Catalog

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Flute, oboe and piano

• CV scoring: Flute, oboe and piano
• Archive reference, not confirmed as a world premiere: 1987 · July 5, Concert, Ritmi nel tempo, Trio - for 3 musicians, Teatro delle Erbe, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians from Villa Simonetta; Jacopo Baboni Schilingi (conductor)
• Archived performance source: Past event linked from Quick look: July 5 1987 · CONCERT Ritmi nel tempo Trio - for 3 musicians Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi Teatro delle Erbe, Milan [Italy]
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1987 · July 5, Concert, Ritmi nel tempo, Trio - for 3 musicians, Teatro delle Erbe, Milan [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Ensemble of 10 instruments

• CV scoring: Ensemble of 10 instruments
• Archive reference, not confirmed as a world premiere: 1988 · May 26, Concert, Manifestazioni musicali, Il colore del buio - for 10 musicians, Auditorium di Villa Simonetta, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians from Villa Simonetta; Jacopo Baboni Schilingi (conductor)
• Archived performance source: Past event linked from Quick look: May 26 1988 · CONCERT Manifestazioni musicali Il colore del buio - for 10 musicians Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi Auditorium di Villa Simonetta, Milan [Italy] 1987
• The year 1954 in the SZ Sugar catalogue refers to the publisher’s cross-reference for the Il colore del buio cycle. It has not been adopted as a composition year, since it is anomalous and cannot automatically be assigned to the early work with the same title.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1988 · May 26, Concert, Manifestazioni musicali, Il colore del buio - for 10 musicians, Auditorium di Villa Simonetta, Milan [Italy]
• 1988 · June 1, Concert, Istituto Gonzaga, Il colore del buio - for 10 musicians, Auditorium dell’Istituto Gonzaga, Milan [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Ensemble of 9 instruments

• CV scoring: Ensemble of 9 instruments
• Archive reference, not confirmed as a world premiere: 1987 · May 12, Concert, Manifestazioni musicali, Musica della notte - for 9 musicians, Auditorium di Villa Simonetta, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians from Villa Simonetta; Jacopo Baboni Schilingi (conductor)
• Archived performance source: Past event linked from Quick look: May 12 1987 · CONCERT Manifestazioni musicali Musica della notte - for 9 musicians Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi Auditorium di Villa Simonetta, Milan [Italy] Back to the top ↑Select a year ↓202520242023202220212020201920182017201620152014201320122011201020092008200720062005200420032002200120001999199819971996199519941993199219911990 — No events listed198919881987
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1987 · May 12, Concert, Manifestazioni musicali, Musica della notte - for 9 musicians, Auditorium di Villa Simonetta, Milan [Italy]
• 1987 · May 14, Concert, Manifestazioni musicali, Musica della notte - for 9 musicians, Auditorium di Villa Simonetta, Milan [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Solo piano and orchestra

• CV scoring: Solo piano and orchestra
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Chamber orchestra

• CV scoring: Chamber orchestra
• Archive reference, not confirmed as a world premiere: 1989 · May 19, Concert, Manifestazioni musicali, Dimensioni - for 11 musicians, Auditorium di Villa Simonetta, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians from Villa Simonetta; Jacopo Baboni Schilingi (conductor)
• Archived performance source: Past event linked from Quick look: May 19 1989 · CONCERT Manifestazioni musicali Dimensioni - for 11 musicians Musica della notte - for 9 musicians Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi Auditorium di Villa Simonetta, Milan [Italy] 1988
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1989 · May 19, Concert, Manifestazioni musicali, Dimensioni - for 11 musicians, Auditorium di Villa Simonetta, Milan [Italy]
• 1989 · December 13, Monographic concert, Interact - Monza, Dimensioni - for 11 musicians, Teatro Litta, Milan [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Percussion quartet

• CV scoring: Percussion quartet
• Archive reference, not confirmed as a world premiere: 1991 · March 13, Concert, Manifestazioni musicali, Quartetto per percussioni - for 4 percussionists, Auditorium di Villa Simonetta, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians from Villa Simonetta; David Searcy (conductor)
• Archived performance source: Past event linked from Quick look: March 13 1991 · CONCERT Manifestazioni musicali Quartetto per percussioni - for 4 percussionists Musicians from Villa Simonetta - conductor David Searcy Auditorium di Villa Simonetta, Milan [Italy] 1990No events listed for this year. 1989
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1991 · March 13, Concert, Manifestazioni musicali, Quartetto per percussioni - for 4 percussionists, Auditorium di Villa Simonetta, Milan [Italy]
• 1991 · August 5, Concert, Dialoghi, Quartetto per percussioni - for 4 percussionists, Castello Sforzesco - Cortile della Rocchetta, Milan [Italy]
• 1992 · March 20, Concert, Festival Ars Musica, Quartetto per percussioni - for 4 percussionists, Maison de la Radio - Studio 1, Brussels [Belgium]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Wind quartet

• CV scoring: Wind quartet
• Archive reference, not confirmed as a world premiere: 1992 · July 7, Concert, Concorso Alpe Adria Giovani, Rewinds - for wind quartet, Goethe Institut, Trieste [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians of Alpe Adria
• Archived performance source: Past event linked from Quick look: July 7 1992 · CONCERT Concorso Alpe Adria Giovani  Rewinds - for wind quartet Musicians of Alpe Adria Goethe Institut, Trieste [Italy]
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1992 · July 7, Concert, Concorso Alpe Adria Giovani, Rewinds - for wind quartet, Goethe Institut, Trieste [Italy]
• 1994 · May 16, Concert, Seminari e Concerti, Rewinds - for wind quartet, Sezione di Musica Contemporanea, Milan [Italy]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 1991 · May 26, Concert, Manifestazioni musicali, Tre improvvisi per pianoforte - for piano, Auditorium di Villa Simonetta, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Musicians from Villa Simonetta are listed for the programme; the pianist is not named
• Archived performance source: Past event linked from Quick look: May 26 1991 · CONCERT Manifestazioni musicali Tre improvvisi per pianoforte - for piano Rewinds - for wind quartet Quartetto per percussioni - for 4 percussionists Musicians from Villa Simonetta - conductor Jacopo Baboni Schilingi  Auditorium di Villa Simonetta, Milan [Italy]
• Composition year: 1989, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 1991 · May 26, Concert, Manifestazioni musicali, Tre improvvisi per pianoforte - for piano, Auditorium di Villa Simonetta, Milan [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Chamber orchestra

• CV scoring: Chamber orchestra
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Bass clarinet and marimba

• CV scoring: Bass clarinet and marimba
• Archive reference, not confirmed as a world premiere: 2001 · July 14, Concert, International Bartok Festival, Crossfade - for 2 instruments, Art Gallery, Szombathely [Hungary]
• Archived performance musicians, not confirmed as premiere performers: Students of the International Bartók Seminar (individual players not named)
• Archived performance source: Past event linked from Quick look: July 14 2001 · CONCERT International Bartok Festival Crossfade - for 2 instruments Students of the International Bartok Seminar Art Gallery - Szombathely [Hungary]
• Year changed from 1991 to 1992 at the composer’s request, following the SZ Sugar catalogue. Earlier dates are retained only for historical comparison of sources.
• SZ Sugar catalogue supplied by the composer: 1992; publication numbers 10533. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 10533.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — date comparison: The publisher and IRCAM give 1992; the CV used for this catalogue gives 1991. The composer subsequently requested that 1992 be adopted.
• SZ Sugar — publisher’s entry: Editions 10533. Year and instrumentation checked against the publisher.

• 2001 · July 14, Concert, International Bartok Festival, Crossfade - for 2 instruments, Art Gallery, Szombathely [Hungary]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: 2 violins, viola, cello and piano

• CV scoring: 2 violins, viola, cello and piano
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Year changed from 1989 to 1992 at the composer’s request, following the SZ Sugar catalogue. Earlier dates are retained only for historical comparison of sources.
• SZ Sugar catalogue supplied by the composer: 1992; publication numbers 10466, 10467. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 10466, 10467.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — instrumentation: Instrumentation confirmed by the publisher’s catalogue.
• IRCAM — Quintetto: IRCAM: 1990; CV: 1989; SZ Sugar: 1992. The composer requested that the publisher’s date, 1992, be adopted.
• SZ Sugar — publisher’s entry: Editions 10466, 10467. Year and instrumentation checked against the publisher.

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Saxophone and live electronics

• CV scoring: Saxophone and live electronics
• Archive reference, not confirmed as a world premiere: 1992 · April 7, Concert, Manifestazioni musicali, Shift - for clarinet solo, Auditorium di Villa Simonetta, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Alberto Giudici (clarinet)
• Archived performance source: Past event linked from Quick look: April 7 1992 · CONCERT Manifestazioni musicali Shift - for clarinet solo Alberto Giudici - clarinet Auditorium di Villa Simonetta, Milan [Italy]
• SZ Sugar catalogue supplied by the composer: 1992; publication numbers 10478, 11121. Different publication numbers for the same work do not create duplicate entries.
• Separate dates for the Shift versions: tenor saxophone and optional live electronics, 1992; B-flat clarinet, 1996. Information supplied by the composer from the SZ Sugar catalogue.
• SZ Sugar publication numbers: 10478.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: The tenor saxophone version was premiered in Milano on 30 October 1992 by Mauro Cassinari. The clarinet version is a separate work.
• SZ Sugar — publisher’s entry: Editions 10478. Year and instrumentation checked against the publisher.

• 1992 · April 7, Concert, Manifestazioni musicali, Shift - for clarinet solo, Auditorium di Villa Simonetta, Milan [Italy]
• 1992 · May 8, Concert, Primo concorso nazionale di musica « Città di Pavia », Shift - for clarinet, Sala del Rivellino - Castel Visconteo, Pavia [Italy]
• 1992 · May 10, Concert, Inaugurazione della nuova biblioteca, Shift - for saxophone and live computer, Teatro Don Bosco, Carugate [Italy]
• 1992 · October 30, Concert, Virtuosismi virtuali, Shift - for saxophone and live computer, Palazzina Liberty, Milan [Italy]
• 1993 · October 29, Concert, Incontri con la classe di composizione, Shif - for saxophone, Istituto Musicale, Livorno [Italy]
• 1994 · March 13, Concert, Biennale Internazionale dei Giovani Artisti dell’Europa Meridionale, Shif - for saxophone, Spazio Campus Cantiere, Milan [Italy]
• 1997 · January 30, Concert, Rencontre France Italie, Shift - for clarinet, CDMC, Paris [France]
• 1998 · December 17, Concert, I concerti di Tempo Reale, Shift - for saxophone and live computer, Sala Vanini, Florence [Italy]
• 2000 · December 17, Concert, Festival Interférences, Shift - for clarinet and live computer, Tour 41, Belfort [France]
• 2001 · June 29, Concert, Concert du Palot, Shift - for clarinet and live computer, Palot, Montbéliard [France]

First performance explicitly identified by the cited web source

CV FR 2018: Flute, bass clarinet, piano

• CV scoring: Flute, bass clarinet, piano
• Archive reference, not confirmed as a world premiere: 1992 · October 11, Concert, Milano Poesia - Carme - Opera Prima, Wide - for 3 instruments, Spazio Ansaldo, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Carme Ensemble
• Archived performance source: Past event linked from Quick look: October 11 1992 · CONCERT Milano Poesia - Carme - Opera Prima  Wide - for 3 instruments Carme ensemble Spazio Ansaldo, Milan [Italy]
• SZ Sugar catalogue supplied by the composer: 1992; publication numbers 10464, 10465. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 10464, 10465.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 10464, 10465. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 1992 · October 11, Concert, Milano Poesia - Carme - Opera Prima, Wide - for 3 instruments, Spazio Ansaldo, Milan [Italy]
• 2003 · February 21, Concert, Boîte à musique, Wide - for 3 instruments, Istituto Italiano di Cultura, Strasbourg [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Solo piano

• CV scoring: Solo piano
• Archive reference, not confirmed as a world premiere: 1993 · July 7, Concert, Roma Europa Festival, Frames - for Piano solo, Palazzo Falconieri, Rome [Italy]
• Archived performance musicians, not confirmed as premiere performers: Viviana Amodeo (piano)
• Archived performance source: Past event linked from Quick look: July 7 1993 · CONCERT Roma Europa Festival Frames - for Piano solo Viviana Amodeo - piano Palazzo Falconieri, Rome [Italy]
• Performance confirmed by the composer: Frames, Viviana Amodeo on piano, Wednesday 7 July 1993, Palazzo Falconieri, Romaeuropa Festival. This information documents a performance without explicitly identifying it as the world premiere.
• The third edition of the series «Incontri-concerto: comporre oggi in Europa», devised by Ada Gentile and devoted to young Italian composers. The event «Incontro con Jacopo Baboni Schilingi, Mauro Montalbetti, Giovanni Bietti» featured the composers presenting and discussing their works.
• Palazzo Falconieri, home of the Accademia d’Ungheria, made available by its director, Prof. János Kelemen. Presenter: Cristina Cimagalli.
• Performers for the whole evening: Viviana Amodeo and Giovanni Bietti, piano; Quartetto di fiati Echos with additional strings. Viviana Amodeo is specifically identified as the performer of Frames; the other musicians are not assigned to this work.
• The series concluded «Nuovi spazi musicali»; the programme also included an Italy–Austria round table at the Istituto Austriaco di Cultura on 8 July. Context supplied by the composer.
• SZ Sugar catalogue supplied by the composer: 1993; publication numbers 10613. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 10613.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — work entry: Duration: 9 minutes; composed in 1993 for solo piano. No first performance is listed.
• SZ Sugar — publisher’s entry: Editions 10613. Year and instrumentation checked against the publisher.

• 1993 · July 7, Concert, Roma Europa Festival, Frames - for Piano solo, Palazzo Falconieri, Rome [Italy]
• 1998 · June 18, Concert, Nuova Consonanza - Progetto Musica, Frames - for piano, Acquario Romano, Rome [Italy]

First performance explicitly identified by the cited web source

CV FR 2018: Oboe, clarinet, percussion and tape

• CV scoring: Oboe, clarinet, percussion and tape
• Archive reference, not confirmed as a world premiere: 1996 · January 13, Concert, Concert « Cursus Ircam », Profils - for 3 instruments and live computer, Espace de Projection - IRCAM, Paris [France]
• Archived performance musicians, not confirmed as premiere performers: Court Circuit Ensemble
• Archived performance source: Past event linked from Quick look: January 13 1996 · CONCERT Concert « Cursus Ircam » Profils - for 3 instruments and live computer Court Circuit Ensemble Espace de Projection - IRCAM, Paris [France] 1995
• SZ Sugar catalogue supplied by the composer: 1995; publication numbers 10982, 10983. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 10982, 10983.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — Profils: Composed in 1995; duration: 7 minutes; dedicated to Marcella Favretto. The entry distinguishes tape from later documentation of performances with computer.
• SZ Sugar — publisher’s entry: Editions 10982, 10983. Year and instrumentation checked against the publisher.
• Performer source: https://ressources.ircam.fr/en/work/profils

• 1996 · January 13, Concert, Concert « Cursus Ircam », Profils - for 3 instruments and live computer, Espace de Projection - IRCAM, Paris [France]
• 1996 · June 13 - 19h00, Concert, Concert d’inauguration officielle des nouveaux bâtiments - IRCAM, Profils - for 3 instruments and live computer, Espace de Projection, IRCAM, Paris [France]
• 1996 · June 13 - 11h00, Concert, Concert d’inauguration officielle des nouveaux bâtiments - IRCAM, Profils - for 3 instruments and live computer, Espace de Projection - IRCAM, Paris [France]
• 1996 · October 6, Concert, Festival MUSICA, Profils - for 3 instruments and live computer, Ecole des Arts Décoratifs, Strasbourg [France]
• 1996 · November 13, Concert, Festival MUSICA PRESENTE, Profils - for 3 instruments and live computer, Teatro Studio, Milan [Italy]
• 1998 · May 17, Concert, Forum Young Composers, Profils - for 3 instruments and live computer, Music Information Center of the Ukraine Composers’ Union, Kyiv [Ukraine]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Title / commission listed in the relevant CV section.

