood Street Galleries | to |
| Pixel Liquide - music for the interactive and generative installation by Miguel Chevalier | 07/04/13 |
| Wood Street Galleries- Pittsburgh - (USA) | |
| 25/01/13 | |
| Wood Street Galleries | to |
| Origine du monde - music for the interactive and generative installation by Miguel Chevalier | 07/04/13 |
| Wood Street Galleries- Pittsburgh - (USA) | |
| 14/01/13 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 20/01/13 |
| Hermès - Shenyang - (China) | |
| 15/12/12 | |
| Centre d’Animation Jemmapes | |
| Piccola natura serena - for orchestra and live computer | |
| Aposiopée - Conductor Jean-Louis Vicart | |
| Centre d’Animation Jemmapes - Paris - (France) | |
| 10/12/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 16/12/12 |
| The Pavilion Downtown Dubai - Dubai - (United Arab Emirates) | |
| 10/11/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 16/11/12 |
| Hermès - Busan - (South Korea) | |
| 10/11/12 | |
| Auditorium Saint-Germain | |
| Piccola natura serena - for orchestra and live computer | |
| Aposiopée - Conductor Jean-Louis Vicart | |
| Auditorium Saint-Germain - Paris - (France) | |
| 07/11/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 13/11/12 |
| Selfridges- London - (UK) | |
| 03/11/12 | |
| Tage für neue Musik | |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis String Quartet | |
| Jugendzentrum - Weimar - (Germany) | |
| 29/10/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 04/11/12 |
| Hérmes - Seattle - (USA) | |
| 16/10/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 21/10/12 |
| Palazzo Morando - Milan - (Italy) | |
| 11/10/12 | |
| Hermès | |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | |
| Palais Brongniart - Paris - (France) | |
| 06/10/12 | |
| Biennale de Venice - music section | to |
| Travel Journal n.1 - sound installation | 13/10/12 |
| Giardino delle Vergini - Arsenale - Venice - (Italy) | |
| 05/10/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 11/10/12 |
| Hermès - Osaka - (Japan) | |
| 26/09/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 06/10/12 |
| Hermès - Anvers - (Belgium) | |
| 24/09/12 | |
| Hermès | to |
| 8 Ties - music for the interactive and generative installation by Miguel Chevalier | 31/9/2012 |
| Hermès Ginza - Tokyo - (Japan) | |
| 19/07/12 | |
| Festival A-Part | to |
| La vague des pixels - music for the interactive and generative installation by Miguel Chevalier | 21/07/12 |
| Carrières de lumières - Baux de Province - (France) | |
| 19/07/12 | |
| Festival A-Part | to |
| Pixel liquide - music for the interactive and generative installation by Miguel Chevalier | 21/07/12 |
| Carrières de lumières - Baux de Province - (France) | |
| 21/06/12 | |
| Fête de la musique | |
| Conducting music by P. Boulez, VIOLIN. Goutfreind, P. Jodlowski | |
| Ensemble de Musique Interactive | |
| DRAC - Besancon - (France) | |
| 01/06/12 | |
| Les Amitiées Végétales | to |
| Rêves dévoilés - music installation and land art | 21/10/12 |
| Saline Royale - Arc-et-Senans - (France) | |
| 01/06/12 | |
| Les Amitiées Végétales | to |
| Molecole Armoniche - Exhibition of original scores | 21/10/12 |
| Saline Royale - Arc-et-Senans - (France) | |
| 18/05/12 | |
| Stagione di Musica da Camera | |
| De la nature du sacre (third string quartet) – for string quartet and live computer | |
| Leonis String Quartet | |
| Sala Sinopoli - Auditorium Parco della Musica - Rome - (Italy) | |
| 13/05/12 | |
| Philarmonische Konzerte im Großen Haus | & |
| Natura-Phoenix - for symphonic orchestra and String quartet | 11/05/12 |
| Cottbus Symphonic Orchestra - Conductor Evan Crist | |
| Staatstheater - Cottbus - (Germany) | |
| 04/05/12 | |
| Percussion Bytes | |
| Igitur semper – version for 3 percussionists, solo trombone and Live computer | |
| Soloists of Basel Symphonic Orchestra – Henri Michel Garzia – Trombone | |
| Dreispitzhalle - Basel – (Switzerland) | |
| 07/04/12 | |
| Artiste en Résidence | |
| Concubia nocte – in Memoria di Luciano Berio – for soprano and live computer | |
| Ensemble de Musique Interactive – Anne Delafosse Quentin – voice | |
| Saline Royale – Arc-et-Senans – (France) | |
| 24/03/12 | |
| Festival Ghost in the instrument (in collaboration with the Columbia University) | |
| Spatio intremisso (temporis) – for oboe and live computer | |
| Ensemble de Musique Interactive – Christian Schmitt - oboe | |
| Miller Theatre - New York - (USA) | |
| 23/03/12 | |
| Festival Ghost in the instrument (in collaboration with the Columbia University) | |
| Decode-II – for percussion and live computer; Shift-II – for saxophone and live computer | |
| Ensemble de Musique Interactive | |
| Prentis Hall - New York - (USA) | |
| 03/12/11 | |
| La creation musicale : tout un programme! | |
| Spatio intermisso (temporis) - for saxophone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouveret - saxophone | |
| Opera Comique - Paris - (France) | |
| 13/10/11 | |
| Electronic Music Week - 2011 | |
| Decode-II - for percussion and live computer | |