• Archive reference, not confirmed as a world premiere: 1995 · June 20, Concert, Concerto « Borsa Ferrari », Reflexion pour Piano - for piano, Auditorium Lattuada, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Andrea Carnevali (piano; first archived Réflexion performance)
• Archived performance source: Past event linked from Quick look: June 20 1995 · CONCERT Concerto « Borsa Ferrari » Reflexion pour Piano - for piano Andrea Carnevali - piano Auditorium Lattuada, Milan [Italy] 1994
• SZ Sugar catalogue supplied by the composer: 1995; publication numbers 10924. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 10924.
• The other Réflexions now have separate entries, identified by their respective publication numbers. Historical references to the cycle remain in the notes.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — work entry: The first Réflexion dates from 1995, lasts 5 minutes and is dedicated to Marcella. These details should not be extended to the other works in the cycle mentioned in the notes.
• SZ Sugar — publisher’s entry: Editions 10924. Year and instrumentation checked against the publisher.

• 1995 · June 20, Concert, Concerto « Borsa Ferrari », Reflexion pour Piano - for piano, Auditorium Lattuada, Milan [Italy]
• 1997 · December 16, Concert, Progetto Musica - Inside outside the piano, Reflexion pour piano - for piano, Acquario Romano, Rome [Italy]
• 1998 · July 30, Concert, Milano Musica, Réflexions pour piano (I, III, V), Art Gallery, Szombathely [Hungary]
• 1998 · October 20, Concert, Milano Musica, Dernière réflexion pour piano - for piano, Musica d’insieme, Milan [Italy]
• 2003 · October 10, Concert, Musik Über Musik - Tage für neue Musik, Reflexion pour piano, Jugendzentrum, Weimar [Germany]
• 2004 · June 8, Concert, Concert du Palot, Deux réflexions - (I, IV) pour piano and live computer, Palot, Montbéliard [France]
• 2005 · March 25, Monographic concert, Réflexions, 5 Réflexions pour piano - for piano and live computer, Studio des 3 oranges, Audincourt [France]
• 2013 · November 2, Concert, Chamber Music Festival - 2013, Cinq Réflexion pour piano - for piano and live computer, Central Conservatory of Music, Beijing [China]
• 2015 · June 21, Concert, Réflexions pour piano - for piano and live computer, Abrons Arts Center - Playhouse Theater, New York [USA]
• 2015 · June 23, Concert, Réflexions pour piano - for piano and live computer, IBEAM, New York [USA]
• 2016 · June 15, Concert, International Festival - Intimate and to be shared, substantially, Réflexions pour piano (I, V) - for piano and live computer, HAW Hamburg Finkenau Produktionslabor, Hamburg [Germany]
• 2019 · January 15, Concert, Cinquième réflexion pour piano (1998), Piano - Alfonso Alberti, Galleria di Arte Moderna, Milan [Italy]

World premiere to be identified among earlier performances by Marco Pezzenati; Nizza, 1 November 1996, was not the premiere

CV FR 2018: Percussionist and live electronics

• Date discrepancy: CV lists 1996, but Quick look records an event in 1993. To confirm.
• CV scoring: Percussionist and live electronics
• Archive reference, not confirmed as a world premiere: 1993 · March 22, Concert, Festival Ars Musica, Decode - for percussionist and live computer, Maison de la Radio - Studio 1, Brussels [Belgium]
• Archived performance musicians, not confirmed as premiere performers: Marco Pezzenati (percussion)
• Archived performance source: Past event linked from Quick look: March 22 1993 · CONCERT Festival Ars Musica Decode - for percussionist and live computer Marco Pezzenati - percussion Maison de la Radio - Studio 1, Brussels [Belgium] 1992
• Details confirmed by the composer: Decode (1996), for percussionist and optional live electronics; publisher: Suvini Zerboni; duration: 7 minutes.
• 1 November 1996: Thierry Miroglio, Auditorium Linné, Parc Phoenix, Nizza, Festival MANCA, organised by CIRM – Centre International de Recherche Musicale. Website entry no. 34. This performance was NOT the world premiere.
• 27 November 1996: Thierry Miroglio, Festival Spaziomusica, Chiesa di Sant’Agostino, Cagliari. Website entry no. 36.
• Earlier performances by Marco Pezzenati: Manifestazioni musicali, Auditorium di Villa Simonetta, Milano (entry no. 18); Festival Ars Musica, Maison de la Radio, Studio 1, Bruxelles (entry no. 20); AGON, Sezione di Musica Contemporanea, Milano. References supplied by the composer. The exact date and venue of the world premiere among these earlier events remain to be confirmed.
• SZ Sugar catalogue supplied by the composer: 1996; publication numbers 11122. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 11122.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — work entry: Duration: 7 minutes; percussionist with optional live electronics, composed in 1996. No first performance is listed.
• SZ Sugar — publisher’s entry: Editions 11122. Year and instrumentation checked against the publisher.

• 1993 · March 22, Concert, Festival Ars Musica, Decode - for percussionist and live computer, Maison de la Radio - Studio 1, Brussels [Belgium]
• 1993 · May 13, Concert, Manifestazioni musicali, Decode - for percussionist and live computer, Auditorium di Villa Simonetta, Milan [Italy]
• 1993 · May 19, Concert, S.M.C. - AGON, Decode - for percussionist and live computer, Sezione di Musica Contemporanea, Milan [Italy]
• 1996 · November 1, Concert, Festival MANCA, Decode - for percussion and live computer, Auditorium Linné - Parc Phoenix, Nice [France]
• 1996 · November 27, Concert, Festival Spaziomusica, Decode - for percussion and live computer, Chiesa di Sant’Agostino, Cagliari [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Six percussionists

• CV scoring: Six percussionists
• Archive reference, not confirmed as a world premiere: 1997 · February 13, Concert, Festival PRESENCES, L’instant relatif - for 6 percussionists, Le Cargo - Maison de la Culture, Grenoble [France]
• Archived performance musicians, not confirmed as premiere performers: Les Pléïades; Jacopo Baboni Schilingi (conductor)
• Archived performance source: Past event linked from Quick look: February 13 1997 · CONCERT Festival PRESENCES L’instant relatif - for 6 percussionists Les Pléïades - conductor Jacopo Baboni Schilingi  Le Cargo - Maison de la Culture, Grenoble [France]
• Year changed from 1997 to 1996 at the composer’s request, following the SZ Sugar catalogue. Earlier dates are retained only for historical comparison of sources.
• SZ Sugar catalogue supplied by the composer: 1996; publication numbers 11144, 11145. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 11144, 11145.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: The catalogue gives Paris, 23 February 1997; the archive records Grenoble, 13 February. The premiere remains to be clarified.
• SZ Sugar — publisher’s entry: Editions 11144, 11145. Year and instrumentation checked against the publisher.

• 1997 · February 13, Concert, Festival PRESENCES, L’instant relatif - for 6 percussionists, Le Cargo - Maison de la Culture, Grenoble [France]
• 1997 · February 23, Concert, Festival PRESENCES, L’instant relatif - for 6 percussionists, Salle Olivier Messiaen - Maison de la Radio, Paris [France]
• 2004 · November 26, Concert, Sextuor de Percussions, L’instant relatif - for 6 percussionists, Centre Culturel Mandeure, Mandeure [France]

First performance explicitly identified by the cited web source

CV FR 2018: Solo soprano · Texts by Jacopo Baboni Schilingi

• Date discrepancy: CV lists 1997, but Quick look records an event in 1996. To confirm.
• CV scoring: Solo soprano · Texts by Jacopo Baboni Schilingi
• Archive reference, not confirmed as a world premiere: 1996 · September 28, Concert, Voix Nouvelles, Sei frammenti sparsi per una voce sola - for soprano, Fondation Royaumont, Royaumont [France]
• Archived performance musicians, not confirmed as premiere performers: Marie Prost (soprano); L’Itinéraire named in the programme
• Archived performance source: Past event linked from Quick look: September 28 1996 · CONCERT Voix Nouvelles Sei frammenti sparsi per una voce sola - for soprano L’Itinéraire - Marie Prost - soprano  Fondation Royaumont, Royaumont [France] June 13 to 19 1996 · INSTALLATION L’Ircam dévoile le haut A.I.M.T.R. - Interactive and generative installation architecture and music - with P.L. Copat Music by Jacopo Baboni Schilingi  Studio n.4, IRCAM, Paris [France] June 13 - 19h00 1996 · CONCERT Concert d’inauguration officielle des nouveaux bâtiments - IRCAM Profils - for 3 instruments and live computer Court Circuit Ensemble Espace de Projection, IRCAM, Paris [France]
• Year changed from 1997 to 1996 at the composer’s request, following the SZ Sugar catalogue. Earlier dates are retained only for historical comparison of sources.
• SZ Sugar catalogue supplied by the composer: 1996; publication numbers 11146. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 11146.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — Sei frammenti: Duration: 3 minutes. IRCAM and the publisher date the composition to 1996, while the CV used for this catalogue gives 1997. The composer subsequently requested that 1996 be adopted.
• SZ Sugar — publisher’s entry: Editions 11146. Year and instrumentation checked against the publisher.
• Performer source: https://brahms4.ircam.fr/fr/work/sei-frammenti-sparsi-per-una-voce-sola

• 1996 · September 28, Concert, Voix Nouvelles, Sei frammenti sparsi per una voce sola - for soprano, Fondation Royaumont, Royaumont [France]
• 1996 · October 26, Concert, Comoedia - Nuit de Musique, Sei frammenti sparsi per una voce sola - for soprano, Théâtre Comoedia, Aubagne [France]

• SZ Sugar publication numbers: 11121.
• Separate clarinet version; the premiere date and performer of the saxophone version have not been transferred automatically.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 11121. Year and instrumentation checked against the publisher.

First performance explicitly identified by the cited web source

CV FR 2018: Flute, clarinet, piano, violin, viola, cello

• CV scoring: Flute, clarinet, piano, violin, viola, cello
• Archive reference, not confirmed as a world premiere: 1997 · November 9, Concert, Raum und Rhythmus, Il colore del Bianco - for 6 musicians, Künstlerhof Schreyahn, Schreyahn [Germany]
• Archived performance musicians, not confirmed as premiere performers: Dedalo Ensemble; Vittorio Parisi (conductor)
• Archived performance source: Past event linked from Quick look: November 9 1997 · CONCERT Raum und Rhythmus Il colore del Bianco - for 6 musicians Dedalo Ensemble - conductor Vittorio Parisi  Künstlerhof Schreyahn, Schreyahn [Germany]
• SZ Sugar catalogue supplied by the composer: 1997; publication numbers 11279, 11290. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 11279, 11290.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — instrumentation: Instrumentation confirmed by the publisher’s catalogue.
• SZ Sugar — instrumentation comparison: Reference instrumentation: flute, clarinet, piano, violin, viola and cello. The text already edited by the composer has been retained.
• SZ Sugar — publisher’s entry: Editions 11279, 11290. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 1997 · November 9, Concert, Raum und Rhythmus, Il colore del Bianco - for 6 musicians, Künstlerhof Schreyahn, Schreyahn [Germany]
• 1997 · November 13, Concert, Sulle ali del Novecento, Il colore del Bianco - for 6 musicians, Teatro Sancarlino, Brescia [Italy]
• 2004 · August 3, Concert, 30° Festival de Estoril, Il colore del Bianco - for 6 musicians, Centro Cultural de Cascais, Cascais [Portugal]

• SZ Sugar publication numbers: 12591.
• Work separated from the previous combined Réflexions entry; year and instrumentation from the publisher’s current catalogue.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 12591. Year and instrumentation checked against the publisher.

First performance explicitly identified by the cited web source

CV FR 2018: Texts by Jean-Pierre Balpe · Poetry / music performance · Soprano, piano, percussion

• CV scoring: Texts by Jean-Pierre Balpe · Poetry / music performance · Soprano, piano, percussion
• Poetry/music stage work included in this concert catalogue at the composer’s request. Text generator: Jean-Pierre Balpe; scenography: Michel Jaffrennou. Individual performers and commissioning body remain to be completed.
• Archive reference, not confirmed as a world premiere: 1997 · November 14, Monographic concert, Génération poétique, Trois Mythologies et un Poète aveugle - spectacle for 3 poets, 3 musicians and live computer, Espace de Projection - IRCAM, Paris [France]
• Archived performance musicians, not confirmed as premiere performers: Court Circuit Ensemble; individual performers and poets not named in the archive
• Archived performance source: Past events, 14 November 1997: Génération poétique; Trois Mythologies et un Poète aveugle; Court Circuit Ensemble; Espace de Projection - IRCAM, Paris [France]. Text generator by Jean-Pierre Balpe; scenography by Michel Jaffrennou.
• SZ Sugar catalogue supplied by the composer: 1997; publication numbers 11280, 11281. Different publication numbers for the same work do not create duplicate entries.
• SZ Sugar publication numbers: 11280, 11281.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — Trois mythologies: Duration: 70 minutes. The entry names the three musicians and three poets individually; commissioned by IRCAM and the Biennale Internationale des Poètes en Val-de-Marne.
• SZ Sugar — publisher’s entry: Editions 11280, 11281. Year and instrumentation checked against the publisher.
• Performer source: https://brahms.ircam.fr/en/works/work/6590/

• 1997 · November 14, Monographic concert, Génération poétique, Trois Mythologies et un Poète aveugle - spectacle for 3 poets, 3 musicians and live computer, Espace de Projection - IRCAM, Paris [France]
• 1997 · November 15, Monographic concert, Génération poétique, Trois Mythologies et un Poète aveugle - spectacle for 3 poets, 3 musicians and live computer, Espace de Projection - IRCAM, Paris [France]

• SZ Sugar publication numbers: 11371.
• Work separated from the previous combined Réflexions entry; year and instrumentation from the publisher’s current catalogue.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 11371. Year and instrumentation checked against the publisher.

First performance explicitly identified by the cited web source

CV FR 2018: Soprano, 2 oboes, bassoon

• CV scoring: Soprano, 2 oboes, bassoon
• Archive reference, not confirmed as a world premiere: 1998 · June 9, Concert, La voix des anches, Frammenti per una voce accompagnata - for 3 instruments and soprano, Théâtre La Criée, Marseille [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble Besozzi
• Archived performance source: Past event linked from Quick look: June 9 1998 · CONCERT La voix des anches Frammenti per una voce accompagnata - for 3 instruments and soprano Ensemble Besozzi  Théâtre La Criée, Marseille [France]
• SZ Sugar publication numbers: 11372.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — instrumentation: Instrumentation confirmed by the publisher’s catalogue.
• SZ Sugar — instrumentation comparison: Reference instrumentation: soprano, 2 oboes and bassoon; text by the composer. The text already edited by the composer has been retained.
• SZ Sugar — publisher’s entry: Editions 11372. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 1998 · June 9, Concert, La voix des anches, Frammenti per una voce accompagnata - for 3 instruments and soprano, Théâtre La Criée, Marseille [France]

First performance explicitly identified by the cited web source

CV FR 2018: Flute, oboe, clarinet, bassoon, piano, percussion, 2 violins, viola, cello, double bass

• CV scoring: Flute, oboe, clarinet, bassoon, piano, percussion, 2 violins, viola, cello, double bass
• Archive reference, not confirmed as a world premiere: 1998 · April 22, Concert, Neue italienische musikszene, Il colore del Nero - Requiem in forma di Musica - for 11 musicians, SFB Kleiner Sendesaal, Berlin [Germany]
• Archived performance musicians, not confirmed as premiere performers: Ensemble of the Orchestra Sinfonica Arturo Toscanini; Giorgio Bernasconi (conductor)
• Archived performance source: Past event linked from Quick look: April 22 1998 · CONCERT Neue italienische musikszene Il colore del Nero - Requiem in forma di Musica - for 11 musicians  Ensemble of the Orchestra Sinfonica Arturo Toscanini - Conductor Giorgio Bernasconi SFB Kleiner Sendesaal, Berlin [Germany] 1997
• SZ Sugar publication numbers: 11308, 11309.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — work entry: IRCAM confirms composition in 1998, a duration of 8 minutes and a dedication to Anne-Gaëlle.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 11308, 11309. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 1998 · April 22, Concert, Neue italienische musikszene, Il colore del Nero - Requiem in forma di Musica - for 11 musicians, SFB Kleiner Sendesaal, Berlin [Germany]
• 1999 · December 4, Concert, Attenzione Luciano Berio, Il colore del Nero - Requiem in forma di Musica - for 11 musicians, Kleiner Tonhallesaal, Zurich [Switzerland]

First performance explicitly identified by the cited web source

CV FR 2018: String quartet

• CV scoring: String quartet
• Archive reference, not confirmed as a world premiere: 1999 · March 14, Concert, Aspects de Musiques d’Aujourd’hui, Il colore del Blu (first string quartet) - for string quartet, Grand Auditorium de Caen, Caen [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble Intercontemporain
• Archived performance source: Past event linked from Quick look: March 14 1999 · CONCERT Aspects de Musiques d’Aujourd’hui Il colore del Blu (first string quartet) - for string quartet Ensemble Intercontemporain  Grand Auditorium de Caen, Caen [France]
• SZ Sugar publication numbers: 11501, 11502.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 11501, 11502. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 1999 · March 14, Concert, Aspects de Musiques d’Aujourd’hui, Il colore del Blu (first string quartet) - for string quartet, Grand Auditorium de Caen, Caen [France]
• 2000 · April 13, Concert, BIG Torino, Il colore del Blu (first string quartet), Teatro Nicolò Barbieri, Vercelli [Italy]
• 2000 · April 15, Concert, BIG Torino, Il colore del Blu (first string quartet), Conservatorio Giuseppe Verdi, Turin [Italy]
• 2000 · May 25, Concert, Schönberg Kandinsky, Il colore del Blu (first string quartet), NewTon Ensemble Arnold Schönberg Center, Vienna [Austria]
• 2001 · January 31, Concert, FOCUS! 2001: 100 years of Italian Music since Verdi, Il colore del Blu (first string quartet) - for string quartet, Juilliard Theater, New York [USA]
• 2002 · November 3, Concert, Milano Musica, Il colore del Blu (first string quartet) - for string quartet, Teatro Dal Verme, Milan [Italy]

First performance explicitly identified by the cited web source

CV FR 2018: Flute, oboe, clarinet, bassoon, piano, percussion, 2 violins, viola, cello, double bass

• CV scoring: Flute, oboe, clarinet, bassoon, piano, percussion, 2 violins, viola, cello, double bass
• Archive reference, not confirmed as a world premiere: 2000 · June 2, Concert, Musik im 21 Jahrhundert, Il colore del Rosso - for 11 musicians, Funkhaus Halberg, Großer Sendesaal, Saarbrücken [Germany]
• Archived performance musicians, not confirmed as premiere performers: Klangforum Wien; Emilio Pomarico (conductor)
• Archived performance source: Past event linked from Quick look: June 2 2000 · CONCERT Musik im 21 Jahrhundert Il colore del Rosso - for 11 musicians Klangforum Wien - conductor Emilio Pomarico Funkhaus Halberg, Großer Sendesaal, Saarbrücken [Germany]
• SZ Sugar publication numbers: 11692, 11693.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — instrumentation: Instrumentation confirmed by the publisher’s catalogue.
• SZ Sugar — instrumentation comparison: Reference instrumentation: flute, oboe, clarinet, bassoon, percussion, piano, 2 violins, viola, cello and double bass. The text already edited by the composer has been retained.
• SZ Sugar — publisher’s entry: Editions 11692, 11693. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 2000 · June 2, Concert, Musik im 21 Jahrhundert, Il colore del Rosso - for 11 musicians, Funkhaus Halberg, Großer Sendesaal, Saarbrücken [Germany]
• 2001 · September 3, Concert, The International Gaudeamus Week, Il colore del Rosso - for 11 musicians, Paradiso, Amsterdam [Netherlands]
• 2009 · December 12, Monographic concert, DE LA MODERNITÉ À LA CONTEMPORANÉITÉ, Il colore del Rosso - for 11 musicians, Palot, Montbéliard [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Solo bass voice and live electronics · Texts by Jean-Pierre Balpe

• CV scoring: Solo bass voice and live electronics · Texts by Jean-Pierre Balpe
• Archive reference, not confirmed as a world premiere: 2000 · November 29, Concert, Quarant’anni nel 2000, Odyssèe - for bass voice and live computer, Sala ex Chiesa di S. Marta, Rome [Italy]
• Archived performance musicians, not confirmed as premiere performers: Nicholas Isherwood (bass voice)
• Archived performance source: Past event linked from Quick look: November 29 2000 · CONCERT Quarant’anni nel 2000 Odyssèe - for bass voice and live computer Nicholas Isherwood bass voice Sala ex Chiesa di S. Marta, Rome [Italy]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Federazione CEMAT — competition and concert: CEMAT confirms the project as the winner of the 2000 competition, its scoring for bass voice and live electronic processing, and the concert on 29 November 2000 at 21:00, Sala Ex Chiesa di Santa Marta, Roma. Produced by CRM – Centro Ricerche Musicali. This summary is insufficient to establish world-premiere status.

• 2000 · November 29, Concert, Quarant’anni nel 2000, Odyssèe - for bass voice and live computer, Sala ex Chiesa di S. Marta, Rome [Italy]

• SZ Sugar publication numbers: 11772, 11773.
• Music and poetry work included because it appears in the publisher’s catalogue. No installation has been added.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 11772, 11773. Year and instrumentation checked against the publisher.

• SZ Sugar publication numbers: 11679.
• Work separated from the previous combined Réflexions entry; year and instrumentation from the publisher’s current catalogue.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 11679. Year and instrumentation checked against the publisher.

First performance explicitly identified by the cited web source

CV FR 2018: Violin, viola, cello, piano

• CV scoring: Violin, viola, cello, piano
• Archive reference, not confirmed as a world premiere: 2001 · September 20, Concert, Settembre Musica, L’effet Fantôme - for 4 musicians, Conservatorio Giuseppe Verdi, Turin [Italy]
• Archived performance musicians, not confirmed as premiere performers: Antidogma Ensemble
• Archived performance source: Past event linked from Quick look: September 20 2001 · CONCERT Settembre Musica L’effet Fantôme - for 4 musicians Antidogma Ensemble Conservatorio Giuseppe Verdi - Turin [Italy]
• SZ Sugar publication numbers: 11877.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 11877. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 2001 · September 20, Concert, Settembre Musica, L’effet Fantôme - for 4 musicians, Conservatorio Giuseppe Verdi, Turin [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Organ and electronics

• CV scoring: Organ and electronics
• Archive reference, not confirmed as a world premiere: 2001 · November 11, Concert, Rendez-vous musique nouvelle, Natura morta - for church organ and live computer, Eglise St Remy, Forbach [France]
• Archived performance musicians, not confirmed as premiere performers: Philippe Delacour (organ)
• Archived performance source: Past event linked from Quick look: November 11 2001 · CONCERT Rendez-vous musique nouvelle Natura morta - for church organ and live computer Philippe Delacour - church organ  Eglise St Remy - Forbach [France]
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2001 · November 11, Concert, Rendez-vous musique nouvelle, Natura morta - for church organ and live computer, Eglise St Remy, Forbach [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Solo choir, amateur choir and electronics

• CV scoring: Solo choir, amateur choir and electronics
• Archive reference, not confirmed as a world premiere: 2002 · March 5, Concert, Messa Elettronica, Alleluia - for choir and live computer, Teatro Dal Verme, Milan [Italy]
• Archived performance musicians, not confirmed as premiere performers: Vocal Ensemble Soli Tutti
• Archived performance source: Past event linked from Quick look: March 5 2002 · CONCERT Messa Elettronica Alleluia - for choir and live computer Vocal Ensemble Soli Tutti  Teatro Dal Verme, Milan [Italy]
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2002 · March 5, Concert, Messa Elettronica, Alleluia - for choir and live computer, Teatro Dal Verme, Milan [Italy]
• 2002 · March 10, Concert, Messa Elettronica, Alleluia - for choir and live computer, Chiesa di San Marco, Milan [Italy]

Information updated by the composer

CV FR 2018: Flute, clarinet, bassoon and live electronics

• CV scoring: Flute, clarinet, bassoon and live electronics
• Previous local title: Prima nocte — wind trio. Corrected according to edition 12194: four wind instruments, including a second clarinet. The version with voices and harp remains separate.
• SZ Sugar publication numbers: 12194.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — wind version: Nocte prima is catalogued for flute, two clarinets, bassoon and computer: four wind instruments rather than three. The entry already edited by the composer has been retained pending confirmation.
• SZ Sugar — publisher’s entry: Editions 12194. Year and instrumentation checked against the publisher.

First performance explicitly identified by the cited web source

CV FR 2018: Piano, harpsichord and electronics

• CV scoring: Piano, harpsichord and electronics
• Archive reference, not confirmed as a world premiere: 2002 · August 3, Concert, Recital piano, Prima sonata - for piano cembalo and live computer, Centre culturel, Lure [France]
• Archived performance musicians, not confirmed as premiere performers: Anne Condamin (piano and harpsichord)
• Archived performance source: Past event linked from Quick look: August 3 2002 · CONCERT Recital piano Prima sonata - for piano cembalo and live computer Anne Condamin - piano and cembalo  Centre culturel, Lure [France]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Musique et Mémoire — premieres: Premiere explicitly listed by the festival, in collaboration with the École nationale de Musique du Pays de Montbéliard.
• Performer source: https://musetmemoire.com/commandesmusicales/

• 2002 · August 3, Concert, Recital piano, Prima sonata - for piano cembalo and live computer, Centre culturel, Lure [France]
• 2002 · December 12, Concert, Recital piano, Prima sonata - for piano cembalo and live computer, Crac 19, Montbéliard [France]

First performance explicitly identified by the cited web source

CV FR 2018: Viola and live electronics

• CV scoring: Viola and live electronics
• Archive reference, not confirmed as a world premiere: 2003 · March 11, Concert, PRISMA, Trois profils pour alto for viola and live computer - Claire Saillard, Istituto Italiano di Cultura, Paris [France]
• Archived performance musicians, not confirmed as premiere performers: Claire Saillard (viola); Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: March 11 2003 · CONCERT PRISMA Réflexion pour piano - for piano - Laurence Coeytaux - piano Trois profils pour alto for viola and live computer - Claire Saillard Ensemble de Musique Interactive Istituto Italiano di Cultura, Paris [France]
• SZ Sugar publication numbers: 12195.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 12195. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 2003 · March 11, Concert, PRISMA, Trois profils pour alto for viola and live computer - Claire Saillard, Istituto Italiano di Cultura, Paris [France]
• 2004 · March 3, Concert, Dalla sintesi sonora al theremin, Trois profils pour alto - for viola, Libreria Bibli, Rome [Italy]
• 2004 · November 7, Concert, Syntono, Trois profils pour alto - for viola and live computer - Françoise Tempermann, Cité Internationale Universitaire de Paris, Paris [France]
• 2008 · October 31, Concert, Trois profils pour alto - for Viola and live computer, Wide-II - for 3 musicians and live computer, Concert Hall, Hefei [China]
• 2008 · November 2, Concert, Trois profils pour alto - for Viola and live computer, Le Château-II - for 4 voices, choir and live computer, Concert Hall, Anqing [China]

First performance explicitly identified by the cited web source

CV FR 2018: Soprano and live electronics

• CV scoring: Soprano and live electronics
• Archive reference, not confirmed as a world premiere: 2003 · July 24, Concert, Festival Musique et Mémoire, Concubia nocte - in memoria di Luciano Berio, Notre-Dame du Haut (Chapelle de Ronchamps), Ronchamp [France]
• Archived performance musicians, not confirmed as premiere performers: Anne Delafosse Quentin
• Archived performance source: Past event linked from Quick look: July 24 2003 · CONCERT Festival Musique et Mémoire Concubia nocte - in memoria di Luciano Berio  Anne Delafosse Quentin and Paulin Bündgen - voice  Notre-Dame du Haut (Chapelle de Ronchamps), Ronchamp [France]
• SZ Sugar publication numbers: 12459.
• Edition 12459 specifies mezzo-soprano. The festival source describes the premiere with Anne Delafosse-Quentin; subsequent two-voice versions remain documented in the notes.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Musique et Mémoire — premieres: Premiere explicitly listed by the festival, in collaboration with the École nationale de Musique du Pays de Montbéliard.
• IRCAM — version comparison: IRCAM describes a 2003–2015 version for two female voices, based on Ecclesiastes, with Bounazou and Saint-Cirel. This does not replace the details of the 2003 solo-voice premiere verified in the festival archive.
• SZ Sugar — publisher’s entry: Editions 12459. Year and instrumentation checked against the publisher.
• Performer source: https://musetmemoire.com/commandesmusicales/

• 2003 · July 24, Concert, Festival Musique et Mémoire, Concubia nocte - in memoria di Luciano Berio, Notre-Dame du Haut (Chapelle de Ronchamps), Ronchamp [France]
• 2004 · July 23, Concert, Musique Vocale à Silvacane, Concubia nocte - in Memoria di Luciano Berio - Anne Delafosse Quentin - voice, Abbaye de Silvacane, La Roque-d’Anthéron [France]
• 2004 · July 24, Concert, Musique Vocale à Silvacane, Concubia nocte - in Memoria di Luciano Berio - Anne Delafosse Quentin - voice, Abbaye de Silvacane, La Roque-d’Anthéron [France]
• 2004 · July 25, Concert, Musique Vocale à Silvacane, Concubia nocte - in Memoria di Luciano Berio - Anne Delafosse Quentin - voice, Abbaye de Silvacane, La Roque-d’Anthéron [France]
• 2006 · May 28, Concert, Les Voix du Prieuré, Concubia nocte - in Memoria di Luciano Berio, Eglise Saint-Laurent, Le Bourget-du-Lac [France]
• 2006 · October 3, Concert, FROMM PLAYERS AT HARVARD, Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer, Paine Hall - Harvard University, Cambridge [USA]
• 2008 · October 29, Concert, Le Château-II - for 4 voices, choir and live computer, Concubia nocte - in memoria di Luciano Berio - for soprano and live computer, Opera of Anhui, Anhui [China]
• 2009 · October 20, Concert, Electronic Music Week 2009, Concubia nocte - in memoria of Luciano Berio - for soprano and live computer, HeLuTing Concert Hall, Shanghai [China]
• 2011 · March 30, Concert, MID-DAY RECITAL, Concubia nocte - in memoria di Luciano Berio for soprano and live computer, Eva Clare Hall, Winnipeg [Canada]
• 2012 · April 7, Concert, Artiste en Résidence, Concubia nocte - in Memoria di Luciano Berio - for soprano and live computer, Saline Royale, Arc-et-Senans [France]
• 2015 · November 20, Monographic concert, Festival Why note, Concubia nocte - in memoria di Luciano Berio - for soprano and live computer - Annabelle Bayet (soprano), Le Consortium, Dijon [France]
• 2017 · January 28, Monographic concert, Decode-II - Clément Gérard (Percussions), Media nocte and Concubia Nocte - Axelle Saint-Cirel (mezzo-soprano), Le MOLOCO, Audincourt [France]