| Yan Haocheng - percussionist | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 22/09/11 | |
| Récital pour flûte | |
| Quasi un silenzio - for flute and live computer | |
| Ensemble de Musique Interactive – Anne Nardin - flute | |
| Musée du château des Ducs de Wurtemberg - Montbéliard - (France) | |
| 26/09/11 | |
| PRISMA 2001/2011 | |
| Spatio intermisso (temporis) - for saxophone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouveret - saxophone | |
| MPAA - Auditorium Saint Germain - Paris - (France) | |
| 24/09/11 | |
| 64° Festival International de musique | |
| nox - monographic concert | |
| Ensemble de Musique Interactive | |
| Magic Mirror - Besançon - (France) | |
| 24/09/11 | |
| Back To The Trees | |
| Genus Naturae - music installation and land art - with P. Percier and R. Hofstetter | |
| Ensemble de Musique Interactive | |
| Forêt de Chailluz - Besançon - (France) | |
| 13/08/11 | |
| Les Jardins Musicaux | to |
| Genus Naturae - music installation and land art - with P. Percier and R. Hofstetter | 15/08/11 |
| Ensemble de Musique Interactive | |
| Saline Royale - Arc-et-Senans - (France) | |
| 24/07/11 | |
| Schubertiades des Nancyphonies | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive - Christian Schmitt - oboe | |
| Auditorium du Conservatoie de Nancy - Nancy - (France) | |
| 18/06/11 | |
| Digitalarti | to |
| Capture - interactive and generative installation by G. Chatonsky with music by Jacopo Baboni Schilingi | 19/06/11 |
| CiTu | |
| Mairie du 4ème - Paris - (France) | |
| 15/06/11 | |
| Musique électro/mixte au tour de l’œuvre de J. Baboni Schilingi | |
| Disparition - electroacoustic music; Come in Silenzio, quasi… - for trio and live computer | |
| Ensemble de Musique Interactive | |
| Auditorium - Grand Chalon - (France) | |
| 05/06/11 | |
| Schlag auf schlag | |
| Igitur semper - version for 3 percussionists, solo trombone and Live computer | |
| Soloists of Basel Symphonic Orchestra - Henri Michel Garzia - Trombone | |
| Theater Basel - Basel - (Switzerland) | |
| 27/05/11 | |
| Oi Futuro | to |
| Power Pixel - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 04/06/11 |
| Oi Futuro - Rio De Janeiro - (Brazil) | |
| 15/04/11 | |
| Impetus | |
| Decode-II - for percussion and live computer (version for 5 percussionists) | |
| Ensemble de Musique Interactive | |
| Le Moloco - Audincourt - (France) | |
| 30/03/11 | |
| Mid-Day Recital | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer | |
| Sarah Kirsch - soprano | |
| Eva Clare Hall - Winnipeg - (Canada) | |
| 01/09/10 | |
| MIS | to |
| Terra Incognita - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 31/10/10 |
| MIS - San Paulo - (Brazil) | |
| 10/07/10 | |
| Nuit Bleue - 2010 | |
| Disparition - electroacoustic music | |
| Saline Royale - Arc-et-Senans - (France) | |
| 06/05/10 | |
| Festival île de découvertes | |
| Anima-Phoenix - for symphonic orchestra, String quartet and live computer | |
| Orchestre Nationale d’Île de France - Conductor Kaspar Zehnder | |
| Scène Nationale - Grand Théâtre - Saint-Quentin-en-Yvelines - (France) | |
| 10/03/10 | |
| Créer ce que l’on joue? | |
| Le Château-II - for 4 voices, choir and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| MPAA - Auditorium Saint Germain - Paris - (France) | |
| 26/02/10 | |
| Peninsula Arts Contemporary Music Festival | |
| Something in between - for 3 musicians | |
| RE:search Ensemble | |
| Upper Lecture Theatre, Sherwell Centre, University of Plymouth - Plymouth - (UK) | |
| 28/01/10 | |
| L’Allan - Scène Nationale de Montbéliard | |
| Après disparition - for 8 soloist voices, choir and live computer | |
| Ensemble Contraste - Conductor Brigitte Rose | |
| Théâtre de la Ville - Montbéliard - (France) | |
| 13/01/10 | |
| Live Electronic Space | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ben Reimer – percussion; Rosemarie Van der Hooft - soprano | |
| The Winnipeg Art Gallery - Winnipeg - (Canada) | |
| 17/12/09 | |
| DE LA MODERNITÉ À LA CONTEMPORANÉITÉ | |
| Il colore del Rosso – for 11 musicians; | |
| Il colore del Bianco – for 6 musicians; | |
| Il colore del Giallo – for 2 musicians; | |
| Il colore del Nero - Requiem in forma di Musica – for 11 musicians - Monographic concert | |
| Ensemble de Musique Interactive - Conductor Laurent Zemp | |
| Palot - Montbéliard - (France) | |
| 04/12/09 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Espace Grün- Cernay - (France) | |
| 22/10/09 | |
| Electronic Music Week - 2009 | |
| Decode-II - for percussion and live computer | |
| Student from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 21/10/09 | |
| Electronic Music Week - 2009 | |
| Incipit-Phoenix (second string quartet) – for string quartet and live computer | |
| Students from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 20/10/09 | |
| Electronic Music Week - 2009 | |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Student from Shanghai Conservatory of Music | |
| HeLuTing Concert Hall - Shanghai - (China) | |
| 21/09/09 | |
| Musée de la Chasse et de la Nature | to |
| Fractal Flowers in Vitro - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 03/01/10 |
| Musée de la Chasse et de la Nature - Paris - (France) | |
| 26/06/09 | |
| Multiphonie - GRM | |
| Spatio intermisso (temporis) - for oboe and live computer; Come in silenzio, quasi… - for trio and live computer | |
| Ensemble de Musique Interactive | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 20/05/09 | |
| Maestri Italiani | |
| Decode-II - for percussion and live computer; Il colore del Buio - cycle for 11 musicians | |
| Il colore del Blu (first string quartet) – for string quartet; | |
| Il colore del Rosso – for 11 musicians; | |
| Il colore del Bianco – for 6 musicians; | |
| Il colore del Giallo – for 2 musicians; | |
| Il colore del Nero - Requiem in forma di Musica – for 11 musicians - Monographic concert | |
| KammarensembleN - Conductor Frank Ollu | |
| Italienska Kulturinstitutet - Stockholm - (Sweden) | |
| 02/04/09 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Rive Rhin- Village-Neuf - (France) | |
| 21/03/09 | |
| Les Alchimies Electroniques | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Shift-II - for baritone saxophone and live computer | |
| Ensemble de Musique Interactive | |
| Espace BARBARA - Paris - (France) | |
| 22/02/09 | |
| Le Salon de Musique | |
| Incipit-Phoenix (second string quartet) – for string quartet and live computer | |
| Quatuor Leonis | |
| Espace Multimedia Gantner - Bourogne - (France) | |
| 24/01/09 | |
| Association Art Metz | |
| Decode-II - for percussion and live computer; Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer - monographic concert | |
| Ensemble de Musique Interactive | |
| Château du Pont d’Oye– Habay - (Belgique) | |
| 05/12/08 | |
| Ma vie sur les murs | |
| Music for the spectacle by Anne-Laure Walger Mossiere | |
| Cour d’Appel- Colmar - (France) | |
| 15/11/08 | |
| Ma vie sur les murs | & |
| Music for the spectacle by Anne-Laure Walger Mossiere | 16/11/08 |
| CREA - Kingersheim - (France) | & |
| 17/11/08 | |
| 09/11/08 | |
| Festival NOVELUM | |
| Disparition - electroacoustic music | |
| Odyssud - Blagnac - (France) | |
| 02/11/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Trois profils pour alto - for Viola and live computer; Le Château-II - for 4 voices, choir and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Concert Hall- Anqing - (China) | |
| 31/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Wide-II - for 3 musicians and live computer; Trois profils pour alto - for viola and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Concert Hall- Hefei - (China) | |
| 29/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Le Château-II - for 4 voices, choir and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Opera of Anhui - Anhui - (China) | |
| 28/10/08 | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard in a China tour | |
| Decode-II - for percussion and live computer; Wide-II - for 3 musicians and live computer | |
| Ensemble de Musique Interactive | |
| Opera of Anhui - Anhui - (China) | |
| 19/09/08 | |
| Concert d’Ouverture - au Coeur du son | |
| Le Château-II - for 4 voices, choir and live computer; Decode-II - for percussion and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive/Chœur de la post-maîtrise de Montbéliard | |
| Hall de PMA - Montbéliard - (France) | |
| 08/09/08 | |
| Ars Numerica | to |
| HEMERA – Interactive and generative installation for music and light with A. Poumarat | 12/09/08 |
| Les Versannes | |
| Ars Numerica- Montbéliard - (France) | |
| 04/09/08 | |
| Sous les drapeaux | |
| Music for the documentary movie by H. Colomer – for symphonic orchestra Compositions with live computer – monographic concert | |
| Orchestre Nationale d’Île de France - Conductor Christophe Mangou | |
| Maison de l’Orchestre Nationale d’Île de France - Alfortville - (France) | |
| 13/06/08 | |
| Concert du Palot | |
| Quasi un silenzio - for flute and live computer; Decode-II - for percussion and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 12/06/08 | |
| Boffi Bains | to |
| Fractal Flowers - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 20/06/08 |
| Boffi Bains - Paris - (France) | |
| 30/05/08 | |
| Récital pour flûte | |
| Quasi un silenzio - for flute and live computer | |
| Ensemble de Musique Interactive – Anne Nardin - flute | |
| Crac 19 - Montbéliard - (France) | |
| 26/03/08 | |
| Festival Voce 2008 | |
| Le Château-II - for 4 voices, choir and live computer | |
| Ensemble Contraste | |
| Foyer municipal - Audincourt - (France) | |
| 19/03/08 | |
| Musique Interactive | |
| Nox – monographic concert | |
| Anne Delafosse Quentin et Raphaël Mas - voix | |
| Théâtre Bacchus - Besançon - (France) | |
| 11/03/08 | |
| La Poste inspire de Artistes | to |
| L’envolée du courrier - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 31/03/08 |
| Musée de la Poste - Paris - (France) | |
| 21/02/08 | |
| Guest Artists Recital | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Jessen Auditorium - University of Texas - Austin - (USA) | |
| 08/11/07 | |