First performance explicitly identified by the cited web source

CV FR 2018: Bass voice and women’s choir

• CV scoring: Bass voice and women’s choir
• Archive reference, not confirmed as a world premiere: 2003 · May 8, Concert, XIV CIM, Le château - for bass voice, young voice choir and live computer, La Limonaia di Villa Strozzi, Florence [Italy]
• Archived performance musicians, not confirmed as premiere performers: Nicholas Isherwood (solo voice); Ensemble vocale Tempus Floridum; Joan Yakkey (choir conductor); Jacopo Baboni Schilingi (conductor)
• Archived performance source: Past event linked from Quick look: May 8 2003 · CONCERT XIV CIM Le château - for bass voice, young voice choir and live computer Nicholas Isherwood solo voice Ensemble vocale Tempus Floridum - conductor Joan Yakkey Conductor - Jacopo Baboni Schilingi La Limonaia di Villa Strozzi, Florence [Italy]
• SZ Sugar publication numbers: 12197.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 12197. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 2003 · May 8, Concert, XIV CIM, Le château - for bass voice, young voice choir and live computer, La Limonaia di Villa Strozzi, Florence [Italy]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Trombone and live electronics

• CV scoring: Trombone and live electronics
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Reference for the …nographie cycle supplied by the composer: 21 November 2003, Biennale de Poésie Val-de-Marne, Théâtre Molière, Parigi; Ensemble de Musique Interactive, with Jean-Pierre Balpe. The archived programme names the cycle but does not list the individual works separately. The CV gives 2003 for this composition.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2003 · November 21, Monographic concert, Biennale de Poesie Val de Marne, ...nographie - music for spectacle for bass voice, 3 musicians and live computer with J.P. Balpe, Théâtre Molière, Paris [France]

First performance explicitly identified by the cited web source

CV FR 2018: Baritone saxophone and live electronics

• Date discrepancy: CV lists 2003, but Quick look records an event in 2002. To confirm.
• CV scoring: Baritone saxophone and live electronics
• Archive reference, not confirmed as a world premiere: 2002 · June 28, Concert, Concert du Palot, Shift-II - for clarinet and live computer, Palot, Montbéliard [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble de Musique Interactive (clarinettist not individually named)
• Archived performance source: Past event linked from Quick look: June 28 2002 · CONCERT Concert du Palot Shift-II - for clarinet and live computer Nocte prima - for 4 instruments and live computer Trois profils pour alto - for viola and live computer Ensemble de Musique Interactive Palot, Montbéliard [France]
• SZ Sugar publication numbers: 12196, 12609.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: Date and performers from the publisher’s catalogue.
• SZ Sugar — publisher’s entry: Editions 12196, 12609. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

• 2002 · June 28, Concert, Concert du Palot, Shift-II - for clarinette and live computer, Palot, Montbéliard [France]
• 2002 · August 28, Concert, Festival acusmatico violin multimedial, Shift-II - for clarinette and live computer, Auditorio di Alianza Francesa, Buenos Aires [Argentina]
• 2002 · August 30, Concert, II Jornadas de Composicion Contemporanea, Shift-II - for clarinette and live computer, Auditorio di Alianza Francesa, Córdoba [Argentina]
• 2002 · September 2, Concert, Musica Electroacustica y Musica Interactiva, Shift-II - for clarinette and live computer, Isidora Zegers, Santiago [Chile]
• 2002 · November 11, Concert, Concert du Palot, Shift-II - for clarinette and live computer, Palot, Montbéliard [France]
• 2003 · April 11, Concert, Muzicki Biennale Zagreb, Shift-II - for saxophone baritone and live computer, Kulturni Centar Centra Kaptol, Zagreb [Croatia]
• 2003 · June 5, Concert, JIM 10ème, Shift-II - for saxophone baritone and live computer, Palot, Montbéliard [France]
• 2003 · December 5, Concert, Concert du Palot, Shift-II - for saxophone Baritone and live computer - Philippe Bouveret, Palot, Montbéliard [France]
• 2004 · June 4, Concert, Festival AGORA, Shift-II - for baritone saxophone and live computer, Espace de Projection - IRCAM, Paris [France]
• 2004 · November 24, Concert, Recital for saxophone, Shift-II - for baritone saxophone and live computer, Crac 19, Montbéliard [France]
• 2017 · May 5, Concert, Shift-II for saxophone and live computer, Saxophone - Davy Basquin, Festival aCROSS - Vitry sur Seine, Vitry-sur-Seine [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Tuba and live electronics

• CV scoring: Tuba and live electronics
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Reference for the …nographie cycle supplied by the composer: 21 November 2003, Biennale de Poésie Val-de-Marne, Théâtre Molière, Parigi; Ensemble de Musique Interactive, with Jean-Pierre Balpe. The archived programme names the cycle but does not list the individual works separately. The CV gives 2003 for this composition.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2003 · November 21, Monographic concert, Biennale de Poesie Val de Marne, ...nographie - music for spectacle for bass voice, 3 musicians and live computer with J.P. Balpe, Théâtre Molière, Paris [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Baritone saxophone, tuba and trombone

• CV scoring: Baritone saxophone, tuba and trombone
• Archive reference, not confirmed as a world premiere: 2004 · December 3, Concert, Concert du Palot, Tre intermezzi - for 3 instruments and live computer, Palot, Montbéliard [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: December 3 2004 · CONCERT Concert du Palot Tre intermezzi - for 3 instruments and live computer Insana nocte - for harp and live computer Ensemble de Musique Interactive Palot, Montbéliard [France]
• Reference for the …nographie cycle supplied by the composer: 21 November 2003, Biennale de Poésie Val-de-Marne, Théâtre Molière, Parigi; Ensemble de Musique Interactive, with Jean-Pierre Balpe. The archived programme names the cycle but does not list the individual works separately. The CV gives 2003 for this composition.
• SZ Sugar publication numbers: 12588.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Suvini Zerboni — 2014 catalogue: 18 November 2003, Théâtre Molière: P. Bouveret, M. Naegelen, L. Zemp. This differs from 21 November in the cycle archive; premiere to be confirmed.
• SZ Sugar — publisher’s entry: Editions 12588. Year and instrumentation checked against the publisher.

• 2004 · December 3, Concert, Concert du Palot, Tre intermezzi - for 3 instruments and live computer, Palot, Montbéliard [France]
• 2003 · November 21, Monographic concert, Biennale de Poesie Val de Marne, ...nographie - music for spectacle for bass voice, 3 musicians and live computer with J.P. Balpe, Théâtre Molière, Paris [France]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2003 · October 31, Concert, Musica Electroacustica en Tiempo Real, Wide-II for 3 instruments and live computer, Isidora Zegers, Santiago [Chile]
• Archived performance musicians, not confirmed as premiere performers: Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: October 31 2003 · CONCERT Musica Electroacustica en Tiempo Real Wide-II for 3 instruments and live computer Shift-II - for saxophone Baritone and live computer Ensemble de Musique Interactive Isidora Zegers, Santiago [Chile]
• Details supplied by the composer: Wide-II derives from Wide (1992), for flute, bass clarinet and piano, published by Suvini Zerboni, duration: 7 minutes. The specific instrumentation and duration of Wide are not automatically assigned to version II.
• Valparaíso: III Festival Internacional de Música Contemporánea de Valparaíso; Aula Mayor IBC, Edificio Isabel Brown Caces, Pontificia Universidad Católica de Valparaíso, Avenida Brasil 2241. Ensemble de Musique Interactive. Reported programme: Wide-II and Concubia nocte – in memoria di Luciano Berio, the latter with Claudine Bunod (soprano).
• Santiago del Cile: Música Electroacústica en Tiempo Real, Sala Isidora Zegers, Universidad de Chile. Ensemble de Musique Interactive. Reported programme: Wide-II and Shift-II for baritone saxophone and live computer.
• Possible Wide-II performers suggested in the supplied summary: Anne Nardin and Thierry Perrout, only if the scoring retains flute and clarinet. These names are unconfirmed and have not been entered as confirmed performers. Claudine Bunod relates to Concubia nocte rather than Wide-II.
• Dating to be clarified: the supplied summary suggests 2006 for the third edition, counting backwards from the 21st in 2024. The local archive instead gives 31 October 2003 in Santiago and 6 November 2003 in Valparaíso. The festival’s annual numbering is not considered sufficient evidence to replace these dates. The composer subsequently confirmed 2003 as the composition year; the world premiere remains to be confirmed.
• Composition year: 2003, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2003 · October 31, Concert, Musica Electroacustica en Tiempo Real, Wide-II for 3 instruments and live computer, Isidora Zegers, Santiago [Chile]
• 2003 · November 6, Concert, III Festival Internacional de Musica Contemporanea de Valparaiso, Wide-II for 3 instruments and live computer, Aula mayor IBC, Valparaíso [Chile]
• 2004 · June 10, Concert, Concert du Palot, Wide-II - for 3 musicians and live computer, Palot, Montbéliard [France]
• 2008 · October 28, Concert, Decode-II - for percussion and live computer, Wide-II - for 3 musicians and live computer, Opera of Anhui, Anhui [China]
• 2008 · October 31, Concert, Trois profils pour alto - for Viola and live computer, Wide-II - for 3 musicians and live computer, Concert Hall, Hefei [China]

• SZ Sugar publication numbers: 12587.
• Work separated from the previous combined Réflexions entry; year and instrumentation from the publisher’s current catalogue.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 12587. Year and instrumentation checked against the publisher.

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Harp and live electronics

• CV scoring: Harp and live electronics
• Archive reference, not confirmed as a world premiere: 2004 · November 11, Concert, Musica Ahora, Insana nocte - for harp and live computer, Salon Pentagono de la Universidad de La Serena, La Serena [Chile]
• Archived performance musicians, not confirmed as premiere performers: Ensemble de Musique Interactive (harpist not individually named)
• Archived performance source: Past event linked from Quick look: November 11 2004 · CONCERT Musica Ahora Insana nocte - for harp and live computer Concubia nocte - in memoria di Luciano Berio - for soprano and Live computer Trois profils pour alto - for viola and Live computer Ensemble de Musique Interactive Salon Pentagono de la Universidad de La Serena, La Serena [Chile]
• Date comparison: the publisher’s catalogue gives 2005; the previous local date was 2004.
• SZ Sugar publication numbers: 12613.
• Year in the current SZ Sugar edition: 2005. Performances in 2004 are documented and IRCAM dates the composition to 2004. The publication date of 2005 is used here without changing the performance dates.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — work entry: IRCAM lists a 2004 premiere, Pascale Delabrosse Monneret on harp and a duration of 14′25″. It names the Conservatoire de Musique de Montbéliard as commissioner, differing from the existing entry; retained as a discrepancy.
• SZ Sugar — publisher’s entry: Editions 12613. Year and instrumentation checked against the publisher.

• 2004 · November 11, Concert, Musica Ahora, Insana nocte - for harp and live computer, Salon Pentagono de la Universidad de La Serena, La Serena [Chile]
• 2006 · June 16, Concert, Concert du Palot, Insana nocte - for harp and live computer - Pascale Delabrosse, Palot, Montbéliard [France]
• 2007 · March 27, Concert, Festival Voce 2007, Insana nocte - for harp and live computer - Pascale Delabrosse, Palot, Montbéliard [France]
• 2007 · December 5, Monographic concert, Musique Interactive, Insana nocte - for harp and live computer - Pascale Delabrosse - harpe, Istituto Italiano di Cultura, Paris [France]
• 2018 · May 27, Concert, Insana nocte - for harp and live computer, Harp - Stéphanie Manzo, Alba Music Festival - Chiesa di San Giuseppe, Alba [Italy]
• 2020 · January 24, Concert, Insana nocte - for harp and live computer, Stéphanie Manzo - harpe, Le CRAC 109, Montbéliard [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Oboe and live electronics

• CV scoring: Oboe and live electronics
• Archive reference, not confirmed as a world premiere: 2006 · January 7, Concert, Multiphonie - GRM, Spatio intermisso (temporis) - for oboe and live computer - Christian Schmitt, Maison de la Radio - Salle Olivier Messiaen, Paris [France]
• Archived performance musicians, not confirmed as premiere performers: Christian Schmitt (oboe)
• Archived performance source: Past event linked from Quick look: January 7 2006 · CONCERT  Multiphonie - GRM Spatio intermisso (temporis) - for oboe and live computer - Christian Schmitt  Maison de la Radio - Salle Olivier Messiaen, Paris [France] 2005
• The soprano saxophone version now has a separate entry. The accordion reference belongs to Spatio intermisso-II, rather than the oboe edition.
• SZ Sugar publication numbers: 12801, 12802.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• IRCAM — work entry: IRCAM names INA-GRM as commissioner and Christian Schmitt, oboe, as the premiere performer. The entry concerns the oboe version rather than the saxophone or accordion versions.
• SZ Sugar — publisher’s entry: Editions 12801, 12802. Year and instrumentation checked against the publisher.

• 2006 · January 7, Concert, Multiphonie - GRM, Spatio intermisso (temporis) - for oboe and live computer - Christian Schmitt, Maison de la Radio - Salle Olivier Messiaen, Paris [France]
• 2006 · May 23, Concert, L’Allan - Scène Nationale de Montbéliard, Spatio intermisso (temporis) - accordion version, Palot, Montbéliard [France]
• 2006 · October 29, Concert, Xème Congres de l’Association Française du Hautbois, Spatio intermisso (temporis) - for oboe and live computer - Christian Schmitt, Auditorium Daniel Dechico, Bayonne [France]
• 2007 · July 7, Concert, Nuit Bleue - 2007, Spatio intermisso (temporis) - for oboe and live computer - Christian Schmitt, Saline Royale, Arc-et-Senans [France]
• 2007 · November 11, Concert, Festival MANCA, Spatio intermisso (temporis) - accordion version, Théâtre de la Photographie et de l’Image, Nice [France]
• 2008 · February 21, Concert, Guest Artists Recital, Spatio intermisso (temporis) - for oboe and live computer, Jessen Auditorium - University of Texas, Austin [USA]
• 2009 · June 26, Concert, Multiphonie GRM, Spatio intermisso (temporis) - Christian Schmitt, Salle Olivier Messiaen - Maison de la Radio, Paris [France]
• 2011 · July 24, Concert, Schubertiades des Nancyphonies, Spatio intermisso (temporis) - for oboe and live computer, Auditorium du Conservatoire de Nancy, Nancy [France]
• 2011 · September 26, Concert, PRISMA 2001/2011, Spatio intermisso (temporis) - for saxophone and live computer, MPAA - Auditorium Saint Germain, Paris [France]
• 2011 · December 11, Concert, La creation musicale : tout un programme !, Spatio intermisso (temporis) - for saxophone and live computer - Philippe Bouveret, Opéra Comique, Paris [France]
• 2012 · March 24, Concert, Festival Ghost in the instrument (in collaboration with Columbia University), Spatio intermisso (temporis) - for oboe and live computer, Miller Theatre, New York [USA]
• 2016 · May 21, Concert, Festival Architectures et Géographies Imaginaires, Spatio intermisso (temporis) - for saxophone and live computer and Decode-ii - for percussion and Live computer, Saline Royale, Arc-et-Senans [France]
• 2018 · November 9, Concert, Spatio intermisso (temporis) for soprano saxophone and live computer, Saxophone - Joël Versavaud, GMEM, Marseille [France]
• 2019 · January 24, Concert, Spatio intermisso (temporis)-II for accordion and live computer, Accordion - Ambre Vouillermoz, Conservatoire national supérieur de musique et de danse de Paris, Paris [France]
• 2020 · January 26, Concert, Spatio Intermisso (temporis) for saxophone & live-computer, During A DATE WITH WIND, Le Pic-Télémaque, Marseille [France]
• 2023 · August 19, Concert, Spatio intermisso [temporis], Accademia Chigiana, Siena [Italy]

• SZ Sugar publication numbers: 12833.
• The publisher gives 2005 for the soprano saxophone version; the premiere date of the oboe version has not been transferred.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — publisher’s entry: Editions 12833. Year and instrumentation checked against the publisher.

First performance explicitly identified by the cited web source

CV FR 2018: Two voices (mezzo-soprano, haute-contre) and live electronics

• CV scoring: Two voices (mezzo-soprano, haute-contre) and live electronics
• Correction by the composer: there was no concert in Pechino in 2005 with Tamara Bounazou and Axelle Saint-Cirel. The archive documents a concert on 24 October 2014 at the Central Conservatory of Music in Pechino with these performers and the Ensemble de Musique Interactive. This event does not establish the world premiere. Its date, venue and performers remain to be completed.
• The two local entries for Ultima nocte have been merged, retaining the commission, notes, cycles and performance references. General Nox programmes are not automatically assigned to Ultima nocte alone.
• SZ Sugar publication numbers: 12799, 12800.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• Musique et Mémoire — Ultima nocte: The festival confirms the premiere for soprano, haute-contre and electronics on 21–22 July 2005 with Anne Delafosse-Quentin and Paulin Bündgen. The version of the Nox cycle with Bounazou and Saint-Cirel documented by IRCAM instead covers 2003–2015; the two are not equated.
• SZ Sugar — publisher’s entry: Editions 12799, 12800. Year and instrumentation checked against the publisher.
• Performer source: https://musetmemoire.com/commandesmusicales/

• 2014 · October 24, Concert, Ultima Nocte - for two voices and live computer, Central Conservatory of Music, Beijing [China]
• 2005 · July 21, Monographic concert, Festival Musique et Mémoire, Nox, Notre-Dame du Haut (Chapelle de Ronchamps), Ronchamp [France]
• 2005 · July 22, Monographic concert, Festival Musique et Mémoire, Nox, Notre-Dame du Haut (Chapelle de Ronchamps), Ronchamp [France]
• 2008 · March 19, Monographic concert, Musique Interactive, Nox for 2 voices and live computer, Théâtre Bacchus, Besançon [France]
• 2011 · September 24, Monographic concert, 64° Festival International de musique, NOX, Magic Mirror, Besançon [France]
• 2014 · October 26, Monographic concert, Nox - for two voices and live computer, Conservatory of Music Wuhan, Wuhan [China]
• 2014 · December 10, Monographic concert, Nox - for two voices and live computer, Eglise Saint-Séverin, Paris [France]
• 2015 · February 2, Monographic concert, Nox - for two voices and live computer, Espace Multimedia Gantner, Bourogne [France]
• 2015 · May 25, Monographic concert, ALBA MUSIC FESTIVAL, Nox - for two voices and live computer, Chiesa della Maddalena, Alba [Italy]
• 2015 · July 25, Monographic concert, Festival - Eclat de Caromb, Nox - for two voices and live computer, Eglise St Maurice, Caromb [France]
• 2015 · October 7, Monographic concert, Nox - for two voices and live computer, Le Musée de l'Aventure Peugeot, Sochaux [France]
• 2015 · October 15, Monographic concert, Nox - for two voices and live computer, Yishu 8, Beijing [China]
• 2015 · October 17, Monographic concert, Nox - for two voices and live computer, La Plantation, Beijing [China]
• 2015 · October 18, Monographic concert, Nox - for two voices and live computer, La Plantation, Beijing [China]
• 2015 · October 19, Monographic concert, Nox - for two voices and live computer, HeLuTing Concert Hall, Shanghai [China]
• 2015 · October 26, Monographic concert, Nox - for two voices and live computer, Sala Gianni Agnelli - Gae Aulenti, Tokyo [Japan]
• 2015 · December 3, Monographic concert, Nox - for two voices and live computer, Spectrum, New York [USA]
• 2015 · December 9, Monographic concert, Nox - for two voices and live computer, Paine Hall - Harvard University, Cambridge [USA]
• 2016 · June 18, Monographic concert, International Festival - Foto di note, Nox - for two voices and live computer, Casa Delle Arti, Cernusco sul Naviglio [Italy]
• 2019 · October 2, Monographic concert, NOX - for two singers and live computer, Soprano - Tamara Nur Bounazou, Mezzosoprano - Séraphine Cortez, Istituto Italiano di Cultura, Brussels [Belgium]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Symphony orchestra

• CV scoring: Symphony orchestra
• Anima-Phoenix (2010 archive): orchestra, string quartet and live computer. Relationship to orchestral Anima (CV 2006) requires confirmation.
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2008 · November 9, Concert, Festival NOVELUM, Disparition - electroacoustic music, Odyssud, Blagnac [France]
• Electroacoustic composition: the nature of the work was confirmed by the composer.
• Composition year: 2006, confirmed by the composer.
• Text: Yannick Liron. Radio work and electroacoustic composition (information supplied by the composer).
• 2006 commission: ACR according to the INA entry; Radio France, Les Ateliers de Création Radiophonique, according to the IRCAM catalogue (references supplied by the composer).
• Award: Special Mention, Prix Italia 2006, held in Venezia, according to the INA information supplied by the composer. Venezia was the award venue, rather than a documented world-premiere venue.
• Full duration: 19 minutes and 26 seconds, according to the IRCAM catalogue cited by the composer. The 5 minutes and 55 seconds in the INA entry refer only to an excerpt.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Premiere performer information supplied by the composer.

• 2014 · December 11, Concert, Disparition - electroacoustic composition, Hydra - Harvard University, Paine Hall - Harvard University, Cambridge [USA]
• 2013 · May 19, Concert, Disparition - Electroacoustic music, Centre Chorégraphique National, Belfort [France]
• 2011 · June 15, Concert, Musique électro/mixte au tour de l’œuvre de J. Baboni Schilingi, Disparition - electroacoustic music, Auditorium, Grand Chalon [France]
• 2010 · October 7, Concert, Nuit Bleue - 2010, Disparition, Saline Royale, Arc-et-Senans [France]
• 2008 · November 9, Concert, Festival NOVELUM, Disparition - electroacoustic music, Odyssud, Blagnac [France]

First performance listed in the historical Suvini Zerboni catalogue

• The current SZ Sugar catalogue gives 2006 and publication number 12805. The historical 2014 catalogue, p. 32, lists instrumentation, duration and first performance. The venue name and commissioner are not documented in the sources consulted.
• SZ Sugar publication numbers: 12805.
• Web review, 3 November 2026: Compared with the complete SZ Sugar catalogue; publication numbers verified.
• SZ Sugar — Il colore del giallo: Year: 2006; publication number: 12805.
• Suvini Zerboni — 2014 catalogue, p. 32: Premiere, instrumentation and duration listed by the publisher.
• SZ Sugar — publisher’s entry: Editions 12805. Year and instrumentation checked against the publisher.
• Performer source: https://paperzz.com/doc/5263836/download---hal-leonard-mgb-srl

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Percussion and live electronics

• CV scoring: Percussion and live electronics
• Archive reference, not confirmed as a world premiere: 2008 · March 26, Concert, Festival Voce 2008, Decode-II - for percussion and live computer, Foyer municipal, Audincourt [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble Contraste is listed for the programme; the percussionist is not individually named
• Archived performance source: Past event linked from Quick look: March 26 2008 · CONCERT Festival Voce 2008 Decode-II - for percussion and live computer Le Château-II - for 4 voices, choir and live computer Ensemble Contraste/Chœur de la post-maîtrise de Montbéliard  Foyer municipal, Audincourt [France]
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2008 · March 26, Concert, Festival Voce 2008, Decode-II - for percussion and live computer, Foyer municipal, Audincourt [France]
• 2008 · June 13, Concert, Concert du Palot, Decode-II - for percussion and live computer, Palot, Montbéliard [France]
• 2008 · September 19, Concert, Concert d’Ouverture - au Coeur du son, Decode-II - for percussion and live computer, Hall de PMA, Montbéliard [France]
• 2008 · October 28, Concert, Decode-II - for percussion and live computer, Wide-II - for 3 musicians and live computer, Opera of Anhui, Anhui [China]
• 2009 · January 24, Monographic concert, Association Art Metz, Decode-II - for percussionist and live computer, Château du Pont d’Oye, Habay [Belgium]
• 2009 · March 21, Monographic concert, Les Alchimies Electroniques, Decode-II - for percussionist and live computer, Espace BARBARA, Paris [France]
• 2009 · May 5, Monographic concert, Maestri italiani, Decode-II - for percussionist and live computer, Italienska Kulturinstitutet, Stockholm [Sweden]
• 2009 · October 22, Concert, Electronic Music Week 2009, DECODE-II for percussion and live computer, HeLuTing Concert Hall, Shanghai [China]
• 2011 · April 15, Concert, FESTIVAL IMPETUS, Decode-II - for percussion and live computer (version for 5 percussionists), Le Moloco, Audincourt [France]
• 2011 · October 13, Concert, Electronic Music Week - 2011, Decode-II - for percussion and live computer, HeLuTing Concert Hall, Shanghai [China]
• 2012 · March 2, Concert, Festival Ghost in the instrument (in collaboration with Columbia University), Decode-II - for percussion and live computer - Bertrand Monneret, Prentis Hall, New York [USA]
• 2012 · March 2, Concert, Festival Ghost in the instrument (in collaboration with Columbia University), Decode-II - for percussion and live computer - Bertrand Monneret, Prentis Hall, New York [USA]
• 2015 · May 10, Concert, Decode-II - for percussion and live computer, Evangelisches Gemeindezentrum Grünwald, Munich [Germany]
• 2015 · November 6, Concert, Salzburg Contemporary Music, Decode-II - for percussion and live computer, SZENE Salzburg, Salzburg [Austria]
• 2016 · May 21, Concert, Festival Architectures et Géographies Imaginaires, Spatio intermisso (temporis) - for saxophone and live computer and Decode-ii - for percussion and Live computer, Saline Royale, Arc-et-Senans [France]
• 2017 · January 28, Monographic concert, Decode-II - Clément Gérard (Percussions), Media nocte and Concubia Nocte - Axelle Saint-Cirel (mezzo-soprano), Le MOLOCO, Audincourt [France]
• 2018 · October 30, Concert, Decode-II - for percussions and live computer, Percussionist - Tim Roth, Eva Clare Hall, Winnipeg [Canada]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Haute-contre voice and live electronics

• Date discrepancy: CV lists 2007, but Quick look records an event in 2005. To confirm.
• CV scoring: Haute-contre voice and live electronics
• Archive reference, not confirmed as a world premiere: 2017 · January 28, Monographic concert, Decode-II - Clément Gérard (Percussion), Media nocte and Concubia Nocte - Axelle Saint-Cirel (mezzo-soprano), Le MOLOCO, Audincourt [France]
• Archived performance musicians, not confirmed as premiere performers: Axelle Saint-Cirel (mezzo-soprano; named for Media nocte and Concubia nocte in the programme)
• Archived performance source: Quick look 28 January 2017: January 28, Monographic concert, Decode-II - Clément Gérard (Percussion), Media nocte and Concubia Nocte - Axelle Saint-Cirel (mezzo-soprano), Le MOLOCO, Audincourt [France]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• IRCAM — version comparison: IRCAM describes a 2003–2015 version for two female voices and electronics, rather than the solo haute-contre voice in the CV. Performers and dates have not been transferred automatically between versions.

• 2017 · January 28, Monographic concert, Decode-II - Clément Gérard (Percussions), Media nocte and Concubia Nocte - Axelle Saint-Cirel (mezzo-soprano), Le MOLOCO, Audincourt [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Two voices (mezzo-soprano, haute-contre), harp and live electronics

• CV scoring: Two voices (mezzo-soprano, haute-contre), harp and live electronics
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• IRCAM — version comparison: IRCAM describes the first part of Nox, 2003–2015, for two female voices and electronics. The CV entry also includes harp; the relationship between versions remains to be confirmed.

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2005 · December 14, Concert, Intrusions 0-2 (Ars Numerica), Etude sur Media nocte - for mezzo soprano and live computer, Palot, Montbéliard [France]
• Archived performance musicians, not confirmed as premiere performers: Dragana Serbanovic (voice); Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: December 14 2005 · CONCERT  Intrusions 0-2 (Ars Numerica) Etude sur Media nocte - for mezzo soprano and live computer Ensemble de Musique Interactive - Dragana Serbanovic - Voice Palot, Montbéliard [France]
• Year 2007 confirmed by the composer. Archived performance dates remain separate from the year of the work.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2005 · December 14, Concert, Intrusions 0-2 (Ars Numerica), Etude sur Media nocte - for mezzo soprano and live computer, Palot, Montbéliard [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Children’s choir, 4 solo voices and live electronics

• CV scoring: Children’s choir, 4 solo voices and live electronics
• Archive reference, not confirmed as a world premiere: 2008 · October 29, Concert, Le Château-II - for 4 voices, choir and live computer, Concubia nocte - in memoria di Luciano Berio - for soprano and live computer, Opera of Anhui, Anhui [China]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• MPAA — 2010 brochure: The MPAA brochure specifies girls’ choir, four solo voices and live computer, commissioned by Festival Voce in 2007. It distinguishes the commission year from the 2010 performance.

• 2008 · October 29, Concert, Le Château-II - for 4 voices, choir and live computer, Concubia nocte - in memoria di Luciano Berio - for soprano and live computer, Opera of Anhui, Anhui [China]
• 2008 · November 2, Concert, Trois profils pour alto - for Viola and live computer, Le Château-II - for 4 voices, choir and live computer, Concert Hall, Anqing [China]
• 2010 · March 3, Concert, Créer ce que l’on joue?, Le Château-II - for 4 voices, choir and live computer, MPAA - Auditorium Saint Germain, Paris [France]
• 2018 · January 19, Concert, Le Château-II - Saison Numérique, Choir of Post-Maitrise du Conservatoire de Montbéliard, Musée de l'Aventure Peugeot, Sochaux [France]
• 2018 · January 20, Concert, Le Château-II - Saison Numérique, Choir of Post-Maitrise du Conservatoire de Montbéliard, Conservatoire de Pontarlier, Pontarlier [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Bass flute and live electronics

• CV scoring: Bass flute and live electronics
• Archive reference, not confirmed as a world premiere: 2008 · June 13, Concert, Récital pour flute, Quasi un silenzio - for flute and live computer, Crac 19, Montbéliard [France]
• Archived performance musicians, not confirmed as premiere performers: Anne Nardin (flute); Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: June 13 2008 · CONCERT Récital pour flute Quasi un silenzio - for flute and live computer   Ensemble de Musique Interactive - Anne Nardin - flute Crac 19, Montbéliard [France]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• IRCAM — work entry: Commissioner: 19 Centre Régional d’Art Contemporain; premiere performer: Anne Nardin, flute. IRCAM dates the composition to 2007; the CV gives 2008. The existing year has been retained pending clarification.