| Festival MANCA | |
| Spatio intermisso (temporis) - accordion version | |
| Pascal Contet - Accordion | |
| Théâtre de la Photographie et de l’Image - Nice - (France) | |
| 10/12/07 | |
| PALAIS DES FETES | to |
| HEMERA – Interactive and generative installation for music and light with A. Poumarat | 14/12/07 |
| Les Versannes | |
| Palais des fêtes- Strasbourg - (France) | |
| 05/12/07 | |
| Rencontre avec Jacopo Baboni Schilingi | |
| Spatio intermisso (temporis) - for oboe and live computer; Insana nocte - for harp and live computer – monographic concert | |
| Ensemble de Musique Interactive | |
| Istituto Italiano di Cultura - Paris - (France) | |
| 27/08/07 | |
| ENSATT | to |
| HEMERA – Interactive installation for music and light with A. Poumarat | 31/08/07 |
| Les Versannes | |
| ENSATT - Lyon - (France) | |
| 07/07/07 | |
| Nuit Bleue - 2007 | |
| Decode-II - for percussion and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive | |
| Saline Royale - Arc-et-Senans - (France) | |
| 08/06/07 | |
| Association Art Metz | to |
| Crossborder - interactive and generative installation by Miguel Chevalier with music by Jacopo Baboni Schilingi | 09/07/07 |
| Gare de Metz - Metz - (France) | |
| 23/05/07 | |
| Biennale de Poesie val de Marne | to |
| Les voix du monde – sound installation | 02/06/07 |
| MACVAL - Vitry-sur-Seine – (France) | |
| 15/05/07 | |
| ESC Orchestra | |
| Laptop performance - 4 Laptops 4 musicians live performance | |
| ESC - Electroacoustic Synthesis Crew | |
| Cité Internationale Universitaire de Paris - Paris - (France) | |
| 27/03/07 | |
| Festival Voce 2007 | |
| Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 07/12/06 | |
| Fête des Lumières | to |
| Anima - music and light installation with C. Houdart and A. Poumarat | 10/12/06 |
| Les versannes | |
| Place Bir-Hakeim - Lyon - (France) | |
| 29/10/06 | |
| Xème Congres de l’Association Française du Hautbois | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Auditorium Daniel Dechico - Bayonne - (France) | |
| 14/10/06 | |
| Agon | & |
| I dadi di Mozart - Live performance | 15/10/06 |
| Villa Belgiojoso Bonaparte - Milan - (France) | |
| 16/06/06 | |
| Concert du Palot | |
| Insana nocte - for harp and live computer; Spatio intermisso (temporis) - for oboe and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 28/05/06 | |
| Les Voix du Prieuré | |
| Concubia nocte - in Memoria di Luciano Berio | |
| Ensemble de Musique Interactive - Anne Delafosse Quentin - voice | |
| Eglise Saint-Laurent - Le Bourget-du-Lac - (France) | |
| 23/05/06 | |
| L’Allan - Scène Nationale de Montbéliard | |
| Spatio intermisso (temporis) - accordion version | |
| Pascal Contet - Accordion | |
| Palot - Montbéliard - (France) | |
| 10/03/06 | |
| FROMM PLAYERS AT HARVARD | |
| Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer | |
| Jennifer Ashe - soprano | |
| Paine Hall - Harvard University - Cambridge - (USA) | |
| 03/02/06 | |
| Interface | & |
| Interdit aux moins de seize ans – music performance with pomes by J.P. Balpe and live painting by J.B. Evequoz – monographic concert | 04/02/06 |
| Théâtre Intérface - Sion - (Switzerland) | & |
| 05/02/06 | |
| 08/01/06 | |
| « 1/60 » Atelier de création radiophonique | |
| Il violin a un an - electroacoustic composition | |
| Maison de la Radio - Paris - (France) | |
| 07/01/06 | |
| Multiphonie - GRM | |
| Spatio intermisso (temporis) - for oboe and live computer | |
| Christian Schmitt - oboe | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 14/12/05 | |
| Intrusions 0-2 (Ars Numerica) | |
| Etude sur Media nocte – for mezzo soprano and live computer | |
| Ensemble de Musique Interactive - Dragana Serbanovic - Voice | |
| Palot - Montbéliard - (France) | |
| 29/11/05 | |
| In-Out | to |
| La lanteur - interactive and generative sound and image installation | 02/12/05 |
| ESC - Electroacoustic Synthesis Crew | |
| Laboratoire Paragraphe – Paris8 – Saint Denis - (France) | |
| 02/11/05 | |
| Territoire polychromes 2015 | |
| …nographies - music spectacle for bass voice, 3 musicians and live computer with J.P. Balpe | |
| Nicholas Isherwood - bass voice | |
| Ensemble de Musique Interactive | |
| Theatre du Lierre - Paris - (France) | |
| 21/07/05 | |
| Festival Musique et Mémoire | & |
| Nox - monographic concert | 22/07/05 |
| Anne Delafosse Quentin and Paulin Bündgen - voice | |
| Notre-Dame du Haut (Chapelle de Ronchamps) - Ronchamps - (France) | |
| 08/07/05 | |
| Santarcangelo dei Teatri | & |
| Real Madrid - With MK dance Company | 09/07/05 |
| ESC - Electroacoustic Synthesis Crew | & |
| Teatro degli Atti - Rimini - (Italy) | 10/07/05 |
| 16/06/05 | |
| Progetto Sostanza Sonora | to |
| Sostanza sonora - With MK dance Company | 28/06/05 |
| ESC - Electroacoustic Synthesis Crew | |
| Arboreto Teatro Dimora - Mondaino - (Italy) | |
| 09/05/05 | |
| Omen - Progetto Sostanza Sonora | |
| Sostanza sonora - With MK dance Company | |
| ESC - Electroacoustic Synthesis Crew | |
| Fonderie Teatrali Limone - Torino - (Italy) | |
| 25/03/05 | |
| Réflexions | |