• 2008 · June 13, Concert, Récital pour flûte, Quasi un silenzio - for flute and live computer, Crac 19, Montbéliard [France]
• 2011 · September 22, Concert, RECITAL FOR FLUTE, Quasi un silenzio - for flute and live computer, Musée du château des Ducs de Wurtemberg, Montbéliard [France]
• 2014 · April 3, Concert, Concert for flute and live computer, Quasi un silenzio - for flute and live computer, Espace Multimedia Gantner, Bourogne [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Choir and live electronics

• CV scoring: Choir and live electronics
• Archive reference, not confirmed as a world premiere: 2010 · January 28, Concert, L’Allan - Scène Nationale de Montbéliard, Après disparition - for 8 soloist voices, choir and live computer, Théâtre de la Ville, Montbéliard [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble Contraste; Brigitte Rose (conductor)
• Archived performance source: Past event linked from Quick look: January 28 2010 · CONCERT L’Allan - Scène Nationale de Montbéliard Après disparition - for 8 soloist voices, choir and live computer Ensemble Contraste - Conductor Brigitte Rose Théâtre de la Ville, Montbéliard [France]
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2010 · January 28, Concert, L’Allan - Scène Nationale de Montbéliard, Après disparition - for 8 soloist voices, choir and live computer, Théâtre de la Ville, Montbéliard [France]

Event and venue supplied by the composer; date and world-premiere status to be confirmed

CV FR 2018: String quartet and live electronics

• CV scoring: String quartet and live electronics
• Archive reference, not confirmed as a world premiere: 2009 · February 22, Concert, Le Salon de Musique, Incipit-Phoenix (second string quartet) - for string quartet and live computer, Ensemble de Musique Interactive, Espace Multimedia Gantner, Bourogne [France]
• Archived performance musicians, not confirmed as premiere performers: Quatuor Leonis; Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: February 22 2009 · CONCERT Le Salon de Musique Incipit-Phoenix (second string quartet) - for string quartet and live computer, Ensemble de Musique Interactive Quatuor Leonis Espace Multimedia Gantner, Bourogne [France]
• Details supplied by the composer: Le Salon de Musique; Incipit-Phoenix, second string quartet, for string quartet and live computer; Ensemble de Musique Interactive with the Quatuor Leonis; Espace Multimédia Gantner, Bourogne. The archive dates this concert to 22 February 2009; world-premiere status remains to be confirmed.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Quatuor Leonis — repertoire: The ensemble’s repertoire confirms Incipit Phoenix for string quartet and electronics, without giving a premiere date in this list. The Roma premiere in May 2012 mentioned on the same line concerns De la nature du Sacre and is not assigned to Incipit.
• Performer source: Performers supplied by the composer for Le Salon de Musique, Espace Multimédia Gantner, Bourogne.

• 2009 · February 22, Concert, Le Salon de Musique, Incipit-Phoenix (second string quartet) - for string quartet and live computer, Ensemble de Musique Interactive, Espace Multimedia Gantner, Bourogne [France]
• 2009 · October 21, Concert, Electronic Music Week 2009, Incipit-Phoenix (string quartet n.2) for string quartet and live computer, HeLuTing Concert Hall, Shanghai [China]

World premiere confirmed by the composer

• Relationship to Anima (CV 2006) and Natura-Phoenix not established by the sources.
• World premiere confirmed by the composer: 5 May 2010, Festival «Île de découvertes», Scène Nationale, Grand Théâtre, Saint-Quentin-en-Yvelines; Orchestre National d’Île-de-France, conducted by Kaspar Zehnder. Quartet name not specified; the composer subsequently confirmed 2010 as the composition year.
• Composition year: 2010, confirmed by the composer.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Composer interview — 24 June 2010: The interview discusses Anima-Phoenix for orchestra, quartet and electronics, performed the previous May by the Orchestre d’Île-de-France. This is consistent with 2010 and the details confirmed by the composer.
• Performer source: Date, venue, instrumentation, orchestra and conductor supplied by the composer.

• 2010 · May 5, Concert, Festival île de découvertes, Anima-Phoenix - for symphonic orchestra, String quartet and live computer, Scène Nationale, Grand Théâtre, Saint-Quentin-en-Yvelines [France]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Title / commission listed in the relevant CV section.

• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2010 · February 2, Concert, Peninsula Arts Contemporary Music Festival, Something in between - for 3 musicians, Upper Lecture Theatre, Sherwell Centre, University of Plymouth, Plymouth [United Kingdom]
• Archived performance musicians, not confirmed as premiere performers: RE:search Ensemble
• Archived performance source: Past event linked from Quick look: February 2 2010 · CONCERT Peninsula Arts Contemporary Music Festival Something in between - for 3 musicians RE:search Ensemble Upper Lecture Theatre, Sherwell Centre, University of Plymouth, Plymouth [United Kingdom]
• Details supplied by the composer: Something in between, for 3 musicians; RE:search Ensemble; Peninsula Arts Contemporary Music Festival; Upper Lecture Theatre, Sherwell Centre, University of Plymouth. No date appears in the consulted extracts of the cited entry.
• Context supplied by the composer: Eduardo Reck Miranda’s official University of Plymouth profile lists the PRISMA International Conference on Aesthetic Decisions in Computer-Aided Composition, Plymouth, UK, 2010. The 2010 festival is dated 26–28 February, co-organised by Peninsula Arts and ICCMR, directed by Miranda.
• Hypothesis suggested by the composer, unconfirmed by a programme: performance during PRISMA and the festival around 26–28 February 2010. The exact day remains hypothetical; the composer subsequently requested that 2010 be adopted as the year of the work.
• Discrepancy to clarify: the local Quick look extract gives 2 February 2010 for this concert, while the supplied festival context gives 26–28 February 2010. Neither date is treated as a world premiere without confirmation.
• Year of the work: 2010, adopted following the composer’s confirmation.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2010 · February 2, Concert, Peninsula Arts Contemporary Music Festival, Something in between - for 3 musicians, Upper Lecture Theatre, Sherwell Centre, University of Plymouth, Plymouth [United Kingdom]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Children’s choir, 4 solo voices and live electronics

• CV scoring: Children’s choir, 4 solo voices and live electronics
• The similarly titled installation “…Et si le temps était toujours modern?” is a different entry and does not establish this choral work’s premiere.
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Trombone, three percussionists and live computer

• CV scoring: Trombone, three percussionists and live computer
• Archive reference, not confirmed as a world premiere: 2011 · May 6, Concert, Schlag auf schlag, Igitur semper - version for 3 percussionists, solo trombone and Live computer, Theater Basel, Basel [Switzerland]
• Archived performance musicians, not confirmed as premiere performers: Soloists of Basel Symphonic Orchestra; Henri Michel Garzia (trombone)
• Archived performance source: Past event linked from Quick look: May 6 2011 CONCERT Schlag auf schlag Igitur semper - version for 3 percussionists, solo trombone and Live computer Soloists of Basel Symphonic Orchestra - Henri Michel Garzia - Trombone Theater Basel, Basel [Switzerland]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• DeciBells — repertoire: DeciBells states that it premiered the 2011 work for solo trombone, percussion trio and live electronics. No day or venue is given.

• 2011 · May 6, Concert, Schlag auf schlag, Igitur semper - version for 3 percussionists, solo trombone and Live computer, Theater Basel, Basel [Switzerland]
• 2012 · May 4, Concert, Percussion Bytes, Igitur semper - version for 3 percussionists, solo trombone and Live computer, Dreispitzhalle, Basel [Switzerland]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2006 · January 8, Concert, « 1/60 » Atelier de création radiophonique, Il y a un an - electroacoustic composition, Maison de la Radio, Paris [France]
• Year 2011 and the ACR–Radio France commission confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2006 · January 8, Concert, « 1/60 » Atelier de création radiophonique, Il y a un an - electroacoustic composition, Maison de la Radio, Paris [France]

World premiere: details and source comparison supplied by the composer; conflicting CIDIM date in the notes

CV FR 2018: String quartet and live electronics

• CV scoring: String quartet and live electronics
• Archive reference, not confirmed as a world premiere: 2012 · May 18, Concert, Stagione di Musica da Camera, De la nature du sacre (third string quartet), Sala Sinopoli - Auditorium Parco della Musica, Rome [Italy]
• Archived performance musicians, not confirmed as premiere performers: Quatuor Léonis; Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: May 18 2012 · CONCERT Stagione di Musica da Camera De la nature du sacre (third string quartet) Quatuor Léonis Ensemble de Musique Interactive Sala Sinopoli - Auditorium Parco della Musica, Rome [Italy]
• Organiser: Accademia Nazionale di Santa Cecilia, 2011–2012 chamber music season. Announcement title: «Hic Sunt Leon(i)s».
• Programme: De la nature du sacre (world premiere); Steve Reich’s Different Trains; Maurice Ravel’s string quartet.
• Date comparison supplied by the composer: the composer’s website and the announcement reproduced by info.roma.it give Friday 18 May 2012. CIDIM’s «Prime assolute» archive instead gives 12 May 2012, a Saturday, with the same hall, time and season. The date of 18 May is adopted, retaining the discrepancy without treating the CIDIM error as definitively established. The Quatuor Leonis website confirms Roma, Accademia di Santa Cecilia, May 2012, without a day.
• The concert organiser is not automatically identified as the commissioner of the work.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Santa Cecilia — 2011–2012 season: The official ANSC programme confirms Friday 18 May 2012 at 20:30, world-premiere status and the ANSC commission, corroborating the composer’s information.
• Performer source: Information supplied by the composer: concert announcement, composer’s website and Quatuor Leonis website.

• 2012 · May 18, Concert, Stagione di Musica da Camera, De la nature du sacre (third string quartet), Sala Sinopoli - Auditorium Parco della Musica, Rome [Italy]
• 2012 · November 3, Concert, Tage für neue Musik, De la nature du sacre (third string quartet) - for string quartet and live computer, Jugendzentrum, Weimar [Germany]
• 2013 · January 26, Concert, Leonis en résidence, De la nature du sacre - for String quartet and live computer, Théâtre de l’Aquarium, Vincennes [France]
• 2014 · November 11, Concert, Festival - Festival Sons d’Automne, De la nature du sacre (third string quartet) - for string quartet and live computer, Conservatoire de musique, Annecy [France]
• 2015 · October 11, Concert, Biennale de Venice - music section, De la nature du sacre (third string quartet) - for string quartet and live computer, Sala delle armi - Arsenale, Venice [Italy]
• 2016 · July 16, Concert, De la nature du sacre (third string quartet) - for string quartet and live computer, Leonis string quartet, Eglise St Maurice, Caromb [France]
• 2018 · June 2, Concert, De la nature du sacre - third string quartet and live-computer, Leonis String Quartet, Maison de la Radio, Paris [France]
• 2018 · December 8, Concert, De la nature du sacre - third string quartet and live-computer, Leonis String Quartet, Conservatoire de Romainville, Romainville [France]
• 2025 · February 7, Concert, De la nature du sacre [3rd string quartet] for string quartet and live computer, Vacuum string quartet, Moscow Conservatory, Moscow [Russia]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Title / commission listed in the relevant CV section.

• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere explicitly identified in the Staatstheater Cottbus announcement

CV FR 2018: Symphony orchestra and live electronics

• CV scoring: Symphony orchestra and live electronics
• CV specifies symphony orchestra and electronics; Quick look 2012 additionally mentions a string quartet. Exact version to confirm.
• Archive reference, not confirmed as a world premiere: 2012 · May 13, Concert, Philharmonische Konzerte im Großen Haus, Natura-Phoenix - for symphonic orchestra and String quartet, Staatstheater, Cottbus [Germany]
• Archived performance musicians, not confirmed as premiere performers: Cottbus Symphonic Orchestra; Evan Christ (conductor); quartet players not individually named
• Archived performance source: Past event linked from Quick look: May 13 2012 · CONCERT Philharmonische Konzerte im Großen Haus Natura-Phoenix - for symphonic orchestra and String quartet Cottbus Symphonic Orchestra - Conductor Evan Christ Staatstheater, Cottbus [Germany]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Staatstheater Cottbus announcement — May 2012: The concert announcement lists the premiere on 11 May 2012, repeated on 13 May, conducted by Evan Christ. The announcement was published on 9 May, which is not the concert date.

• 2012 · May 13, Concert, Philharmonische Konzerte im Großen Haus, Natura-Phoenix - for symphonic orchestra and String quartet, Staatstheater, Cottbus [Germany]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2012 · November 10, Concert, Piccola natura serena - for orchestra and live computer, Aposiopée - Conductor Jean-Louis Vicart, Auditorium Saint-Germain, Paris [France]
• Archived performance musicians, not confirmed as premiere performers: Aposiopée; Jean-Louis Vicart (conductor)
• Archived performance source: Past event linked from Quick look: November 10 2012 · CONCERT Piccola natura serena - for orchestra and live computer Aposiopée - Conductor Jean-Louis Vicart Auditorium Saint-Germain, Paris [France]
• Composition year: 2012, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2012 · November 10, Concert, Piccola natura serena - for orchestra and live computer, Aposiopée - Conductor Jean-Louis Vicart, Auditorium Saint-Germain, Paris [France]
• 2012 · December 15, Concert, Piccola natura serena - for orchestra and live computer, Aposiopée - Conductor Jean-Louis Vicart, Centre d’Animation Jemmapes, Paris [France]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2013 · November 22, Concert, Electronic Music Week - 2013, De la nature du sacre-II - for String quartet and live computer, Shanghai Concert Hall, Shanghai [China]
• Archived performance musicians, not confirmed as premiere performers: Leonis String Quartet; Ensemble de Musique Interactive
• Archived performance source: Past event linked from Quick look: November 22 2013 · CONCERT Electronic Music Week - 2013 De la nature du sacre-II - for String quartet and live computer Leonis String Quartet and Ensemble de Musique Interactive Shanghai Concert Hall, Shanghai [China]
• Details supplied by the composer: De la nature du sacre-II – Shanghai Version, a version of the third string quartet for string quartet and live computer.
• Commission: EMW — Shanghai Conservatory of Music International Electronic Music Week, 2013. References supplied by the composer: YouTube video description and the website’s Music for concerts page.
• Performers: Quatuor Leonis with the Ensemble de Musique Interactive. Venue: Shanghai Concert Hall, during Electronic Music Week 2013; reference supplied by the composer: Past events.
• Year of the work: 2013, confirmed by the composer. World-premiere status remains to be confirmed.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2013 · November 22, Concert, Electronic Music Week - 2013, De la nature du sacre-II - for String quartet and live computer, Shanghai Concert Hall, Shanghai [China]

World premiere to be completed; date and performers unconfirmed

CV FR 2018: Title / commission listed in the relevant CV section.

• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2014 · April 15, Concert, Festival IMPETUS, Il colore del Nero-II - Requiem in forma di Musica - for 11 musicians and live computer, Crac 19, Montbéliard [France]
• Archived performance musicians, not confirmed as premiere performers: Ensemble de Musique Interactive; Laurent Zemp (conductor)
• Archived performance source: Past event linked from Quick look: April 15 2014 · CONCERT Festival IMPETUS Il colore del Nero-II - Requiem in forma di Musica - for 11 musicians and live computer Ensemble de Musique Interactive - Conductor Laurent Zemp Crac 19, Montbéliard [France]
• Performance supplied by the composer: Tuesday 15 April 2014, 18:30, Le 19 – CRAC (Centre Régional d’Art Contemporain), Montbéliard, Festival Impetus, fifth edition; free admission. Il colore del nero-II – Requiem in forma di musica, for 11 musicians and live computer; Ensemble de Musique Interactive conducted by Laurent Zemp. Website entry no. 261.
• Evening title: «Kasper Toeplitz + Jacopo Baboni Schilingi + les musiciens du Conservatoire», Pays de Montbéliard. Participation in the same evening is not equated with the instrumentation of this composition alone.
• Context supplied by the composer: Impetus, a cross-border festival of divergent music and cultures, founded in 2010 by Moloco, Poudrière, Belfort, and venues in Lausanne; ten editions from 2010 to 2019.
• Another festival event on the same day, separate from this work’s performance: Merzbow and Mellanoise, 20:30, Fort du Mont Bart.
• 15 April 2014 is a performance date. The composer subsequently confirmed 2014 as the composition year; world-premiere status remains to be confirmed.
• Composition year: 2014, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2014 · April 15, Concert, Festival IMPETUS, Il colore del Nero-II - Requiem in forma di Musica - for 11 musicians and live computer, Crac 19, Montbéliard [France]

World premiere and year of the work confirmed by the composer

• Archived performance musicians, not confirmed as premiere performers: Matthias Müller (augmented bass clarinet)
• Archived performance source: Past event linked from Quick look: April 3 2014 · CONCERT SABRe New beginnings - for augmented bass clarinet and live computer Matthias Müller - bass clarinet Kunstraum Walcheturm - Zurich [Switzerland]Gant
• Composition year 2014 and world premiere on 3 April 2014 confirmed by the composer. Concert: «SABRe – Sensor Augmented Bass Clarinet Research», 20:30, Kunstraum Walcheturm, Kanonengasse 20, Zurigo.
• Organisation: IGNM Zürich’s 2013/2014 season with ICST, ZHdK; the concert also appears in the official ZHdK calendar, according to the references supplied by the composer. Organisation is not equated with a commission of the work.
• Partial programme, according to the IGNM extract supplied by the composer: Alex Buess, SKUTO (2014), for SABRe, world premiere; Marko Ciciliani, Time Machine (2012/13), for SABRe, live electronics and live video, Swiss premiere. This list may be incomplete.
• Context supplied by the composer: SABRe is a bass clarinet playable conventionally and as a sensitive interface, conceived by Matthias Müller and developed by ICST.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Composer’s website archive, concert of 3 April 2014 at Kunstraum Walcheturm.

• 2014 · April 3, Concert, SABRe, New beginnings - for augmented bass clarinet and live computer, Kunstraum Walcheturm, Zurich [Switzerland]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2015 · June 3, Concert, Augmented violin, Aura-phoenix (fourth string quartet) - for violin and live computer, Meridian Space, Beijing [China]
• Reference supplied by the composer for Aura-phoenix, fourth string quartet: the Quatuor Leonis biographies on Arts-Scène and Midis-Minimes list «Cordes Électriques (2015 – quartet and electronics with composer Jacopo Baboni-Schilingi)». The biographies associate 2015 with the project; this reference does not specify the date or venue of the world premiere. Cordes Électriques is retained as a project reference without replacing the work’s title.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2015 · June 3, Concert, Augmented violin, Aura-phoenix (fourth string quartet) - for violin and live computer, Meridian Space, Beijing [China]
• 2015 · June 6, Concert, Augmented violin, Aura-phoenix (fourth string quartet) - for violin and live computer, Conservatory of music, Wuhan [China]
• 2016 · March 3, Concert, Augmented violin, Aura-phoenix (fourth string quartet) for violin and live computer, Why Note - Atheneum Centre Culturel, Dijon [France]
• 2017 · February 2, Concert, Aura - Phoenix - [fourth string quartet] - for violin and live computer, Inside the recital "Violon augmenté : de Bach à Hendrix", Auditorium du Grand Avignon, Le Pontet [France]

References supplied by the composer: APCI announces the premiere of a work on the Body scores theme; its association with Extended Nox derives from these references

• Archive reference, not confirmed as a world premiere: 2015 · November 5, Monographic concert, Extended Nox, William Besserer - saxophones, ARSENAL, Metz [France]
• Archived performance source: Quick look: November 5, Monographic concert, Extended Nox, William Besserer - saxophones, ARSENAL, Metz [France]
• APCI reference supplied by the composer: Thursday 5 November 2015, awards ceremony, premiere of a work on the theme «Body scores»: writing on the body, with electroacoustic intervention and reflection on the place of the human in contemporary creation. The supplied APCI summary does not explicitly give the work’s title.
• Lorraine Magazine, according to information supplied by the composer: monographic concert «Extended Nox» / Nox-Bodyscores with Tamara Bounazou, Axelle Saint-Cirel, William Besserer and Clément Gérard; scores projected onto real bodies, body painting and temporary tattoos. Performers are associated with the monographic concert; the summarised source does not assign each work separately to individual performers.
• Quick look documents Extended Nox on 5 November 2015 at Arsenal, Metz. The composer separately confirms 2015 as the composition year.
• Composition year: 2015, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Instrumentation of the monographic concert Extended Nox / Nox-Bodyscores described by Lorraine Magazine, according to information supplied by the composer.

• 2015 · November 5, Monographic concert, Extended Nox, William Besserer - saxophones, ARSENAL, Metz [France]

World premiere confirmed by the composer

• Archived performance source: Past event linked from Quick look: November 20 2015 · CONCERT Festival Why note La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenot and live computer Nadia Ratsimandresy - Ondes Martenot Le Consortium, Dijon [France]
• Details confirmed by the composer: written for ondes Martenot player Nadia Ratsimandresy; world premiere on 20 November 2015 at Le Consortium, Dijon, Festival «Ici l’onde», produced by Why Note. Commissioner: Why Note, Dijon.
• Composition year: 2015, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Written for ondes Martenot player Nadia Ratsimandresy, according to information supplied by the composer.

• 2015 · November 20, Concert, Festival Why note, La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenot and live computer, Le Consortium, Dijon [France]
• 2016 · March 24, Concert, Horizons Electroniques II, La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenot and live computer, Festival Electroni, Geneva [Switzerland]
• 2016 · April 3, Concert, Concert for Ondes Martenot and live computer, La dernière onde pour un enfant retrouvé mort sur une plage en été - for Ondes Martenot and live computer, Espace Multimedia Gantner, Bourogne [France]
• 2016 · April 22, Concert, Festival PÉRIL ELECTRO, La Dernière onde pour un enfant retrouvé mort sur une plage en été - for onde martenot and live computer, Confluence, Paris [France]
• 2016 · June 10, Concert, La Dernière onde pour un enfant retrouvé mort sur une plage en été - for onde martenot and live computer, Copenhagen Avantgarde Music Festival, Den Frie Udstillingsbygning, Copenhagen [Denmark]
• 2016 · December 12, Concert, La Dernière onde pour un enfant retrouvé mort sur une plage en été - for onde martenot and live computer, Nadia Ratsimandresy - onde martenot, Gävle theatre, Gävle [Sweden]

World premiere confirmed by the composer

• Concert: «Dance n’ Rhythm – mit Matthias Mueller»; subtitle: «SABRe in interdisziplinärer Anwendung» (SABRe in interdisciplinary use). Organiser: GMkonzerte, the series associated with Matthias Mueller.
• The work’s presentation addresses the interaction between musician and computer.
• Programme: 1. Andreas Nick, 3 Tableaux, for clarinet, violin, piano and tap dance (world premiere); 2. Mueller and Pollak, Concept-Piece on Verbunkos-Pihenő-Sebes, for SABRe and tap dance; 3. Bartók, Contrasts; 4. Baboni-Schilingi, De la nature du mythe (world premiere); 5. Mueller and Pollak, Concept-Piece Valse-Tango-Ragtime; 6. Stravinskij, L’histoire du soldat, suite in Max Pollak’s tap-dance version.
• Date, time, hall, organiser and programme supplied by the composer. GMkonzerte is identified as organiser; no commissioner is inferred.
• Composition year: 2016, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Concert details supplied and confirmed by the composer.

• 2016 · November 4, Concert, World premiere of De la nature du Mythe, Composition for SABRe and live computer - Matthias Muller (bass clarinet), Tonhalle Zürich, Zurich [Switzerland]
• 2017 · June 30, Concert, De la nature du mythe - Composition for SABRe [extended bass clarinet] and live computer, Matthias Muller (bass clarinet), Tonhalle, Zurich [Switzerland]

Explicit premiere statement in Quick look

• The archive records a performance in 2017; this does not establish the composition year.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Past event linked from Quick look: February 5 2017 · CONCERT Quando (non) c'è più silenzio - world premiere for flute and live computer by Jacopo Baboni Schilingi Marie Sonderskov (flute) Symfonisk Sal - Musikhuset Aarhus Symfonisk Sal - Musikhuset Aarhus, Aarhus [Denmark]

• 2017 · February 5, Concert, Quando (non) c'è più silenzio - world premiere for flute and live computer by Jacopo Baboni Schilingi, Marie Sonderskov - flute, Aarhus - Cultural Capital 2017, Symfonisk Sal - Musikhuset Aarhus, Aarhus [Denmark]

World premiere to be completed; date and performers unconfirmed

• The dedicated work page explicitly identifies the 2018 CHANEL Tokyo composition residency. The CV lists a 2017 unnamed string-quartet commission from Chanel; identification with this work requires confirmation.
• Archive reference, not confirmed as a world premiere: No public premiere documented
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2018 · February 26 to March 10, Artistic residency, Composing a new string quartet, CHANEL Nexus Hall, Tokyo [Japan]

World premiere to be completed; date and performers unconfirmed

• The archive records a performance in 2018; this does not establish the composition year.
• Archive reference, not confirmed as a world premiere: 2019 · February 8, Concert, Avant premiere of HUGE - for piano and live computer - Commissioned by Deutsche Grammophon, Pianist - Simon Ghraichy, FNAC des Ternes, Paris [France]
• Archived performance musicians, not confirmed as premiere performers: Simon Ghraichy (piano)
• Archived performance source: Past event linked from Quick look: February 8 2019 · CONCERT Avant premiere of HUGE - for piano and live computer - Commissioned by Deutsche Grammophon   Pianist - Simon Ghraichy FNAC des Ternes, Paris [France] February 3 2019 Iris - for double bass live-computer Saison Numérique, Salle des fêtes, Déservillers [France] An original composition written for the DEM double bass program for young musician Iris Plaisance-Godey. February 3 2019 TERRA - music and dance performance - conceived by Jacopo Baboni Schilingi Saison Numérique, Salle des fêtes, Déservillers [France] Dancer - Fanny Gombert
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• IRCAM — work entry: IRCAM gives 2019 and a premiere on 5 October 2019 at the Institut de France. The composer’s archive already documents a recording in 2018 and concerts in February 2019, so the IRCAM date has not been entered as the world premiere.
• Théâtre des Champs-Élysées — 2019 recital: The theatre documents the recital of 19 February 2019 and Baboni Schilingi’s work on the interludes. This predates the premiere date given by IRCAM, but is insufficient to establish the premiere of Huge.

• 2018 · October 19, Recording session, HUGE - new composition for piano and live computer, Pianist - Simon Ghraichy, EMIL BERLINER STUDIOS, Berlin [Germany]
• 2019 · February 8, Concert, Avant premiere of HUGE - for piano and live computer - Commissioned by Deutsche Grammophon, Pianist - Simon Ghraichy, FNAC des Ternes, Paris [France]
• 2019 · February 19, Concert, HUGE - for piano and live computer - Commissioned by Deutsche Grammophon, Pianist - Simon Ghraichy, Théâtre des Champs Elysées, Paris [France]
• 2019 · October 5, Concert, HUGE - for piano and live computer - Commissioned by Deutsche Grammophon, Nuit Blanche, Pianist: Simon Ghraichy, Institut de France, Paris [France]
• 2019 · November 22, Concert / performance, For the « Carte blanche à Marie-Agnès Gillot » Simon Ghraichy plays HUGE - for piano and live computer, composed Jacopo Baboni Schilingi, La Seine Musicale, Boulogne-Billancourt [France]
• 2021 · December 2, Concert, Hommage pour le Liban, HUGE for piano and live computer, Pianist: Simon Ghraichy, Under the high patronage of François Hollande and the initiative of UNESCO’s Li Beirut directed by Audrey Azoulay, Institut du monde arabe, Paris [France]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2018 · March 28, Concert, Iris - New Composition for double bass and live computer, Written for the DEM double bass program for young musician Iris Plaisance-Godey, Conservatoire de Musique, Besançon [France]
• Year of the work: 2018, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2018 · March 28, Concert, Iris - New Composition for double bass and live computer, Written for the DEM double bass program for young musician Iris Plaisance-Godey, Conservatoire de Musique, Besançon [France]
• 2019 · February 2, Concert, Saison Numérique, Iris - for double bass live-computer, Espace culturel, Quingey [France]
• 2019 · February 3, Concert, Iris - for double bass live-computer, An original composition written for the DEM double bass program for young musician Iris Plaisance-Godey, Saison Numérique, Salle des fêtes, Déservillers [France]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2019 · April 28, Concert, Festival Variations 2019, Anima - a new composition for piano and live-computer - commissioned by Variations 2019, Le Lieu Unique, Nantes [France]
• Archived performance source: Past event linked from Quick look: April 28 2019 · CONCERT Festival Variations 2019 Anima - a new composition for piano and live-computer - commissioned by Variations 2019  Pianist - Célimène Daudet Le Lieu Unique, Nantes [France]
• Title: Anima, without the wording ‘piano version’; year 2019 and pianist Célimène Daudet confirmed by the composer.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Célimène Daudet — biography: The pianist’s biography confirms Anima-Alias with live computer and a breathing sensor. The title Anima and year 2019 supplied by the composer have been retained.
• Performer source: Pianist identified by the composer.

• 2019 · April 28, Concert, Festival Variations 2019, Anima - a new composition for piano and live-computer - commissioned by Variations 2019, Le Lieu Unique, Nantes [France]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2019 · November 20, Monographic concert, Il colore del Blu-II (first string quartet), Monographic concert for string quartet and live computer, Musicians from the Pygmalion Nexus Hall, CHANEL NEXUS HALL - Ginza, Tokyo [Japan]
• Archived performance musicians, not confirmed as premiere performers: Musicians from the Pygmalion Nexus Hall (as stated in Quick look; individual quartet members not named)
• Archived performance source: Past event linked from Quick look: November 20 2019 · MONOGRAPHIC CONCERT Monographic concert for string quartet and live computer Il colore del Blu-II (first string quartet) De la nature du sacre (third string quartet)  N.5 commissioned by CHANEL (fifth string quartet) CHANEL NEXUS HALL - Ginza, Tokyo [Japan]
• Composer’s confirmation: Il colore del Blu-II, 2019, Nexus Hall. The website archive documents the concert of 20 November 2019 at CHANEL NEXUS HALL, Ginza, Tokyo; world-premiere status remains to be confirmed.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2019 · November 20, Monographic concert, Il colore del Blu-II (first string quartet), Monographic concert for string quartet and live computer, Musicians from the Pygmalion Nexus Hall, CHANEL NEXUS HALL - Ginza, Tokyo [Japan]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2019 · November 22, Concert, Electroacoustic interludes, Simon Ghraichy - performer, La Seine Musicale, Boulogne-Billancourt [France]
• Archived performance musicians, not confirmed as premiere performers: Simon Ghraichy (performer)
• Archived performance source: Past event linked from Quick look: November 22 2019 · CONCERT Electroacoustic interludes Simon Ghraichy - performer La Seine Musicale La Seine Musicale, Boulogne-Billancourt [France]
• Year of the work: 2019, confirmed by the composer.
• Later performance: Sunday 17 July 2022, Acropoli di Baalbeck, Libano, closing night of the Festival di Baalbeck, its first live edition after three years. An original production created for the festival.
• Evening performers: Simon Ghraichy, piano; Rana Gorgani, Sufi dance; Jacopo Baboni Schilingi, electronics. Composer’s contribution: electroacoustic interludes inspired by Eastern music, according to the reference to The National supplied by the composer. This concert date is not identified as the world premiere of Interludes.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Théâtre des Champs-Élysées — 2019: The theatre announces interludes composed for Simon Ghraichy’s recital on 19 February 2019, controlled by a touch sensor. It does not identify the event as a world premiere.
• La Seine Musicale — programme: Programme for 22 November 2019: interludes and Huge, with Simon Ghraichy and Marie-Agnès Gillot. The programme does not establish a composition date.