| 5 Réflexions pour piano – for piano and live computer | |
| Ensemble de Musique Interactive - Laurence Coeytaux - Piano | |
| Palot - Montbéliard - (France) | |
| 03/12/04 | |
| Concert du Palot | |
| Tre intermezzi - for 3 instruments and live computer; Insana nocte - for harp and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 01/12/04 | |
| Intrusions 0-1 (Ars Numerica) | to |
| La lanteur - interactive and generative sound and image installation | 22/12/04 |
| ESC - Electroacoustic Synthesis Crew | |
| Cinéma le Parvis - Montbéliard - (France) | |
| 26/11/04 | |
| Sextuor de Percussions | |
| L’instant relative - for 6 percussionists | |
| Percussionists from Montbéliard Conservatory - conductor Jacopo Baboni Schilingi | |
| Centre Culturel Mandeure - Mandeure - (France) | |
| 11/11/04 | |
| Musica Ahora | |
| Insana nocte - for harp and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Salon Pentagono de la Universidad de La Serena - La Serena - (Chile) | |
| 24/11/04 | |
| Recital for saxophone | |
| Shift-II – for baritone saxophone and live computer | |
| Ensemble de Musique Interactive - P. Bouveret - saxophone | |
| Crac 19 - Montbéliard - (France) | |
| 07/11/04 | |
| Syntono | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer; Trois profils pour alto – for viola and live computer | |
| Ensemble de Musique Interactive | |
| Cité Internationale Universitaire de Paris - Paris - (France) | |
| 01/10/04 | |
| Milano Musica | |
| Concubia nocte - in memoria di Luciano Berio for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Claudine Bounod - soprano | |
| Musica d’insieme - Milan - (Italy) | |
| 11/09/04 | |
| ENZIMI 2004 | & |
| Sostanza sonora - With MK dance Company | 12/09/04 |
| ESC - Electroacoustic Synthesis Crew | |
| Acquario Romano - Rome - (Italy) | |
| 03/08/04 | |
| 30° Festival de Estoril | |
| Il colore del Bianco – for 6 musicians | |
| Orchestrutopica - conductor Cesareo Costa | |
| Centro Cultural de Cascais - Cascais - (Portugal) | |
| 23/07/04 | |
| Musique Vocale à Silvacane | & |
| Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | 24/07/04 |
| Anne Delafosse Quentin - soprano | & |
| Abbaye de Silvacane - La Roque d'Anthéron – (France) | 25/07/04 |
| 12/06/04 | |
| Festival Mon Bel Accordeon - La caverne des sons | |
| Laptop improvisation with accordion | |
| Pascal Contet - Accordion | |
| Théâtre 71 - Malakoff - (France) | |
| 10/06/04 | |
| Concert du Palot | |
| Wide-II - for 3 musicians and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 08/06/04 | |
| Concert du Palot | |
| Deux réflexions - (I, IV) pour piano and live computer | |
| Ensemble de Musique Interactive - Laurence Coeytaux - piano | |
| Palot - Montbéliard - (France) | |
| 04/06/04 | |
| Festival AGORA | |
| Shift-II - for baritone saxophone and live computer | |
| Claude Delangle - saxophone | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 25/03/04 | |
| Dalla sintesi sonora al theremin | |
| Trois profils pour alto – for viola | |
| Maurizio Barbetti - viola | |
| Libreria Bibli - Rome - (Italy) | |
| 24/01/04 | |
| PRISMA | to |
| Venus à Gonds - Installation with Arman and T.Reut | 28/01/04 |
| Limonaia di Villa Strozzi - Tempo Reale - Florence - (Italy) | |
| 05/12/03 | |
| Concert du Palot | |
| Shift-II - for saxophone Baritone and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 06/11/03 | |
| III Festival Internacional de Musica Contemporanea de Valparaiso | |
| Wide-II for 3 instruments and live computer; Concubia nocte - in memoria di Luciano Berio - for soprano and live computer | |
| Ensemble de Musique Interactive | |
| Sala Isidora Zegers - Valparaiso - (Chile) | |
| 31/10/03 | |
| Musica Electroacustica en Tiempo Real | |
| Shift-II - for saxophone Baritone and live computer; Wide-II - for 3 instruments and live computer | |
| Ensemble de Musique Interactive/Students from Universidad de Chile | |
| Sala Isidora Zegers - Santiago del Chile - (Chile) | |
| 18/11/03 | |
| Biennale de Poesie Val de Marne | |
| …nographies - music spectacle for bass voice, 3 musicians and live computer with J.P. Balpe | |
| Nicholas Isherwood - bass voice | |
| Ensemble de Musique Interactive | |
| Theatre Molière - Paris - (France) | |
| 16/10/03 | |
| Musik Über Musik - Tage für neue Musik | |
| Reflexion pour piano; Dernière reflexion pour piano – for solo piano | |
| Laurence Coeytaux - piano | |
| Jugendzentrum - Weimar - (Germany) | |
| 13/09/03 | |
| Corps Perdus | |
| Music for theatre | |
| La compagnie de Seine et Arts - Fontainebleau - (France) | |
| 24/07/03 | |
| Musique et Mémoire | |
| Concubia nocte - in meomoria di Luciano Berio - for soprano and live computer | |
| Anne Delafosse Quentin - voice | |
| Notre-Dame du Haut (Chapelle de Ronchamps) - Ronchamps - (France) | |
| 05/06/03 | |
| JIM 10ème | |
| Shift-II - for saxophone baritone and live computer | |
| Ensemble de Musique Interactive - Philippe Bouvret - saxophone | |
| Palot - Montbéliard - (France) | |
| 08/05/03 | |
| XIV CIM | |
| Le château - for bass voice, young voice choir and live computer | |
| Nicholas Isherwood solo voice | |
| Conductor - Jacopo Baboni Schilingi | |
| La Limonaia di Villa Strozzi - Florence - (Italy) | |
| 11/04/03 | |
| Muzicki Biennale Zagreb | |
| Shift-II - for saxophone baritone and live computer | |
| Claude Delangle - saxophone | |
| Kulturni Centar Centra Kaptol - Zagreb - (Croatia) | |
| 11/03/03 | |
| PRISMA | |
| Réflexion pour piano – for piano; Trois profils pour alto for viola and live computer | |
| Ensemble de Musique Interactive | |
| Istituto Italiano di Cultura - Paris - (France) | |
| 21/02/03 | |
| Boîte à musique | |
| Wide – for 3 instruments | |
| Ensemble in extremis | |
| Istituto Italiano di Cultura - Strasbourg - (France) | |
| 28/01/03 | |
| PRISMA | |
| Réflexion pour piano – for piano | |
| Ensemble de Musique Interactive - Laurence Coeytaux - piano | |
| Limonaia di Villa Strozzi - Tempo Reale - Florence - (Italy) | |
| 28/11/02 | |
| Concert du Palot | |
| nocte Prima - for 4 instruments and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 03/11/02 | |
| Milano Musica | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Arditti String Quartet | |
| Teatro Dal Verme - Milan - (Italy) | |
| 02/09/02 | |
| Musica Electroacustica violin Musica Interactiva | |
| Shift - for clarinet and live computer; Trois profils pour alto - for viola and live computer | |
| Ensemble de Musique Interactive | |
| Sala Isidora Zegers - Santiago del Chile - (Chile) | |
| 28/08/02 | |
| II Jornadas de Composicion Contemporanea | |
| Shift - for clarinet and live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Auditorio di Alianza Fancesa - Cordoba - (Argentina) | |
| 28/08/02 | |
| Festival acusmatico violin multimedial | |
| Shift - for clarinet and live computer; Trois profils pour alto – for viola and Live computer | |
| Ensemble de Musique Interactive | |
| Auditorio di Alianza Fancesa - Buenos Aires - (Argentina) | |
| 12/12/02 | |
| Recital piano | |
| Prima sonata - for piano cembalo and live computer | |
| Anne Condamin - piano and cembalo | |
| Crac 19 - Montbéliard - (France) | |
| 03/08/02 | |
| Festival Musique et Mémoire | |
| Prima sonata - for piano cembalo and live computer | |
| Anne Condamin - piano and cembalo | |
| Centre culturel - Lure - (France) | |
| 18/06/02 | |
| L’Allan | to |
| Venus à Gonds - Installation with Arman and T.Reut | 28/06/02 |
| Hotel de Sponneck - Montbéliard - (France) | |
| 28/06/02 | |
| Concert du Palot | |
| Shift - for clarinet and live computer; Trois profils pour Alto for viola and live computer; nocte Prima - for 4 instruments and live computer | |
| Ensemble de Musique Interactive | |
| Palot - Montbéliard - (France) | |
| 10/03/02 | |
| Messa Elettronica | |
| Alleluia - for choir and live computer | |
| Vocal Ensemble Soli Tutti | |
| Chiesa di San Marco - Milano - (Italy) | |
| 05/03/02 | |
| Messa Elettronica | |
| Alleluia - for choir and live computer | |
| Vocal Ensemble Soli Tutti | |
| Teatro Dal Verme - Milano - (Italy) | |
| 08/02/02 | |
| Metapolis | |
| Metapolis - Interactive Installation by Miguel Chevalier, texts by J.P. Balpe and Music by Jacopo Baboni Schilingi | |
| MARCO - Monterrey - (Mexico) | |
| 17/11/01 | |
| Rendez-vous musique nouvelle | |
| Natura morta - for church organ and live computer | |
| Philippe Delacour – church organ | |
| Eglise St Remy - Forbach - (France) | |
| 20/09/01 | |
| Settembre Musica | |
| L’effet Fantôme - for 4 musicians | |
| Antidogma Ensemble | |
| Conservatorio Giuseppe Verdi - Turin - (Italy) | |
| 03/09/01 | |
| The International Gaudeamus Week | |
| Il colore del Rosso - for 11 musicians | |
| Nieuw Ensemble - conductor Jurjen Hempel | |
| Paradiso - Amsterdam - (Holland) | |
| 14/07/01 | |
| International Bartok Festival | |
| Crossfade - for 2 instruments | |
| Students of the International Bartok Seminar | |
| Art Gallery - Szombathely - (Hungary) | |
| 29/06/01 | |
| Concert du Palot | |
| Shift - for clarinet and live computer | |
| Ensemble de Musique Interactive - Thierry Perrout - clarinet | |
| Palot - Montbéliard - (France) | |
| 31/01/01 | |
| FOCUS! 2001: 100 years of Italian Music since Verdi | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Students form Juliard University | |
| Juliard Theater - New York - (USA) | |
| 17/12/00 | |
| Festival Interférences | |
| Shift - for clarinet and live computer | |
| Ensemble de Musique Interactive - Thierry Perrout - clarinet | |
| Tour 41 - Belfort - (France) | |
| 14/12/00 | |
| Festival Interférences | to |
| Venus à Gonds - Installation with Arman and T.Reut | 20/12/00 |
| Atria - Belfort - (France) | |
| 14/12/00 | |
| Festival Interférences | |
| Syntax Error! - For Bass voice, 18 musicians and Live computer - Monographic Concert | |
| Ensemble de Musique Interactive - conductor Jacopo Baboni Schilingi | |
| Nicholas Isherwood bass voice | |
| Atria - Belfort - (France) | |
| 07/12/00 | |
| ISEA 2000 | to |
| Venus à Gonds - Installation with Arman and T.Reut | 10/12/00 |
| Ecole de Beaux Arts de Paris - Paris - (France) | |
| 29/11/00 | |