• 2019 · November 22, Concert, Electroacoustic interludes, Simon Ghraichy - performer, La Seine Musicale, Boulogne-Billancourt [France]
• 2021 · December 2, Concert, Electroacoustic interludes, Institut du monde arabe, Paris [France]
• 2022 · July 17, Concert, Interludes by Jacopo Baboni Schilingi, Raga Gorgani - dance, Baalbeck Acropolis, Baalbek [Lebanon]

Explicit premiere statement in Quick look

• Composition year: 2019, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2020 · June 20, Concert (cancelled due to COVID-19), La symphonie du bonjour - scheduled world premiere, Salle Boulez, Philharmonie de Paris, Paris [France]

Premiere and year of the work confirmed by the composer

• Archived performance source: Past event linked from Quick look: February 19 2019 · CONCERT Metamorphosis - 7 interludes for live computer - Commissioned by Simon Ghraichy   Théâtre des Champs Elysées, Paris [France]
• Details confirmed by the composer: Metamorphosis (2019), a cycle of 7 interludes for live computer; commissioned by Simon Ghraichy. World premiere on 19 February 2019 at Théâtre des Champs-Élysées, Parigi, performed by Simon Ghraichy.
• The interludes occur between pieces in the piano recital. Using an interactive interface, the pianist controls the musical transformation between the end of one piece and the beginning of the next.
• Evening: «Simon Ghraichy avec Chilly Gonzales, Jacopo Baboni Schilingi & Rana Gorgani», built around Schumann’s Humoreske. The other artists participating in the evening are not assigned as performers of individual interludes.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.
• Performer source: Information supplied by the composer.

• 2019 · February 19, Concert, Metamorphosis - 7 interludes for live computer - Commissioned by Simon Ghraichy, Performer - Simon Ghraichy, Théâtre des Champs Elysées, Paris [France]

Year and city confirmed by the composer; day documented in the website archive

• Archive reference, not confirmed as a world premiere: 2020 · March 9, Concert, Who's Laura Palmer, New composition for violin, cello, AirGo breathing system and live computer, Festival Flashback, Perpignan [France]
• Archived performance musicians, not confirmed as premiere performers: Diego Tosi (violin); Timothé Tosi (cello)
• Archived performance source: Past event linked from Quick look: March 9 2020 Who's Laura Palmer New composition for violin, cello, AirGo breathing system and live computer Diego Tosi (violon), Timothé Tosi (violoncelle) Festival Flashback, Perpignan [France] February 27 2020 · [MONOGRAPHIC CONCERT] CINERE - a part of Alias - Hommage au statut de la femme Music - Jacopo Baboni Schilingi Texte - Elsa Revcolevschi Saison Numérique, Scène Numérique, Montbéliard [France] Scène Numérque - Montbéliard
• Composer’s confirmation: 2020, Perpignan, commissioned by Flashback. The website archive specifies 9 March 2020 and performers Diego Tosi and Timothé Tosi.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Ensemble Flashback — 2020 project: Flashback documents the title Who killed Laura Palmer in its Twin Peaks (2020) project, with Diego and Timothé Tosi and video by Thomas Pénanguer. The CRR de Perpignan commission to the Flashback association concerns the overall project and is not automatically assigned to this composition alone. Title variant to be confirmed.
• Performer source: Website archive: 9 March 2020, Festival Flashback, Perpignan.

• 2020 · March 9, Concert, Who's Laura Palmer, New composition for violin, cello, AirGo breathing system and live computer, Festival Flashback, Perpignan [France]

World premiere to be completed; date and performers unconfirmed

• The archive records a performance in 2021; this does not establish the composition year.
• Archive reference, not confirmed as a world premiere: 2022 · June 13, Concert, Scarlet K141 by Jacopo Baboni Schilingi, Palazzo Ricci - Europäische Akademie für Musik und Darstellende Kunst, Montepulciano [Italy]
• Archived performance musicians, not confirmed as premiere performers: Luca Quintavalle (harpsichord)
• Archived performance source: Past event linked from Quick look: June 13 2022 · CONCERT Scarlet K141 by Jacopo Baboni Schilingi Luca Quintavalle - harpsichord Palazzo Ricci - Europäische Akademie für Musik und Darstellende Kunst Palazzo Ricci - Europäische Akademie für Musik und Darstellende Kunst, Montepulciano [Italy] Scarlet K141 is a composition for harpsichord and live electronics. It is a composition that belongs to the "highly" cycle, which means "as fast as possible". It is a composition strongly inspired by Scarlatti's sonata K141. Actually, I was inspired by three sonatas: K18, K141 and K525. But the morphological link with K141 is much more explicit. This composition seeks, in addition to a purely musical discourse, to enhance the performer. In the music of creation, also known as contemporary music, all too often composers submit passages that are extremely difficult to perform and whose sonic result seems disconnected from the difficulty of producing it. Scarlet K141 is exactly the opposite. The instrumental gestures are in themselves all idiomatic to the instrument: obstinate repeated notes, trills, tremolos, clusters. It is their concatenation that makes them particularly spectacular. In addition to the gestures just listed, I ask Luca Quintavalle, in a section before the finale, to strike the harpsichord as if it were a percussion instrument. It is no longer a question of playing on the keyboard, but in the different wooden parts of the sound box. All these sounds are recorded in real time by the computer and I process them so that a dialogue is created between the harpsichord and the electronics. This dialogue is defined both by the reworked sounds and by a series of sounds that I have composed specifically for this composition. For more than 14 years now, I have been writing my scores not on paper, nor on the computer, but on human bodies. Then I take photographs of these scores so that I can copy them and send them to the musicians. For Scarlet K141 I wrote about Agathe Vidal [whose photo was used for the cover]. In this sense Scarlet K141 represents my aesthetics [or poetics if you prefer], which is articulated around four fundamental needs: to express myself through complex structures, the search for hedonism through my work, the use of machines and the redefinition of the notion of the body in art. Scarlet K141 is dedicated to Luca Quintavalle, to whom I owe so much, and this composition bears witness to that.
• Correct title confirmed by the composer: Scarlet k141. The Scarlet K18 entry was a typing error rather than a separate work; archive references have been merged.
• One of six new pieces commissioned for Luca Quintavalle’s recording project. The commissions were funded by the Fondazione Forberg-Schneider; Kunststiftung NRW supported part of the production.
• Recording: Italian Contemporary Music for Harpsichord, Luca Quintavalle, Brilliant Classics 96408, 2 CDs, November 2021. Scarlet k141 is the final track on the second CD. Recording duration: 7 minutes and 39 seconds; not treated as a fixed duration for the work.
• Recording instrument: a copy of a 1711 Donzelague, built by Andrea Restelli in 2004.
• Documented performance reported by the composer: 2023, probably early in the year, Tonhalle, Düsseldorf, Mendelssohn-Saal, «Sternstunden: Cembalonacht». Evening featuring Luca Quintavalle, Jean Rondeau, Léon Berben and Daniel Trumbull; Jacopo Baboni Schilingi, live electronics. Exact date to be confirmed; the event is not identified as a world premiere.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• MusicOlomouc — programme: The programme dates the work to 2021; the documented concert took place on 3 November 2025, with Luca Quintavalle and the composer on electronics. It is not presented as the premiere of Scarlet.
• Brilliant Classics — booklet: The booklet confirms harpsichord and live electronics, dedication to Luca Quintavalle and membership of the Highly cycle. The composer subsequently confirmed that Scarlet K18 was a typing error.

• 2021 · November, CD release, Italian Contemporary Music for Harpsichord, Scarlet K141 by Jacopo Baboni Schilingi, Luca Quintavalle - harpsichord, Brilliant Classic production, Location not applicable (CD release)
• 2022 · June 13, Concert, Scarlet K141 by Jacopo Baboni Schilingi, Palazzo Ricci - Europäische Akademie für Musik und Darstellende Kunst, Montepulciano [Italy]
• 2023 · February 13, Concert, Scarlet K141 for harpsichord and live electronics, Tonhalle, Düsseldorf [Germany]
• 2025 · January 10, Concert, Scarlet K141 for harpsichord and live electronics, Zaryadye Concert Hall (Chamber Hall), Moscow [Russia]
• 2025 · November 3, Concert, Scarlet K141 by Jacopo Baboni Schilingi, MusicOlomouc17 Festival, Arts Centre of Palacky University, Olomouc [Czech Republic]
• 2021 · June 5, Artistic residency, Scarlet K18 for harpsichord and live computer, Luca Quintavalle - harpsichord, Tonhalle, Düsseldorf [Germany]

World premiere to be completed; date and performers unconfirmed

• Archive reference, not confirmed as a world premiere: 2022 · June 11, Concert, Wolfy's - two cadenza for piano and live electronics, for Mozart's concerto K-466, Auditorium du Nouveau Siècle, Lille [France]
• Archived performance musicians, not confirmed as premiere performers: Simon Ghraichy (piano); Orchestre de Picardie; Arie van Beek (conductor)
• Archived performance source: Past event linked from Quick look: June 11 2022 · CONCERT Wolfy's - two cadenza for piano and live electronics, for Mozart's concerto K-466 Commissioned and performed by Simon Ghraichy with the Orchestre de Picardie conducted by Maestro Arie van Beek  Auditorium du Nouveau Siècle, Lille [France]
• Alternative title in the CV: Wolfy’s XXI. Two cadenzas for the first and third movements of Mozart’s Piano Concerto K. 466. Commissioned and performed by Simon Ghraichy; details supplied by the composer with references to his website, the review and the Opéra de Limoges publication.
• Victoria Okada, Vivace Cantabile, 14 June 2022: the review describes electroacoustic cadenzas with amplified notes projected through a loudspeaker and electronic transformations, developed from Mozartian motifs. The review date is not used as the composition year or premiere date.
• According to the review summary supplied by the composer, Ghraichy appeared cautious in Mozart’s concerto, which he was performing on stage for the first time, and at ease in the cadenzas. The reviewer notes that the programme lacked an explanation and the name of the cadenzas’ composer.
• Later performance documented on the composer’s website, entry 463: June 2023, Galerie dorée, Banque de France, Parigi; Simon Ghraichy, piano and live computer. Exact day to be completed.
• 2023 Deutsche Grammophon / C8 video devoted to Wolfy’s XXI, reported by the composer. The video date is not treated as the premiere date.
• Historical note cited in the review summary: Mozart left no cadenzas for K. 466; it recalls Yvonne Lefébure’s precedent with cadenzas by Fred Goldbeck, Furtwängler and the Berliner. Contextual information unrelated to the premiere of Wolfy’s.
• Composition year: 2022, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2022 · June 11, Concert, Wolfy's - two cadenza for piano and live electronics, for Mozart's concerto K-466, Auditorium du Nouveau Siècle, Lille [France]
• 2023 · June 5, Concert, Wolfy's - for piano and live computer, Galerie dorée - Banque de France, Paris [France]

First performance explicitly identified by the cited web source

• The archive records a performance in 2023; this does not establish the composition year.
• Archive reference, not confirmed as a world premiere: 2023 · November 7, Concert, Sonata for piano and live computer, Auditorium della musica, Rome [Italy]
• Archived performance musicians, not confirmed as premiere performers: Simon Ghraichy (piano)
• Archived performance source: Past event linked from Quick look: November 7 2023 · Concert  Sonata for piano and live computer Simon Ghraichy - Piano Auditorium della musica, Rome [Italy]
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Romaeuropa — Augmented Piano: The organiser identifies the Augmented Piano concert as the world premiere of Sonata. This is a concert date, not automatically a composition year.
• Santa Cecilia — 2023 report: The ANSC report confirms the world premiere and Accademia commission on 7 November 2023; it gives 20:30, while Romaeuropa and Roma Capitale give 21:00. The time has been omitted from the main field.
• Performer source: https://romaeuropa.net/archivio/festival/anno-2023/augmented-piano/

• 2026 · March 31, Concert, Sonata for piano and live computer, Conservatoire de Musique de Montbéliard, Montbéliard [France]
• 2025 · April 11, Concert, Sonata for piano and live computer, Conservatoire de Musique de Montbéliard, Montbéliard [France]
• 2025 · May 25, Concert, Sonata for piano and live computer, Alba Music Festival, Alba [Italy]
• 2024 · April 5, Concert, Sonata for piano and live computer, Paine Hall - Harvard University, Cambridge [USA]
• 2023 · November 7, Concert, Sonata for piano and live computer, Auditorium della musica, Rome [Italy]

Venue, year and performer confirmed by the composer; day documented in the website archive

• Archive reference, not confirmed as a world premiere: 2024 · October 4, Monographic concert, WOLF-1069, Roma Jewel Week 2024, Mercati di Traiano - Fori Imperiali, Rome [Italy]
• Archived performance musicians, not confirmed as premiere performers: Christian Lavernier (Soñada); Jacopo Baboni Schilingi (live computer / AI)
• Archived performance source: Past event linked from Quick look: October 4 2024 · Monographic concert WOLF-1069 World premiere with Christian Lavernier - Soñada Jacopo Baboni Schilingi - Live computer [AI] Roma Jewel Week 2024 Mercati di Traiano - Fori Imperiali, Rome [Italy]
• Composer’s confirmation: 2024, Roma, Mercati di Traiano, Christian Lavernier. The website archive specifies 4 October 2024, Roma Jewel Week, world premiere.
• Web review, 3 November 2026: Sources found and compared; empty fields and reported discrepancies remain unresolved.
• Veranos de la Villa — 2025 programme: The official programme presents 24 July 2025 as the Spanish premiere rather than the world premiere; 11-string Soñada, Christian Lavernier and the composer.
• Composer’s archive — world premiere: 4 October 2024 at Roma Jewel Week is explicitly announced as the world premiere, distinct from the French premiere on 13 November 2024.

• 2024 · October 4, Monographic concert, WOLF-1069, Roma Jewel Week 2024, Mercati di Traiano - Fori Imperiali, Rome [Italy]
• 2024 · November 13, Monographic concert, WOLF-1069, Conservatoire de Musique, Montbéliard [France]
• 2025 · July 24, Monographic concert, WOLF-1069, Claustro del Pozo - Instituto de Educación Secundaria San Isidro, Madrid [Spain]
• 2025 · November 21, Monographic concert, WOLF-1069, Magazzini del Cotone nel Porto Antico, Genoa [Italy]
• 2025 · December 7, Monographic concert, WOLF-1069, Teatro Maurensig, Feletto Udine [Italy]
• 2026 · January 22, Monographic concert, WOLF-1069, Théâtre de la Concorde, Paris [France]

World premiere to be completed; date and performers unconfirmed

• Temporary title requested by the composer. The source names the concert, not the work title. World-premiere status remains to be confirmed.
• Archive reference, not confirmed as a world premiere: 9 October 2026 · Barcolana 58th · Piazza Unità d’Italia, Trieste [Italy]
• Archived performance musicians, not confirmed as premiere performers: Matteo Bevilacqua (piano); Jacopo Baboni Schilingi (live computer)
• Archived performance source: Events, 9 October 2026: Matteo Bevilacqua - Piano; Jacopo Baboni Schilingi - live computer; Barcolana 58th; Trieste [Italy]. Quick look specifies Piazza Unità d’Italia.
• Year of creation: 2026, confirmed by the composer.
• Web review, 3 November 2026: Title and composer search completed: no sufficiently reliable new information found to fill the missing fields.

• 2026 · October 9, Concert, Barcolana 58th, Piazza Unità d’Italia, Trieste [Italy]