| Quarant’anni nel 2000 | |
| Odyssèe - for bass voice and live computer | |
| Nicholas Isherwood | |
| Sala ex Chiesa di S. Marta - Rome - (Italy) | |
| 02/06/00 | |
| Musik im 21 Jahrhundert | |
| Il colore del Rosso - for 11 musicians | |
| Klangforum Wien - conductor Emilio Pomarico | |
| Funkhaus Halberg, Großer Sendessal - Saarbrücken - (Germany) | |
| 19/04/00 | |
| Schönberg Kandinsky | |
| Il colore del Blu (first string quartet) – for string quartet | |
| NewTon Ensemble | |
| Arnold Schönberg Center - Wien - (Austria) | |
| 15/04/00 | |
| BIG Torino | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Il colore del Bianco - for 6 musicians | |
| Antidogma Ensemble - conductor Yoichi Sugijama | |
| Conservatorio Giuseppe verdi - Turin - (Italy) | |
| 13/04/00 | |
| BIG Torino | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Il colore del Bianco - for 6 musicians | |
| Antidogma Ensemble - conductor Yoichi Sugijama | |
| Teatro Nicolò Barbieri - Vercelli - (Italy) | |
| 04/12/99 | |
| Attenzione Luciano Berio | |
| Il colore del Nero - Requiem in forma di Musica - for 11 musicians | |
| Collegium Novum - conductor Thomas Gartmann | |
| Kleiner Tohallesaal - Zürich - (Switzerland) | |
| 14/03/99 | |
| Aspects de Musiques d’Aujourd’hui | |
| Il colore del Blu (first string quartet) – for string quartet | |
| Ensemble Intercontemporain | |
| Grand Auditorium de Caen - Caen - (France) | |
| 10/03/99 | |
| Anomos | to |
| Daphné - generative and interactive installation - music by Jacopo Baboni Schilingi, Space conception Emanuele Quinz, Text generation A.G. Balpe | 14/03/99 |
| Museion - Bolzano (Italy) | |
| 17/12/98 | |
| I concerti di Tempo Reale | |
| Shift - for saxophone and live computer | |
| Mauro Cassinari - saxophone | |
| Sala Vanini - Florence - (Italy) | |
| 20/10/98 | |
| Milano Musica | |
| Dernière reflefion pour piano – for piano | |
| Alfonso Alberti - piano | |
| Musica d’insieme - Milan - (Italy) | |
| 30/07/98 | |
| International Bartok Festival | |
| Réflexions pour piano (I, III, V) | |
| Florian Hölscher - piano | |
| Art Gallery - Szombathely - (Hungary) | |
| 18/06/98 | |
| Nuova Consonanza - Progetto Musica | |
| Frames – for piano, Reflexion pour piano – for piano, deuxième reflefion pour piano – for piano | |
| Maria Carla Notarstefano - piano | |
| Acquario Romano - Rome - (Italy) | |
| 09/06/98 | |
| La voix des anches | |
| Frammenti per una voce accompagnata - for 3 instruments and soprano | |
| Ensemble Besozzi | |
| Marseille - (France) | |
| 17/05/98 | |
| Forum Young Composers | |
| Profils - for 3 instruments and live computer | |
| Music Information Center of the Ukraine Composers’ Union - Kiev - (Ukraina) | |
| 22/04/98 | |
| Neue italienische musikszene | |
| Il colore del Nero - Requiem in forma di Musica - for 11 musicians | |
| Ensemble dell’Orchestra Sinfonica Arturo Toscanini - Conductor Giorgio Bernasconi | |
| SFB Kleiner Sendesaal - Berlin - (Germany) | |
| 16/12/97 | |
| Progetto Musica - Inside outside the piano | |
| Reflexion pour piano – for piano | |
| Esther Fluckiger - piano | |
| Acquario Romano - Rome - (Italy) | |
| 14/11/97 | |
| Génération poétique | & |
| Trois Mythologies et un Poète aveugle - spectacle for 3 poets, 3 musicians and live computer (with j.P. Balpe) - monographic concert | 15/11/97 |
| Court Circuit Ensemble | |
| Scenography by Michel Jaffrennou | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 13/11/97 | |
| Dedalo Ensemble | |
| Il colore del Bianco - for 6 percussionists | |
| Dedalo Ensemble - conductor Vittorio Parisi | |
| Teatro Sancarlino - Brescia - (Italy) | |
| 09/11/97 | |
| Raum und Rhythmus | |
| Il colore del Bianco - for 6 percussionists | |
| Dedalo Ensemble - conductor Vittorio Parisi | |
| Künstlerhof Schreyahn - (Germany) | |
| 23/02/97 | |
| Festival PRESENCES | |
| L’instant relative - for 6 percussionists | |
| Les Pléïades - conductor Jacopo Baboni Schilingi | |
| Maison de la Radio - Salle Olivier Messiaen - Paris - (France) | |
| 13/02/97 | |
| Festival PRESENCES (en région) | |
| L’instant relative - for 6 percussionists | |
| Les Pléïades - conductor Jacopo Baboni Schilingi | |
| Le Cargo - Maison de la Culture- Grenoble - (France) | |
| 30/01/97 | |
| Rencontre France Italie | |
| Shift - for clarinet | |
| Pierre Dutrieu - clarinet | |
| CDMC - Paris - (France) | |
| 27/11/96 | |
| Festival Spaziomusica | |
| Decode - for percussion and live computer | |
| Thierry Miroglio – percussion | |
| Chiesa di Sant’Agostino - Cagliari - (Italy) | |
| 01/11/96 | |
| Festival MANCA | |
| Decode - for percussion and live computer | |
| Thierry Miroglio - percussion | |
| Auditorium Linné - Parc Phoenix - Nice - (France) | |
| 26/10/96 | |
| Comoedia - Nuit de Musique | |
| Sei frammenti sparsi per una voce sola – for soprano | |
| Marie Prost - soprano | |
| Théâtre Comoedia - Aubagne - (France) | |
| 06/10/96 | |
| Festival MUSICA | |
| Profils - for 3 instruments and live computer | |
| Elèves du Conservatoire de Strasbourg | |
| Ecole des Arts Décoratifs - Strasbourg - (France) | |
| 06/10/96 | |
| Journée des portes ouvertes | |
| A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat | |
| Ecole des Arts Décoratifs - Strasbourg - (France) | |
| 28/09/96 | |
| Voix Nouvelles | |
| Sei frammenti sparsi per una voce sola – for soprano | |
| L’Itinéraire - Marie Prost - soprano | |
| Fondation Royaumont - Royaumont - (France) | |
| 13/06/96 | |
| L’Ircam dévoile le haut | to |
| A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat | 19/06/96 |
| Studio n.4 - IRCAM - Paris - (France) | |
| 13/6/1996 (20h00) | |
| Concert d’inauguration officielle des nouveaux bâtiments - IRCAM | & |
| Profils - for 3 instruments and live computer | (16h00) |
| Court Circuit Ensemble | |
| Espace de Projection - IRCAM - Paris - (France) | |
| 13/01/96 | |
| Concert « Cursus Ircam » | |
| Profils – for 3 instruments and live computer | |
| Court Circuit Ensemble | |
| Espace de Projection – IRCAM – Paris – (France) | |
| 20/06/95 | |
| Concerto « Borsa Ferrari » | |
| Reflexion pour Piano – for piano | |
| Andrea Carnevali - piano | |
| Auditorium Lattuada - Milan - (Italy) | |
| 13/03/94 | |
| Biennale Internazionale dei Giovani Artisti dell’Europa Meridionale | |
| Shif - for saxophone | |
| Massimo Cassinari - saxophone | |
| Spazio Campus Cantiere - Milan - (Italy) | |
| 16/05/94 | |
| Seminari e Concerti | |
| Rewinds – for wind quartet | |
| Quaretto Leos | |
| Sezione di Musica Contemporanea - Milan - (Italy) | |
| 29/10/93 | |
| Incontri con la classe di composizione | |
| Shif - for saxophone | |
| Massimo Cassinari - saxophone | |
| Istituto Musicale - Livorno - (Italy) | |
| 19/05/93 | |
| Ars Musica | |
| Decode - for percussionist and live computer | |
| Marco Pezzenati – percussion | |
| Sezione di Musica Contemporanea - Milan - (Italy) | |
| 22/03/93 | |
| Ars Musica | |
| Decode - for percussionist and live computer | |
| Marco Pezzenati - percussion | |
| Maison de la Radio - Studio 1 - Bruxelles - (Belgium) | |
| 07/07/93 | |
| Roma Europa Festival | |
| Frames - for Piano solo | |
| Viviana Amodeo - piano | |
| Palazzo Falconieri - Rome - (Italy) | |
| 13/05/93 | |
| Manifestazioni musicali | |
| Decode - for solo percussionist | |
| Marco Pezzenati - percussion | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 30/10/92 | |
| Virtuosismi virtuali | |
| Shif - for saxophone and live computer | |
| Massimo Cassinari - saxophone | |
| Palazzina Liberty - Milan - (Italy) | |
| 11/10/92 | |
| Miano Poesia - Carme - Opera Prima | |
| Wide – for 3 instruments | |
| Carme ensemble | |
| Spazio Ansaldo - Milan - (Italy) | |
| 03/07/92 | |
| Concorso Alpe Adria Giovani | |
| Rewinds – for wind quartet | |
| Musicisti dell’Alpe Adria | |
| Goethe Institut - Trieste - (Italy) | |
| 16/05/92 | |
| Inaugurazione della nuova biblioteca | |
| Shif - for saxophone and live computer | |
| Massimo Cassinari | |
| Teatro Don Bosco - Carugate - (Italy) | |
| 08/05/92 | |
| Primo concorso nazionale di musica « Città di Pavia » | |
| Shif - for clarinet | |
| Sala el Rivellino - Castel Visconteo - Pavia - (Italy) | |
| 07/04/92 | |
| Manifestazioni musicali | |
| CINER | |
| Shift - for clarinet solo | |
| Alberto Giudici - clarinet | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 20/03/92 | |
| Ars Musica | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta conducted by David Searcy | |
| Maison de la Radio - Studio 1 - Bruxelles - (Belgium) | |
| 05/08/91 | |
| Dialoghi | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta – conductor Jacopo Baboni Schilingi | |
| Castello Sforzesco - Cortile della Rocchetta - Milan - (Italy) | |
| 26/05/91 | |
| Manifestazioni musicali | |
| Tre improvvisi per pianoforte – for piano, rewinds – for wind quaret, Quartetto per percussioni - for 4 percussionists | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 13/03/91 | |
| Manifestazioni musicali | |
| Quartetto per percussioni – for 4 perscussionists | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 13/12/89 | |
| Interact - Monza | |
| Dimensioni - for 11 musicians | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor by Jacopo Baboni Schilingi | |
| Teatro Litta - Milan - (Italy) | |
| 19/05/89 | |
| Manifestazioni musicali | |
| Dimensioni - for 11 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 01/06/88 | |
| Istituto Gonzaga | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium dell’Istituto Gonzaga - Milan - (Italy) | |
| 26/05/88 | |
| Manifestazioni musicali | |
| Il colore del buio - for 10 musicians | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 12/05/87 | |
| Manifestazioni musicali | |
| Musica della note - for 9 musicisti | |
| Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi | |
| Auditorium di Villa Simonetta - Milan - (Italy) | |
| 05/07/86 | |
| Ritmi nel tempo | |
| Trio – for 3 musicians | |
| Musicians from Villa Simonetta | |
| Teatro delle Erbe - Milan - (Italy) | |
| 14/05/86 | |
| Manifestazioni musicali | |
| Trio – for 3 musicians | |
| Musicians from Villa Simonetta | |
| Auditorium di Villa Simonetta - Milan - (Italy) |